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Two-time Academy Award-winner Ron Howard delivers the exhilarating true story of a legendary rivalry that rocked the world. During the sexy and glamorous golden age of Formula 1 racing, two drivers emerged as the best: gifted English playboy James Hunt (Chris Hemsworth, The Avengers) and his methodical, brilliant Austrian opponent, Niki Lauda (Daniel Brühl, Inglourious Basterds). As they mercilessly clash on and off the Grand Prix racetrack, the two drivers push themselves to the breaking point of physical and psychological endurance, where there’s no shortcut to victory and no margin for error. Co-starring Olivia Wilde (TRON: Legacy), it’s the heart-racing, epic, action-drama that critics are calling “one of the best movies of this, or any, year” (Pete Hammond, Movieline).
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Top Customer Reviews
I won't go through the premise here. If you're reading this I expect you already know it. I will say that this film travels at a pace akin to the cars it features. There's not a moment to get bored or for the mind to wander. To the contrary. I wanted every scene to be longer, I wanted to spend more time with these people. I was hungry to know them, flaws and all. This is no glossed up little package of hero-worship. Both Hunt and Lauda are as selfish and spiteful as they are inspiring and talented.
The music is brooding, compelling and exciting by turn. The camera work is intimate and amazing. (You see through Niki's bury eyes, you see from inside helmets and from under and along the cars. You see every shudder they make. You see eyelashes and pores and ruined skin as well as stunning scenery. You struggle to see through the rain. You see through the flames, you see and hear what Lauda saw and head in that fiery minute (and sit glad you can't feel it).
I wasn't sure how I'd take the most confronting action, the crash and the painful hospital scenes and I admit going into it a little apprehensive. They aren't easy watching but neither are they overdone. It's all very matter-of-fact. Horrible but nothing that can't be pushed through. Not lingered on, not brushed over and I was glad for it. It had to be done that way to understand what Lauda actually overcame.
While the race action was outstanding the best part, of course, was the interaction between Hunt and Lauda. Every scene between them was charged (and in my opinion mostly too brief). I could have watched those two talking for the whole running time. Their dynamic is fascinating, the place they played in each others lives and careers slowly unfolds as you come to know them both and understand that each would likely have been something a little less without the other. Despite people comparing them to Prost and Senna almost incessantly, by the end they reminded me much more of Senna and Berger, one serious and driven, the other understanding the vital importance of adding a little fun. Both pairs added a similar balance to each others existence.
Bruhl and Hemsworth are pitch perfect (as are everyone involved). I wasn't surprised on Bruhl's front but it's hard to get from the preview the depth that Hemsworth would have to work with. Happily he found those depths and plundered them. There is so much more to his Hunt than a womanising baffoon, as their should be. This is a key role for both actors but especially to showcase the serious acting skill that Hemsworth hasn't had so much of a chance to display. The preview actually hinted at a more one dimensional take but it was good to see the serious side of James and Niki's little sparks of humour and delight too (played to perfection). I ended up caring a great deal for these characters, warts and all. This is one film I would line up to get an extended edition of but it also sparked my interested in finding out more about these characters. It's not a documentary, things have been changed, Hunt and Lauda have been polarised a but more than they were in reality, but it's still damn good fun and has real history to depart as well.
Of course the final recommendation is the most important. Niki Lauda himself was very pleased with the outcome. That is good enough for me.
Ron Howard's "Rush" is a better film, not so much for the very effective simulation of actual racing conditions (though it is excellent at that, often far better than "Grand Prix" ever could have been), but for an impressive, well-written, and well-played depiction of the rivalry between James Hunt and Niki Lauda in the 1978 Formula I campaign. To effectuate the plot, Lauda is portrayed somewhat unfairly (Lauda, a three-time champion, was one of the greats, and is still active as a team manager). But that's fine; this is fiction based on history, not biography. As the fierce Lauda, Daniel Bruhl is marvelous, and manages to be an oddly sympathetic character despite a deadly competitiveness and technomaniac humorlessness that nearly get him killed at the 'Ring. His courtship of Marlene (Alexandra Maria Lara) is weirdly charming, their strong connection and loyalty a surprise in a sport as notorious as Hollywood is for casual infidelities.
Chris Hemsworth was so right as James Hunt, a driver as vividly in the public eye in his day as Stirling Moss was in his, that I wondered if Hemsworth might be related. Really the last of privately financed drivers (and of course Hunt didn't win his championship that way), he was a throwback to a pre-corporate sponsor era in Formula I racing, a sport considered as much romance as competition, and was fabulously deadly, killing one or two stars every year and injuring many more drivers horribly. It also often killed spectators, sometimes in large numbers.
The story, unlike most racing films, embraces the complications of team, friendship, courtship, and competition in a sport that has its roots in chariot racing in classical times. Howard manages to restrain the "announcer over" style that makes a mess of so many sports movies (they start to sound like NFL highlight films). "Rush" is not at all like that. I enjoyed all of the characters, and have seen the movie twice. The conflict between Lauda and Hunt, in the fabulous milieu of motor racing, which was real and widely reported in 1978, was a great choice, forcing the whole company to attach itself to real things instead of to the usual romantic fantasies about racing.
However, to be honest, "Rush" is a film about a variety of Formula I racing that has entirely vanished. For all this sport's reputation for deadliness, great former drivers like Jackie Stewart, Niki Lauda, and many others in the FIA, have over the past forty years recreated Formula I. They've done this by making its tracks safe (there used to be trees lining the roadways, and spectators sat unprotected along the edges as well), vastly improving car safety, and finally excluding the ever-dangerous amateurs who used to share in the competition. Despite those changes, the cars are far faster, and the crowds bigger by an order of magnitude. And yet, it has been twenty years since there has been a fatality in Formula I, a record far better than American football. I'm not knocking Howard for making a film about another era, but one shouldn't take his incisive and wonderfully made movie as a depiction of where motor sport is today. The romance of blood, the driver as matador, has faded thankfully into history. Today, millions of people enjoy seeing their heroes drive faster than ever and live to race again next season.
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