- Hardcover: 600 pages
- Publisher: Doubleday; Illustrated edition (November 1, 2005)
- Language: English
- ISBN-10: 0385516487
- ISBN-13: 978-0385516488
- Product Dimensions: 6.5 x 1.9 x 9.4 inches
- Shipping Weight: 3 pounds (View shipping rates and policies)
- Average Customer Review: 1,579 customer reviews
- Amazon Best Sellers Rank: #45,681 in Books (See Top 100 in Books)
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Salem's Lot, Illustrated Edition Hardcover – Illustrated, November 1, 2005
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About the Author
Stephen King is the author of more than forty novels and two hundred short stories. In 2003 he received the National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Maine with his wife, novelist Tabitha King.
Excerpt. © Reprinted by permission. All rights reserved.
By the time he had passed Portland going north on the turnpike, Ben Mears had begun to feel a not unpleasurable tingle of excitement in his belly. It was September 5, 1975, and summer was enjoying her final grand fling. The trees were bursting with green, the sky was a high, soft blue, and just over the Falmouth town line he saw two boys walking a road parallel to the expressway with fishing rods settled on their shoulders like carbines.
He switched to the travel lane, slowed to the minimum turnpike speed, and began to look for anything that would jog his memory. There was nothing at first, and he tried to caution himself against almost sure disappointment. You were nine then. That's twenty-five years of water under the bridge. Places change. Like people.
In those days the four-lane 295 hadn't existed. If you wanted to go to Portland from the Lot, you went out Route 12 to Falmouth and then got on Number 1. Time had marched on.
Stop that shit.
But it was hard to stop. It was hard to stop when--
A big BSA cycle with jacked handlebars suddenly roared past him in the passing lane, a kid in a T-shirt driving, a girl in a red cloth jacket and huge mirror-lensed sunglasses riding pillion behind him. They cut in a little too quickly and he overreacted, jamming on his brakes and laying both hands on the horn. The BSA sped up, belching blue smoke from its exhaust, and the girl jabbed her middle finger back at him.
He resumed speed, wishing for a cigarette. His hands were trembling slightly. The BSA was almost out of sight now, moving fast. The kids. The goddamned kids. Memories tried to crowd in on him, memories of a more recent vintage. He pushed them away. He hadn't been on a motorcycle in two years. He planned never to ride on one again.
A flash of red caught his eye off to the left, and when he glanced that way, he felt a burst of pleasure and recognition. A large red barn stood on a hill far across a rising field of timothy and clover, a barn with a cupola painted white--even at this distance he could see the sun gleam on the weather vane atop that cupola. It had been there then and was still here now. It looked exactly the same. Maybe it was going to be all right after all. Then the trees blotted it out.
As the turnpike entered Cumberland, more and more things began to seem familiar. He passed over the Royal River, where they had fished for steelies and pickerel as boys. Past a brief, flickering view of Cumberland Village through the trees. In the distance the Cumberland water tower with its huge slogan painted across the side: "Keep Maine Green." Aunt Cindy had always said someone should print "Bring Money" underneath that.
His original sense of excitement grew and he began to speed up, watching for the sign. It came twinkling up out of the distance in reflectorized green five miles later:
ROUTE 12 JERUSALEM'S LOT
CUMBERLAND CUMBERLAND CTR
A sudden blackness came over him, dousing his good spirits like sand on fire. He had been subject to these since (his mind tried to speak Miranda's name and he would not let it) the bad time and was used to fending them off, but this one swept over him with a savage power that was dismaying.
What was he doing, coming back to a town where he had lived for four years as a boy, trying to recapture something that was irrevocably lost? What magic could he expect to recapture by walking roads that he had once walked as a boy and were probably asphalted and straightened and logged off and littered with tourist beer cans? The magic was gone, both white and black. It had all gone down the chutes on that night when the motorcycle had gone out of control and then there was the yellow moving van, growing and growing, his wife Miranda's scream, cut off with sudden finality when--
The exit came up on his right, and for a moment he considered driving right past it, continuing on to Chamberlain or Lewiston, stopping for lunch, and then turning around and going back. But back where? Home? That was a laugh. If there was a home, it had been here. Even if it had only been four years, it was his.
