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Run Paperback – Import, 2008
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From Publishers Weekly
SignatureReviewed by Andrew O'HaganNovelists can no longer take it as an insult when people say their novels are like good television, because the finest American television is better written than most novels. Ann Patchett's new one has the texture, the pace and the fairy tale elegance of a half dozen novels she might have read and loved growing up, but the magic and the finesse of Run is really much closer to that of Six Feet Under or ER or The Sopranos, and that is good news for everybody, not least her readers.Bernadette and Bernard Doyle were a Boston couple who wanted to have a big lively family. They had one boy, Sullivan, and then adopted two black kids, Teddy and Tip. Mr. Doyle is a former mayor of Boston and he continues his interest in politics, hoping his boys will shape up one day for elected office, though none of them seems especially keen. Bernadette dies when the adopted kids are just four, and much of the book offers a placid requiem to her memory in particular and to the force of motherhood in lives generally. An old statue from Bernadette's side of the family seems to convey miracles, and there will be more than one before this gracious book is done. One night, during a heavy snowfall, Teddy and Tip accompany their father to a lecture given by Jessie Jackson at the Kennedy Centre. Tip is preoccupied with studying fish, so he feels more than a little coerced by his father. After the lecture they get into an argument and Tip walks backwards in the road. A car appears out of nowhere and so does a woman called Tennessee, who pushes Tip out of the car's path and is herself struck. Thus, a woman is taken to hospital and her daughter, Kenya, is left in the company of the Doyles. Relationships begin both to emerge and unravel, disclosing secrets, hopes, fears. Run is a novel with timeless concerns at its heart—class and belonging, parenthood and love—and if it wears that heart on its sleeve, then it does so with confidence. And so it should: the book is lovely to read and is satisfyingly bold in its attempt to say something patient and true about family. Patchett knows how to wear big human concerns very lightly, and that is a continuing bonus for those who found a great deal to admire in her previous work, especially the ultra-lauded Bel Canto. Yet one should not mistake that lightness for anything cosmetic: Run is a book that sets out inventively to contend with the temper of our times, and by the end we feel we really know the Doyle family in all its intensity and with all its surprises.Andrew O'Hagan's novel Be Near Me has just been published by Harcourt.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
From Bookmarks Magazine
Ann Patchett writes about families-from The Patron Saint of Liars (1992), in which young, unwed mothers become family, to Bel Canto (2001), in which hostages and their kidnappers forms unexpected bonds. Beautifully written, Run again explores family, this time through the lenses of birth, class, and race. While mainly a domestic drama, Run also touches on larger themes-such as social exclusion, privilege, and obligation; politics; and religion and the afterlife. Critics overall lauded Patchett's thematic depth, though a couple of reviewers noted her failure to delve deeply enough. And while most characters-particularly Kenya-captivated them, a few also described them as unrealistically sympathetic. Despite these minor complaints, Run is, at best, that rare, mature work that exquisitely dissects human relationships and possibilities.
Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an out of print or unavailable edition of this title.
Top customer reviews
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Ann Patchett has the marvelous ability to write about family relationships in a way that the end of the book is always a surprise. I have loved her writing since reading Bel Canto, and this book will be added to my list of favorites. Highly recommended.
Run is set in present-day Boston, but as with Bel Canto, it is not the setting that is most important, or the novel's great strength, but it is the people, their intersections, and the questions they raise: about adoption, about family, about community, about politics, and about why we try to make of our lives what we do. One could argue (as is discussed in the worthwhile interview with the author) that the book is about any one of these things, but the way it touches on truths relating to all of these themes gives the story its power, regardless of your background.
I was hoping to simply read Run for enjoyment--e.g. not make notes, just drift along on the current of the story--but then I kept coming across effortlessly polished pearls of wisdom and so the moleskine had to come out. Observations like this: "His undoing had started out simply, as undoings often will," or "It was a sign of maturity that he could recognize a peaceful moment and decide to let it stand" show how Patchett, like other great writers, points us to truths about life that resonate even if we haven't experienced them. And that is one of fiction's greatest gifts. I will actively seek out more of Patchett's work in the future.