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Grammy Award-winning composer and conductor, Eric Whitacre, is among today’s most popular musicians. His works are programmed worldwide and his ground-breaking Virtual Choirs have united singers from more than 145 countries. His compositions have been widely recorded and his debut album as a conductor on Universal, Light and Gold, went straight to the top of the charts, earning him a Grammy. As a guest conductor he has drawn capacity audiences to concerts with many of the world’s leading orchestras and choirs in venues such as Carnegie Hall (New York), Walt Disney Concert Hall (Los Angeles), the Royal Albert Hall and Buckingham Palace (London).
Los Angeles Master Chorale
The Los Angeles Master Chorale is a professional chorus in Los Angeles, California, and one the resident companies of both The Music Center and Walt Disney Concert Hall in Los Angeles. It was founded in 1964 by Roger Wagner to be one of the three original resident companies of the Music Center of Los Angeles County.
The Sacred Veil - a project led by Eric Whitacre and Charles Anthony Silvestri - was created following the passing of Charles wife, Julia in 2005. It represents a journey towards the answer for many questions, including whether departed loved ones are truly gone, and how can we mourn those we have lost whilst still moving forward? In Charles own words, the project became a significant part of my journey toward healing and wholeness after great loss. Poet, author, composer, and speaker Charles Anthony Silvestri has worked with other artists from all over the world to create texts tailor-made for their commissions and specific artistic needs. He enjoys the challenge of solving these creative problems and has provided custom choral texts, opera libretti, program notes and other writing for composers including Eric Whitacre, Ola Gjeilo, Kim Arnesen, and Dan Forrest, and for ensembles ranging from high schools to the Houston Grand Opera, from the Kings Singers to the San Francisco Gay Mens Chorus, from Westminster Choir College to Westminster Abbey. Grammy® Award-winning composer and conductor Eric Whitacre is one of the worlds most performed living composers. His works have been programmed worldwide by millions of amateur and professional performers, while his ground-breaking Virtual Choirs have united singers from over 120 different countries. Eric, a graduate of the prestigious Juilliard School of Music, is presently Artist in Residence with the Los Angeles Master Chorale, following five years as Composer in Residence at the University of Cambridge, UK.As conductor of the Eric Whitacre Singers, he has released such chart-topping albums including Light and Gold and Water Night. In high demand as guest conductor, he has drawn capacity audiences to concerts with the Netherlands Radio Choir, London Symphony Orchestra, Flemish Radio Choir, and Minnesota Orchestra.
- Package Dimensions : 6.3 x 5.98 x 0.31 inches; 2.82 Ounces
- Manufacturer : Signum Uk
- Original Release Date : 2020
- Date First Available : June 12, 2020
- Label : Signum Uk
- ASIN : B0882HK9WM
- Number of discs : 1
- Best Sellers Rank: #44,256 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- Customer Reviews:
Top reviews from the United States
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This album is the most phenomenal thing Whitacre has put out to date. Normally, I have not been a fan of his instrumental inclusions, but I find that this time, it was exceptionally well done. The cello and piano are not add-ons. They are essential to the piece.
The intimacy of not just the music, but the lyrics contrasted with the sterility of the reading of the medical records of Silvestri's wife. The glissandi in "You Rise, I Fall".
The emotion of this piece is as raw as it comes, but it is done with style, respect, veneration. You see the height of love and happiness, and are also dragged down to depths of despair most people don't realize exists. The best of life, the worst of life. Contrasting feelings. Tension/release. Life. Death.
I myself have lost a friend to ovarian cancer, although she was far older than Julia was. It will perhaps seem almost a kind of blasphemy to be anything other than deeply moved at a work which commemorates a tragic loss of a beautiful young life, and obviously came from the deepest recesses of the minds and hearts of both librettist and composer. But I very regretfully confess that I find myself ultimately unmoved by the results here. The pastiche of texts has the usual problem of a lack of stylistic unity. The music features all of Whitacre’s well-known compositional devices, which work well enough in a short compass but over a span of almost an hour become repetitive and clichéd and lose interest. While there are moving passages of touching tenderness—the instrumental interlude of track 7, and Julia’s desperate request for prayers in track 10, are good instances—the overall result for me comes perilously close to sounding like New Age background mood music, or a score for a generic Hallmark made-for-TV movie drama. Certainly the performance itself cannot be faulted: Under the composer’s direction the choir members sing with great purity of tone, clear diction, and expressivity, and the two instrumentalists are likewise excellent. The recorded sound is warm and inviting; but it was a mistake to staple the booklet (with texts and extensive commentary by the composer and librettist) into the digipak instead of placing it in a pocket, as its weight is already causing it to rip and fall out in my copy. I suspect that my dissent will be very much a minority voice, and that this will be a classical best-seller, and so I urge interested readers to listen and judge for themselves; but repeated hearings have not changed my mind. Not recommended.