- Hardcover: 432 pages
- Publisher: Harry N. Abrams (January 10, 2017)
- Language: English
- ISBN-10: 1419719092
- ISBN-13: 978-1419719097
- Product Dimensions: 5.8 x 1.5 x 8.6 inches
- Shipping Weight: 1.6 pounds (View shipping rates and policies)
- Average Customer Review: 3.8 out of 5 stars See all reviews (91 customer reviews)
- Amazon Best Sellers Rank: #65,841 in Books (See Top 100 in Books)
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RoseBlood Hardcover – January 10, 2017
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From School Library Journal
Gr 7 Up—Rune Germain has sung opera since she was four years old, as her father played arias on his violin. She sings beautifully, and often the music becomes so strong that it bursts out of her, but each performance leaves her feeling ill, especially following her father's death. After Rune has a devastating encounter with a boy at a party, her mother sends her to her aunt's music conservatory, RoseBlood, near Paris, hoping that it will cure Rune of her "affliction." The school has a past that scares Rune. Originally a theater modeled after the one in Gaston Leroux's The Phantom of the Opera, the building burned down and has been partially rebuilt with funds from an anonymous benefactor. At RoseBlood, Rune experiences cruelty from jealous classmates, but she also makes good friends, and at night, lovely violin music lulls her to sleep. Then, in a secret encounter, she meets violin-playing Etalon, who helps her understand the mysteries surrounding the school as well as her own identity. In a complex interweaving of teen school story, romance, and horror, the novel combines Phantom narrative elements with a cast of energy-sucking psychic vampires. Rune is a multifaceted, artistic character whose actions and reactions feel believably young adult as she confronts questions about family secrets and heredity. This is an accomplished undertaking, although the slow reveal may fail to engage some readers, especially those unfamiliar with the source material. VERDICT A good purchase for paranormal romance collections, and the connections to a classic work of literature add appeal.—Janet Hilbun, University of North Texas, Denton
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Top Customer Reviews
This was a highly anticipated book by me, because on top of my fascination for all things Wonderland [and yes, yes I did foam at the mouth over the Splintered series minus a few flaws with it.] So why wouldn't I also foam at the mouth when a retelling of one of my childhood favorites comes to light? About a girl who is cursed with a voice of the angels and what she is capable of?
And then... her counterpart, her phantom who has been mentored by the actual phantom! Slips into the story, in a historical, faraway place in France.
It sounds interesting, the cover is beautiful, but but but... it literally took me almost two months to finish it, because nothing really happens to begin with. I mean, sure some things happen, but it's mostly touching on the historical aspect of the story which is nice, but it also takes away from the actual story that Howard is trying to tell. Instead of getting me invested in the story I'm stuck on tangents of the past and the angst is through the roof on both parts.
Things become weird as the book draws on and it comes to light just what Rune is and who Thorn is and what he is capable of, as well.
It had the potential to be a really unique take on Phantom of the Opera, but it was lost on me. I think I would have been keen on Thorn if I was allowed to be invested IN the characters. The constant draw away from them made it difficult. I was more than halfway through the book when I wondered the story was actually heading. I'd put it down and make myself continue to read it.
I think the story would have been better if the historical aspect [the original phantom,] was a backdrop to the actual story instead of an invasive story that seemed to overshadow the REAL story. Still, that doesn't solve the strange, strange quality to this tale. The unbelievable supernatural aspect that just seemed too far fetched and over the top. Ah, well!
"I know you," I say, dreamily, "I was never able to see your face in the memories or visions. But somehow, I know you. You feel like home to me."
Rune was a wonderful protagonist. She was an amazingly strong person, who had been through some really hard things in life, but still came out of them a kind, caring friend, daughter and especially to Etalon...who she finds needs her as much as she needs him. Etalon had survived so much, but Rune awoke something in him that his mother taught him, and that he had forgotten. But even with everything he'd been through, he had such a kind heart. He enjoyed saving hurt creatures in the wild and nursing them back to health and then setting them free. He had a very compassionate heart.
