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Saint Joan (Clydesdale Classics) Paperback – February 11, 2020
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The historical saint begins her story as a simple country girl in fifteenth century France who is inspired by visions from God to help liberate her country from the English. She secures soldier’s clothing and convinces the soon-to-be king, Charles, to begin battling for his country.
Though her regiment succeeds in battle after battle, her enemies (the English) move against her. When Joan moves to liberate Paris from the English control—against the advice of her friends—she is captured and tried for heresy. Despite help from a Bishop and the Inquisitor, who truly want to see Joan succeed, her beliefs simply do not match with the Church; people do not hear visions from God, only from the church, therefore Joan must be possessed by demons. Subsequently, Joan is sentenced to death.
Now read this beautiful new edition of the talented George Bernard Shaw’s play, Saint Joan. Discover why the Catholic Church made this young woman into one of the most famous saints known today.
- Print length160 pages
- LanguageEnglish
- Publication dateFebruary 11, 2020
- Dimensions5.5 x 0.6 x 8.25 inches
- ISBN-101945186895
- ISBN-13978-1945186899
- Lexile measureNP0L
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Product details
- Publisher : Clydesdale; Reprint edition (February 11, 2020)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 1945186895
- ISBN-13 : 978-1945186899
- Lexile measure : NP0L
- Item Weight : 7.2 ounces
- Dimensions : 5.5 x 0.6 x 8.25 inches
- Best Sellers Rank: #808,772 in Books (See Top 100 in Books)
- #830 in British & Irish Dramas & Plays
- #1,514 in History of Religions
- #4,131 in Religious Leader Biographies
- Customer Reviews:
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Customers find the play remarkable, intriguing, and enjoyable. They describe the book as good literature, magnificent, and well-written. Readers also find the wit funny. However, some feel the pacing is untheatrical and not at all the same experience.
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Customers find the play remarkable, intriguing, and enjoyable. They also say it's a good play with historical relevance.
"...It made the play more enjoyable and understandable. Matched it to audible." Read more
"...Shaw's play is intriguing, coming as it did so soon after Joan's canonization and Ireland's war for independence ("France for the French"), but..." Read more
"...I read the play, too. Brilliant play, passionate, witty, thought-provoking. Just what you'd expect from Shaw." Read more
"The play is brilliant, witty and just wonderful to read. I had a great time, read it twice and loaned it out." Read more
Customers find the book very readable, saying it's well-written and has great character dynamics. They also mention it's a quality book with large text.
"Everything about this book was good. It should be noted that George Bernard Shaw was not a very good person. Look him up...." Read more
"...If you liked Pygmalian (My Fair Lady) you will love this play. Very readable." Read more
"...I've found it to be a very well-written play with great character dynamics and witty dialogue--always favorites of mine." Read more
"Great edition with very large text. The less than 4 dollar price was also a plus. I also received it the day after it was printed!..." Read more
Customers find the book brilliant and funny.
"...to be a very well-written play with great character dynamics and witty dialogue--always favorites of mine." Read more
"...I read the play, too. Brilliant play, passionate, witty, thought-provoking. Just what you'd expect from Shaw." Read more
"The play is brilliant, witty and just wonderful to read. I had a great time, read it twice and loaned it out." Read more
"Remarkable play. Not only for its worth but relevance. Brilliant and funny!" Read more
Customers find the pacing of the book untheatrical, save for the climactic scene. They also say it's not the same experience.
"...It should be noted that George Bernard Shaw was not a very good person. Look him up...." Read more
"...("France for the French"), but there is no denying that is rather untheatrical, save for the climactic scene...." Read more
"Poor edition." Read more
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Shaw published his play in 1923, about three years after the Roman Catholic Church made Joan a saint. Shaw sums up Joan's road to sainthood thusly: "Joan of Arc, a village girl from the Vosges, was born about 1412; burnt for heresy, witchcraft, and sorcery in 1431; rehabilitated after a fashion in 1456, designated venerable in 1904; declared Blessed in 1908; and finally canonized in 1920."
And what of the voices of the three saints? Was she a sorcerous? Or was she a genius? What does Shaw say? "Joan's voices and visions have played many tricks with her reputation. They have been held to prove that she was mad, that she was a liar and imposter, that she was a sorcerer (she was burned for this), and finally that she was a saint. They do not prove any of these things; but the variety of the conclusions reached shew how little our matter-of-fact historians know about other people's minds, or even about their own. There are people in the world whose imagination is so vivid that when they have an idea it comes to them as an audible voice, sometimes uttered by a visible figure. . . . Socrates, Luther, Swedenborg, Blake saw visions and heard voices just as Saint Francis and Saint Joan did. . . . nobody disputes that the relief of Orleans, followed up by the coronation at Rheims of the Dauphin as a counterblow to the suspicions then current of the legitimacy and consequently of his title, were military and political masterstrokes that saved France. They might have been planned by Napoleon or any other illusion-proof genius. That they came to Joan as an instruction from her Counsel, as she called her visionary saints, proved nonetheless she was as able a leader of men for imagining her ideas in this way."
And what of the play? Factual or fanciful? Shaw, who researched Joan's story in France, says everything you need to know about Joan's military career and the facts concerning her trial are in the play; in other words, for the full story you need not read the actual trial and rehabilitation transcripts, as he did.
