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The Ruin of Kasch Reissue Edition

4.6 out of 5 stars 17 ratings

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Editorial Reviews

Amazon.com Review

The Ruin of Kasch examines the rise of the modern state and the origins of romantic nationalism, whose sick fruit has been harvested in places such as Bosnia, Chechnya, and East Timor. Roberto Calasso locates the transformation in the French Revolution, when a frivolous monarchy evaporated before a government that valued order, bureaucracy, and above all secrecy. He also attributes it to Charles-Maurice de Talleyrand-Périgord (1754-1838), who was perhaps the first professional civil servant. Ever selfish, Talleyrand proved the perfect servant to the Napoleonic Era; as Napoleon said, "Principles are fine; they don't commit you to anything." The Ruin of Kasch is about Talleyrand, but also, Italo Calvino notes, "about everything else." It's a whirlwind of a book, sometimes maddeningly so. It is one to pick up, ponder, put down, argue with, and then resume reading until the next argument pops up a page or two later.

Review

[This is] a work charged with intelligence and literary seduction...A master of obliquity, [Calasso] delights in the bishop's move: his ideas and conceits veer in all directions, striking an exhilarating balance between the aleatory and the deliberate. Profligate in its voices and conversations, this startling, puzzling, profound book yields no take-away thesis; but it lingers in the memory like the aroma of an ancient library. (Sunil Khilnani New York Times Book Review)

The book--like an explosion carrying sky-high the wreckage of a city--is an appropriately chaotic and fast-moving assemblage...One minute, the reader is present at the Congress of Vienna; the next, in Cambodia under the Pol Pot regime. (Andrea Lee
New Yorker)

Calasso seems to have plundered no less than a national library to make this demanding but unfailingly provocative book. Its theme...is the shallowness of the modern mind, and because of the very workings of modern culture that Calasso so astutely analyzes, I hesitate to apply to his book the epithet it richly deserves: masterpiece...Like all great books, it reads us more truly than we read it. And like all great works of art or reflection, it may make you change your life. (Jay Tolson
Civilization)

The Ruin of Kasch takes up two subjects: the first is Talleyrand, and the second is everything else. And everything else includes all the things that have happened in human history, from the beginnings of civilization until today...A book that loves to reveal itself as wandering and vagrant, guided only by fancy and by an insatiable curiosity, constructed of fragments, citations, digressions, anecdotes, and aphorisms--all so that it can be read with nearly continuous pleasure. (Italo Calvino Panorama Mese)

Philosophical, meandering, allegorical, funny, tragic, episodic,
The Ruin of Kasch declares war on all ideologies...Those of you who love small, sensible, linear novels--this book will cure you of your shivers and qualms...Long live Calassotherapy! (Frédéric Vitoux Le Nouvel Observateur)

The Ruin of Kasch is not a narrative but an inexhaustible mine of anecdotes, not an essay but an endless string of brilliant insights into literature, history, philosophy, economics, politics--in short, into the makings and unmakings of the modern world. (Masolino d'Amico Times Literary Supplement)

Scarcely have readers opened the book when they are not merely interested but fascinated--dazzled in the richest sense of the word...Here is a work that combines erudition, brilliance of style, and intellectual virtuosity to portray the modern era. (François Bott
Le Monde)

With
The Ruin of Kasch Roberto Calasso has perhaps inaugurated a new literary category: the hybrid book, uniting history and novel, tale and aphorism, fable and reflection...One doesn't know what to admire more: the erudition that laughs at erudition, the supple and imperious thinking that connects disparate elements with a single stroke, the masterful way the subject engenders its own form...A very great book. (Pascal Bruckner Le Figaro)

Product details

  • Publisher ‏ : ‎ Belknap Press; Reissue edition (March 1, 1996)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 400 pages
  • ISBN-10 ‏ : ‎ 0674780299
  • ISBN-13 ‏ : ‎ 978-0674780293
  • Item Weight ‏ : ‎ 1.25 pounds
  • Dimensions ‏ : ‎ 6 x 1.25 x 9.25 inches
  • Customer Reviews:
    4.6 out of 5 stars 17 ratings

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4.6 out of 5 stars
4.6 out of 5
17 global ratings

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5.0 out of 5 stars An Honest Analysis of the Origins of our Modern Spiritual Crisis
Reviewed in the United States 🇺🇸 on October 30, 2022
Calasso may well be the world’s premier impressionist writer. This is his first book, written in 1983 and only translated in English in 1994, and this review is for the Weaver and Sartarelli translation. Having read a few of his books before this, I had the advantage of being familiar with his writing style. He writes in snippets, anecdotes and fragments, and while this can be construed as disjointed and rambling, the reader must remember that Calasso’s thoughts are revealed through the images as they are constructed by the raw words; through a series of collated impressions. He is a literal writer in the most literal sense: words ordered on a page build an image. To focus on retention or whether one is following the narrative correctly is wasteful, rather drop into the book and allow yourself to be led by the currents of his thoughts.

The book orbits Talleyrand, harkening back to him as the archetypical modern man, not to be understood or, more to the point, criticized as a scrupulous, spineless chameleon continually changing with the color of the time, but rather as a man who understood how to surf the turbulent tides. Well within the maelstrom of multiple revolutions, Talleyrand seems to have realized that the old world ideals died with the ancien regime, and only a fool would cling to principles, any principle, in a world that had just unwittingly declared itself principle-less. Calasso focuses on Talleyrand’s utilization of concepts such as ‘legitimacy’ and ‘convention’ in order to highlight that, without being rooted in anything inviolable and absolute, these are simply social constructs easily toppled, as malleable as they are dangerous.

The Ruin of Kasch does deal heavily with the French Revolution, so it is a great read for anyone who already knows something about that period. Calasso understood it as the epicenter of a world-wide earthquake, a populist invitation that would usher in waves of turmoil. But in externalizing a potential too long tethered to the ancien regime, man doomed itself to perpetual emptiness by never allowing itself to acknowledge a limit. Always seeking to go further, advance more, accumulate more, to make everything in its own image. Don’t misinterpret, this book is not an anti-progressive screed, rather a diagnostic on why liberal-capitalism cannot solve the spiritual crisis unleashed by this fusion.

A little more than halfway through, the subject of the book shifts its focus to the limits of literature and knowledge itself, as through the writings of early/mid 19th century philosophers, including a brief discursive on Marx. In his discussion of philosopher Max Stirner and the French writer Sainte-Beuve, Calasso elucidates that even attempting to fill our spiritual void with raw philosophy, literature or even science fundamentally leaves the seeker at the whim of the crushing gnaw of nihilism; that in our desire to study, classify and understand everything, we erase any trace of magic in the world. The limit must exist. That in our secular world, our faith is directed toward ourselves, our system, our belief in technology, in progress, and this is an inescapable re-enactment of the collective need for some type of religious system. We have dismissed God in favor of ideology. This is the age, to quote Stirner, of “pious atheism.”

It is a very good book, however it does service best those with some background on the French Revolution and even a cursory knowledge of 19th century Europe. I would not read this if you haven’t read anything else by Calasso OR you don’t have the aforementioned groundwork. He is a challenging yet rewarding author, truly one of a kind. You probably won’t understand the whole thing, but there are some really good gems in this book that will challenge you and potentially change your worldview, and even the sections I didn’t entirely understand were master-classes in sentence construction. Parts of this book did leave me kind of depressed, I must admit, but fundamentally I am glad I read it.
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4.0 out of 5 stars Not an easy read !
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