I'm so glad I read this. It's the type of book that will stay with you for a while. DON'T LET THIS ONE PASS YOU BY!!!
In RoseBlood, A.G. Howard weaves together the tale of Rune who has been sent away to a French music school by her mother in the hopes that it will cure the “stage fright” she believes that Rune has. In truth, Rune has a problem that her mother doesn’t believe in – certain pieces of music seem to possess her to the point of her uncontrollably breaking out in song after which she is always left very sick. On their way to her new school this nearly happens and you can tell straight away why Rune would dread going to a school where she’ll be surrounded by opera music. There’s another catch, the building in which her school is located is rumored to be where the Phantom story first originated. Rune has taken a slight interest in Gaston Leroux’s The Phantom of the Opera and the fact that the opera house in his haunting tale resembles her new school makes her a little paranoid. Not to mention the fact that once they pull up to her new school Rune sees a familiar figure cloaked in a cape near the school’s rose bushes. He seemingly disappears, leaving dead roses in his wake. The figure, who Rune assumes is the Phantom, is actually Thorn, who lives with the Phantom and considers him a father. Rune and Thorn, who have never met, both find each other oddly familiar. Why is that? Why does Rune’s talent make her sick? What does the Phantom have to do with all of this? You’ll have to read to find out.
Rune and Thorn were both such brilliant characters who developed so beautifully throughout the story. I was blown away by the development that occurred character wise because standalones tend to lack in the character development department. That wasn’t the case here at all. Rune, in particular, is a character I feel is a rarity among female fantasy protagonist because of the fact that while she has a gift it isn’t one that she masters overnight. It takes her time and practice to gain control over it. And Thorn, I adored him. Despite everything he’s been through in his life he has somehow retained so much goodness and a very forgiving heart. I feel like I can’t go into too much detail about either of them because everything I want to say would give something important to the story away. However, they are both characters I won’t be forgetting anytime soon.
As for the romance, I was worried going into this that there would be a love triangle because of the fact that the original story has one. However, I had no reason to worry because A.G. Howard spun a unique and swoon-worthy romance without a love triangle. It was a slow build and I enjoyed every single second of it.
Also, there were several secondary characters. Rune has a group of friends at her new school who all play small roles. I don’t feel like there was a lot of development with them but I attribute that to the fact that this story was definitely more plot driven while being centric on the main characters. Although, there was an interesting little character in the form of a cat named Diable. His abilities include unlocking doors with his claws and being cranky and I loved it.
Much like Phantom, RoseBlood is hauntingly beautiful and very atmospheric with just a smidge of darkness. I’m honestly in awe over A.G. Howard’s world building. From the gothic structure of the school to the Phantom’s lair to the secret places within the school grounds, everything was painted so vividly. I was completely swept away by the world she created and the atmospheric qualities in itself were so reminiscent of the original tale that all I wanted to do was listen to The Point Of No Return while reading.
Everything I loved about this book aside, I have to admit that it might not be for everyone. I have a feeling that RoseBlood is going to be a book that readers either really love or really don’t. The pacing was beyond slow and in a way that is a lot like the original tale, I feel. A little over half way through the book the pacing starts picking up though and doesn’t slow down. It’s getting to that point past all of the world building, backstory, revelations, plot twists, and overall initial introduction that is going to be tough for some readers. I thoroughly enjoyed most of it simply because I love the original story and was so immersed into A.G. Howard’s writing and characters that I wanted as much as I could get. However, some could struggle with the pacing.
Overall, RoseBlood was an insightful, unique, surprising, plot twist filled, and breathtaking retelling of an iconic classic. It was a book that I didn’t even know I needed and if anyone was going to retell one of my favorite stories I’m very glad it was A.G. Howard because she did it so wonderfully. This is the first book I’ve ever read by her but let me tell you I will officially be reading everything else she’s written and anything she writes in the future.
If you love The Phantom of the Opera as much as I do, then I highly recommend this book.
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