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Sacred Music 9 Import

5.0 out of 5 stars 3 customer reviews

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Audio CD, Import, September 9, 2003
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Editorial Reviews

Laudate pueri RV602, Salve Regina RV618, Ascende laeta RV635, Gaude Mater ecclesia RV613, Gloria Patri RV602a, Vos aurae per montes RV634 / C. Sampson, S. Gritton, sop. - J. Didonato, mez. - N. Stutzmann, contral. - King's Consort, dir. Robert King

Track Listings

Disc: 1

  1. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Laudate pueri Dominum
  2. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: A solis ortu
  3. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Excelsus super omnes
  4. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Sit nomen Domini
  5. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Suscitans a terra
  6. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Ut collocet eum
  7. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Sit nomen Domini
  8. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Gloria Patri
  9. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Sicut erat in principio
  10. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618: Salve Regina
  11. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618: Ad te clamamus
  12. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618: Ad te suspiramus
  13. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618: Eia ergo advocata
  14. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618: Et Jesum benedictum
  15. Salve Regina, antiphon for voice, double chorus, 2 oboes, double strings & continuo in G minor, RV 618: O clemens, o pia
  16. Ascende laeta, solo motet for voice, strings & continuo in A major (introduzione to Dixit Dominus), RV 635: Ascende laeta
  17. Ascende laeta, solo motet for voice, strings & continuo in A major (introduzione to Dixit Dominus), RV 635: Quam pulchri
  18. Ascende laeta, solo motet for voice, strings & continuo in A major (introduzione to Dixit Dominus), RV 635: Sternite, Angeli
  19. Gaude mater ecclesia, hymn for voice, strings & continuo in B flat major, RV 613
  20. Vos aurae per montes, solo motet for voice, strings & continuo in A major, RV 634: Vos aurae per montes
  21. Vos aurae per montes, solo motet for voice, strings & continuo in A major, RV 634: Cuncta orbis
  22. Vos aurae per montes, solo motet for voice, strings & continuo in A major, RV 634: Tellus, astra
  23. Vos aurae per montes, solo motet for voice, strings & continuo in A major, RV 634: Alleluia
  24. Laudate Pueri Dominum (Psalm 112), for 2 voices, 2 choruses, flute, 2 strings & continuo in A major, RV 602a: Gloria Patri, RV602a


Product Details

  • Audio CD (September 9, 2003)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Import
  • Label: Hyperion UK
  • ASIN: B00009WQUZ
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #208,653 in Music (See Top 100 in Music)

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Top Customer Reviews

Format: Audio CD
Vol. 9 continues the exploration of Vivaldi far beyond The Four Seasons. This is an extaordinary recording, as are all the others in the Robert King Hyperion series. The sound quality and performances are excellent, and the music is exciting. What more could anybody want in a Vivaldi recording?
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The singing and playing on this disc (and the whole 10CD series for that matter) is wholly artful and fine. The writing is an excellent example of Vivaldi's individualism - his unmistakeable style. I am inclined to argue that of all the baroque composers, he is the most recognizable. Even Bach explored other composers and I think Bach was the more universal of the two stylistically. Other major Baroque composers have their "cousins" if you will - those with whom they share commonalities. For example, Corelli's tight counterpoint and texbook instrumentation finds similarity with Handel. Vivaldi on the other hand had his copyists and many were inspired by his fluency and active figures but who before him was even remotely "Vivaldian?"

All of Vivaldi's wonderful creativity is on display here. His fine sense of line, total mastery of harmony and tight voice leading will keep the connoisseurs fully occupied. They will also be beguiled by the beauty of Vivaldi's music and those who listen to music without a large theoretical background will be pleased even if they don't know exactly why or how the music works on them. (thank you Wolfgang, you get credit for that thought). The engineers did superlative work on this recording and all in all, this is a gorgeous disc and I can't recommend it more highly...frankly it shouldn't be missed and belongs in every CD collection that includes Baroque Vocal Music.
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Format: Audio CD
This is the music that Barbara Quick listened to as she composed her novel *Vivaldi's Virgins* (HarperCollins, 2007); see her Discography note at the end.
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