Shaw wrote the play in seven scenes. In Scene I, Joan meets Captain Robert de Baudricourt in Vaucouleurs, whom she convinces to send her to Chinon to meet the Dauphin. In Scene II, with hair cut short and dressed as a soldier, she meets the Dauphin, and convinces him to appoint her head of the French Royal Army. In Scene III, she meets Jack Dunois, who leads the French force at Orleans, and discovers the French have failed to take the English bridgehead on the River Loire, because the eastward wind is contrary, stranding their boats far from the enemy stronghold. After she arrives, she prays to her saints, and the wind begins blowing westward, allowing the stalled attack to go forward, with Joan leading the way. Scene IV takes place at an English encampment, where a nobleman (Richard de Warwick) and a chaplain (Master John de Stogumber), and a Bishop (Monseigneur Cauchon) discuss the inroads the French Army has been making on territory held by the English, now that they are led by "the Maid of Orleans", as she is being called after her smashing victory there. "Our friends here take the view that the young woman is a sorceress," says Warwick to Cauchon. "It would, I presume, be the duty of your reverend lordship to denounce her to the Inquisition, and have her burnt for that offense." Cauchon responds: "If she were captured in my diocese: yes."
Scene V takes place in the cathedral of Rheims, where Joan crowns the Dauphin as Charles VII, King of France. Afterwards, several in the King's Court complain of Joan's intrusiveness. "If only she would keep quiet," says Charles, "or go home!"
Scene VI depicts Joan's trial in Rouen, where the lead prosecuting attorney is none other than Monseigneur Cauchon, who makes good his vow to have her tried as a sorceress. On the last day of the trial, Cauchon announces that Joan has been found guilty, and will be burned at the stake that afternoon. Joan is surprised, and for the first time recants, hoping her sentence will be commuted. When it isn't she retracts her statement, and is led away by the executioner.
Why had the French King, who was nearby and owed her so much, not come to her rescue? According to Shaw, Charles VII had grown weary of Joan's overbearing assertiveness, among other of her character traits, and like so many who had encountered her, was glad to be rid of her. In the Introduction, Shaw explains: "If Joan had been malicious, selfish, cowardly or stupid, she would have been one of the most odious persons known to history instead of one of the most attractive. If she had been old enough to know the effect she was producing on the men whom she humiliated by being right when they were wrong, and had learned to flatter and manage them, she might have lived as long as Queen Elizabeth. . . . "
EPILOGUE
Scene VII is the Epilogue, and takes place in the King's Royal Chateau, 26 years after Joan's execution. Her rehabilitation has been completed, and one of the King's couriers, tells Charles, "It is solemnly declared that her judges were full of corruption, cozenage, fraud, and malice. Four falsehoods."
A storm rages outside, and as the room darkens; Charles moves to his bed, picks up a book, and is startled by an apparition that mysteriously appears at the foot of his bed. He hides under the covers, peers out and cries at the apparition, "Joan! Are you a ghost, Joan?"
It is indeed Joan, in a scene where Shaw takes some liberties with the characters, to bring the play to a satisfying close.
Joan: "Hardly even that, lad. Can a poor burnt-up lass have a ghost? I am a dream that thou art dreaming. Thou looks older, lad."
Charles: "Are you really dead?"
Joan: "As dead as ever is, laddie. I am out of the body."
Charles: "Just fancy. Did it hurt much?"
Joan: "I cannot remember very well. I think it did at first; but then it all got mixed up; and I was not in my right mind until I was free of the body. But do not thou go handling fire and thinking it will not hurt thee. How has thou been ever since?"
Charles: "Oh, not so bad. Did you know, I actually lead my army out and win battles? Down into the moat up to my waist in mud and blood. Up the ladders with the stones and hot pitch raining down. Like you."
Joan: "No! Did I make a man of thee after all, Charlie?"
Charles: "I am Charles the Victorious now. I had to be brave because you were. Agnes put a little pluck into me too."
Joan: "Agnes? Who was Agnes?"
Charles: "Agnes Sorel. A woman I fell in love with. I dream of her often. I never dreamed of you before."
Joan: "Is she dead, like me?"
Charles: "Yes. But she was not like you. She was very beautiful."
Joan (laughing heartily) Ha ha! I was no beauty: I was always a rough one: a regular soldier. I might almost as well have been a man. Pity I wasn't: I should not have bothered you all so much then. But my head was in the skies; and the glory of God was upon me; and, man or woman, I should have bothered you as long as your noses were in the mud. Now tell me what has happened since you wise men knew no better than to make a heap of cinders of me?"
This is as good a place as any to end the review. For more, read the play.
Top reviews from other countries
What I love more than the text, and I love the text - brisk, upbeat, re-captuing the various personalities so accurately - what I love more is Shaw's Preface. Yes, it is long, many paragraphs, and I suppose out of proportion to the length of the text of the play but it contains so much wisdom. I'll take one example. He speaks of the VISIONARY and sees the visionary as one who sees further, probes deeper and who DOES SOMETHING ABOUT IT. Oh yes, we all dream dreams, I can come up with solutions to several of the world's problems, but I am not prepared to put my life on the line. This is only one example but so relevant in today's world of self-glorification.
The PLAY presents a delightful Jaon, the Preface invites us to ponder her story.