He signaled, slowed the Citroën, and went up the ramp. Toward the top, where the turnpike ramp joined Route 12 (which became Jointner Avenue closer to town), he glanced up toward the horizon. What he saw there made him jam the brakes on with both feet. The Citro‘n shuddered to a stop and stalled.
The trees, mostly pine and spruce, rose in gentle slopes toward the east, seeming to almost crowd against the sky at the limit of vision. From here the town was not visible. Only the trees, and in the distance, where those trees rose against the sky, the peaked, gabled roof of the Marsten House.
He gazed at it, fascinated. Warring emotions crossed his face with kaleidoscopic swiftness.
"Still here," he murmured aloud. "By God."
He looked down at his arms. They had broken out in goose flesh.
He deliberately skirted town, crossing into Cumberland and then coming back into 'salem's Lot from the west, taking the Burns Road. He was amazed by how little things had changed out here. There were a few new houses he didn't remember, there was a tavern called Dell's just over the town line, and a pair of fresh gravel quarries. A good deal of the hardwood had been pulped over. But the old tin sign pointing the way to the town dump was still there, and the road itself was still unpaved, full of chuckholes and washboards, and he could see Schoolyard Hill through the slash in the trees where the Central Maine Power pylons ran on a northwest to southeast line. The Griffen farm was still there, although the barn had been enlarged. He wondered if they still bottled and sold their own milk. The logo had been a smiling cow under the name brand: "Sunshine Milk from the Griffen Farms!" He smiled. He had splashed a lot of that milk on his corn flakes at Aunt Cindy's house.
He turned left onto the Brooks Road, passed the wrought-iron gates and the low fieldstone wall surrounding Harmony Hill Cemetery, and then went down the steep grade and started up the far side--the side known as Marsten's Hill.
At the top, the trees fell away on both sides of the road. On the right, you could look right down into the town proper--Ben's first view of it. On the left, the Marsten House. He pulled over and got out of the car.
It was just the same. There was no difference, not at all. He might have last seen it yesterday.
The witch grass grew wild and tall in the front yard, obscuring the old, frost-heaved flagstones that led to the porch. Chirring crickets sang in it, and he could see grasshoppers jumping in erratic parabolas.
The house itself looked toward town. It was huge and rambling and sagging, its windows haphazardly boarded shut, giving it that sinister look of all old houses that have been empty for a long time. The paint had been weathered away, giving the house a uniform gray look. Windstorms had ripped many of the shingles off, and a heavy snowfall had punched in the west corner of the main roof, giving it a slumped, hunched look. A tattered no-trespassing sign was nailed to the right-hand newel post.
He felt a strong urge to walk up that overgrown path, past the crickets and hoppers that would jump around his shoes, climb the porch, peek between the haphazard boards into the hallway or the front room. Perhaps try the front door. If it was unlocked, go in.
He swallowed and stared up at the house, almost hypnotized. It stared back at him with idiot indifference.
You walked down the hall, smelling wet plaster and rotting wallpaper, and mice would skitter in the walls. There would still be a lot of junk lying around, and you might pick something up, a paperweight maybe, and put it in your pocket. Then, at the end of the hall, instead of going through into the kitchen, you could turn left and go up the stairs, your feet gritting in the plaster dust which had sifted down from the ceiling over the years. There were fourteen steps, exactly fourteen. But the top one was smaller, out of proportion, as if it had been added to avoid the evil number. At the top of the stairs you stand on the landing, looking down the hall toward a closed door. And if you walk down the hall toward it, watching as if from outside yourself as the door gets closer and larger, you can reach out your hand and put it on the tarnished silver knob--
He turned away from the house, a straw-dry whistle of air slipping from his mouth. Not yet. Later, perhaps, but not yet. For now it was enough to know that all of that was still here. It had waited for him. He put his hands on the hood of his car and looked out over the town. He could find out down there who was handling the Marsten House, and perhaps lease it. The kitchen would make an adequate writing room and he could bunk down in the front parlor. But he wouldn't allow himself to go upstairs.
