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The Russia House
| Price: | $49.98 |
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Editorial Reviews
A filmmaking tour de force and 'the year's most sophisticated, suspenseful and sexy entertainment (Cosmopolitan), The Russia House stars OscarÂ(r) winner* Sean Connery and OscarÂ(r) nominee** Michelle Pfeiffer as two people caught in a web of spies and politics, whose love could prove fatal to them both. When Katya (Pfeiffer), a beautiful Russian book editor, attempts to send British publisher Barley Blair (Connery) a manuscript written by a noted Soviet scientist, she unwittingly draws them both into a world of international espionage. The manuscript, which contains information that could alter the balance of world power, is intercepted by the West's spy-masters who then send Blair to Russia to gain more information on the mysterious document. But when Blair meets Katya, he finds himself torn between his mission and the woman whose passion for her countryand for Blairknows no bounds.
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : s_medR R (Restricted)
- Product Dimensions : 7.75 x 5.5 x 0.5 inches; 4.16 Ounces
- Director : Fred Schepisi
- Media Format : Anamorphic, Closed-captioned, Color, Dolby, Dubbed, Subtitled, Widescreen, NTSC
- Run time : 2 hours and 3 minutes
- Release date : December 26, 2001
- Actors : Sean Connery, Michelle Pfeiffer, Roy Scheider, James Fox, John Mahoney
- Dubbed: : Spanish
- Subtitles: : English, Spanish, French
- Producers : Fred Schepisi, Paul Maslansky
- Language : English (Dolby Digital 2.0 Stereo), French (Dolby Digital 2.0 Stereo), Spanish (Dolby Digital 2.0 Stereo)
- Studio : MGM (Video & DVD)
- ASIN : B00005R5GM
- Writers : John le Carré, Tom Stoppard
- Number of discs : 1
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Best Sellers Rank:
#25,063 in Movies & TV (See Top 100 in Movies & TV)
- #1,523 in Romance (Movies & TV)
- #2,252 in Mystery & Thrillers (Movies & TV)
- #5,755 in Drama DVDs
- Customer Reviews:
Customer reviews
Top reviews from the United States
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Unfortunately the manuscript is intercepted by British intelligence, who immediately ropes in Blair to help them keep the pots cooking as it were. This is where Blair meets Katya and is madly infatuated. And when the Russians discover the operation, kill the scientist and threaten the lives of Katya and her family, thats where Blair decides to betray England just as the scientist before had betrayed Russia.
The movie - directed by Fred Schepisi - is a tour de force of emotional highs and lows, twists and turns and plots within plots, littered with excellent acting performances by a star studded cast numbering such wonderfull actors like Roy Scheider, James Fox, John Mahoney and J. T. Walsh. It is certainly one of the finest cold war dramas ever made and worth watching even if you don't care about that particular genre in generel.
Connery is excellent - and Pfeiffer does really well in her role. There's a British MI6 guy that's hilarious - and it's all beautiful and has some decent sound track as well.
One final complaint, the film was beautifully filmed but is in bad need of restoration.
This movie held my attention because I had been a fan of The Americans. And because of the tremendous performances by Connery and Pfeiffer. And because even the story had just enough eros, but not too much.
Top reviews from other countries
Though large parts of the film are set in Russia, the title refers to a department within the British Secret Service that dealt with espionage in the USSR. The story is a spy thriller with a heavy element of romance thrown in, and this works very well. Sean Connery plays a hard drinking publisher with contacts in the USSR who is recruited by MI6 to follow up a lead in Moscow, the lovely Michelle Pfeiffer is one of his Russian contacts, Klaus Maria Brandauer (who previously appeared opposite Connery as the villain Largo in Never Say Never Again) is the man who holds the information MI6 is trying to get its hands on. Or is he a KGB plant? John Mahoney, Roy Scheider and James Fox appear in supporting roles.
The film is a slow stylish affair, don't expect to see a lot of exciting action here. The cast, on the other hand, is rather exciting and all deliver solid perfomances. It's a bit a blast from the past and will probably be best enjoyed by those who remember the dying days of the Cold War when Soviet military secrets were still the holy grail of espionage and beautiful Russian women married Westerners. Sometimes for love, oftentimes as a ticket to the West.
Better stick with the classic BBC adaptations of Tinker Tailor..., Smiley's People and A Perfect Spy which still stand up remarkably well.
Connery and Pfeiffer aren't really Le Carre people, but I thoroughly enjoyed Ken Russell's turn. He's as eccentric as Beryl Reid and fits right in to this world.
Don't get me started on the re-makes. Counterfiet pretending to be the real McCoy. Gary Oldman will never in a million years be George Smiley and Kathy Burke isn't Beryl Reid. It was a three card trick that fooled some.
The same goes for the Night Manager. Grossly over-rated tosh,
The Spy Who Came in From the Cold and A Deadly Affair still stand up remarkably well.
As for the Little Drummer Girl (both versions) words fail me...
I think it's one of Michelle Pfeiffer's best films and Sean Connery is Sean Connery, but pretty much perfect in this role. I thought Roy Scheider's character came perilously close to cartoonish on occasion - more the script's fault than the actor's - but, on the whole, I thought everyone pretty good, even - or especially - Ken Russell (never before seen him in anything but his own stuff). Lisbon, Moscow and St Petersburg had good supporting roles, too.
There's a paradox here, though. On the one hand, it's great to watch a film with a real plot and script and I was enthralled as the story worked itself out - unlike so many modern films where it seems to have been decided that cost can be cut by dispensing with proper writers. With John Le Carre and Tom Stoppard on board this lot shouldn't have been able to go wrong, but - POSSIBLE SPOILER COMING UP - I really don't understand the ending and I'm pretty sure it isn't my fault. How the hell can Barley be said to have fulfilled his promise to Dante? How can handing over the 'shopping list' possibly be the equivalent of publishing Dante's book? I suppose I'll have to read Le Carre's book where I hope the ending will make more sense.
Loved the film but can't get past that ending, so I have to knock off one star.
