"Hain't we got all the fools in town on our side? And ain't that a big enough majority in any town?" -- Mark Twain

Ross Thomas chose the quotation from Huckleberry Finn as the text of his post World War II story as well as for the title. When Lucifer Dye is released from three months in a Hong Kong prison, debriefed, handed a false passport, a new wardrobe and a $20,000 check, his haughty control makes it clear that Dye's career with his country has been permanently terminated. But a good agent is always in demand, and just a few hours later Dye is being interviewed for a highly ingenious position. Victor Orcutt, although a not very good imitation of a British pre-war gent, has creative talents of his own. He has his sights a small southern city, with the ordinary run-of-the-mill corruption one would expect in such a place. The canny Orcott knows there's no profit in that . His creed is "To get better, it must be much worse." He and his two associates have looked up Dye's history, and he now offers the ex-spy's a mission. For two and a half times the government's bounty, Dye is to thoroughly corrupt the town. And the sly Dye takes the offer.

At the height of the Cold War, two Americans are runnng a bar in the West German capital, called Mac's place. One of the pair, Michael Padillo, isn't around a lot; he keeps disappearing on "business trips." McCorkle, his partner, wisely doesn't ask questions; he knows Padillo has a second job -- he's a (reluctant) US agent. But McCorkle is ready to answer a call for help from Padillo, and he joins his friend in a blind journey with no inkling of what they will encounter at the turn of each dark and dangerous corner.

Missionary Stew follows political fundraiser Draper Haere on a quest to uncover the secret behind a right-wing coup in an unnamed Central american country. Haere seeks the information in order to get dirt on his boss's opponent in the 1984 US Presidential election. Haere's pursuit of the truth repeatedly puts Haere's life in danger, as the powers-that-be stop at nothing to keep the episode buried. Along the way, Haere carries on an affair with the wife of his candidate and enlists the aid of Morgan Citron, an almost-Pullitzer winning journalist who has recently been released from an African prison where the prisoners where fed human flesh--the titular missionary stew. Together Citron and Haere face up against cocaine traffickers, Latin American generals, corrupt US officials, and Citron's estranged, tabloid-publisher mother.

“America's best storyteller.” —The New York Times Book Review

From Edgar Award-winning author Ross Thomas comes Briarpatch, a thrilling mystery of one man’s personal mission to find justice for his family. Now the basis for the USA Network television series executive produced by Sam Esmail, creator of Mr. Robot.

A long-distance call from his small Texas hometown on his birthday gives Benjamin Dill the news that his sister Felicity—born on the same day exactly ten years apart—has died in a car bomb explosion. She was a homicide detective who had perhaps made one enemy too many over the course of her career.

Unwilling to let local law enforcement handle the investigation, Dill arrives in town that night to begin his dogged search for his sister’s killer. What he finds is no surprise to him as he begins to unravel town secrets, because Benjamin Dill is never surprised at what awful things people will do.

Featuring an Introduction by New York Times bestselling author Lawrence Block

Edgar Award Winner for Best Novel

"Anyone reading a Ross Thomas thriller for the first time is in imminent danger of addiction: One taste is never enough." - Los Angeles Times

In Twilight at Mac's Place, the quiet death of an aged spy triggers a desperate race to control his memoirs, which threaten to reveal Cold War secrets many would prefer stayed secrets. When the spy's estranged son receives the then dizzying sum of $100,000 for all rights to the work, he is properly dizzied. He is also smart enough to seek the help of veteran Cold Warriors McCorkle and Padillo, owners of a D.C. bar called Mac's Place that is both a capital landmark and a nest of intrigue.