Not unless it had to be done.
He got in his car, started it, and drove down the hill to Jerusalem's Lot.
He was sitting on a bench in the park when he observed the girl watching him. She was a very pretty girl, and there was a silk scarf tied over her light blond hair. She was currently reading a book, but there was a sketch pad and what looked like a charcoal pencil beside her. It was Tuesday, September 16, the first day of school, and the park had magically emptied of the rowdier element. What was left was a scattering of mothers with infants, a few old men sitting by the war memorial, and this girl sitting in the dappled shade of a gnarled old elm.
She looked up and saw him. An expression of startlement crossed her face. She looked down at her book; looked up at him again and started to rise; almost thought better of it; did rise; sat down again.
He got up and walked over, holding his own book, which was a paperback Western. "Hello," he said agreeably. "Do we know each oth...
Top customer reviews
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With Twilight, Vampire Diaries, and all these romantic, obnoxious, poorly acted vampire movies and shows out, I couldn't imagine that a book about vampires could possibly be anything but lame.
Holy moly was I wrong. Absolutely terrifying. It goes from "fun spooky" to "swear out loud terrifying" about midway through.
If you love King, this is right up your alley. Obviously a classic book. Made me afraid to look out the window at night. NEVER thought I'd find vampires scary.
It's still not my favorite Stephen King book - and I've read them all. But it is much better than I remembered. It's a hefty tome like most of King's offerings and I did feel that it was repetitive and too wordy in spots.
But as far as vampire books go, it's truly top of the line. You aren't going to find blood, guts and gore like modern day vampire tales. There are a few stomach-roiling moments but King mainly depends on his superior storytelling abilities to let the reader imagine the terrifying happenings in 'salem's Lot.
The book is suspenseful and scary yet filled with ordinary people trying to overcome extraordinary circumstances.
I enjoyed most of the characters, especially Ben and Mark. They were vividly drawn and I felt I would know them if I ever met them - and even call them friends.
A couple of negatives based on this illustrated edition:
There were very few pictures in the book, especially for a book of this length. And the pictures are very small in the Kindle edition.
There was a formatting issue about halfway through the book that garbled up about 50 pages of the book. It was barely readable - and annoying.
I did enjoy the two short stories that were part of this edition - ONE FOR THE ROAD and JERUSALEM'S LOT. And I especially enjoyed the deleted scenes at the end of the book.
So, all in all, I'm glad I re-read this book. Will I read it again someday in the future like I do many of Stephen King's books? Probably not.
Stephen King is not the only guilty party when it comes to altering released versions of his art - many recording artists from the Sixties apparently arrived at a point in their career where they felt they could improve upon the originally-released version of their work. What they fail to consider in doing so is the fact that those original releases have become a part of their audience's subconscious to which changes are most unwelcome, especially if the 'new and improved' version becomes all that is available.
One of my favorite books of all time is Stephen King's The Stand, and while I would have found his unedited version interesting from a writer's perspective, I vastly prefer the original edited version as a reader. Unfortunately, it doesn't seem to be available any longer. Same goes for Salem's Lot in Kindle form. If it's the original horror you seek, hit the used book stores, and I wish you luck!
Jerusalem's Lot in southern Maine. Most of the
town's people have lived there for years. They know
everybody in town and the town holds no secrets.
Ben Mears spent his childhood there and is returning
after 25 years away to face the haunting of past
demons. He needs to return to the creepy, old
Marston House where his nightmares began.
The Marston House is the sign of the evil and
corruption in the town. Although their are two new
owners of the house, Richard Straker and Kurt
Barlow, his absent partner, the dark lineage continues
to engulf the town in the form of the return of vampires.
This is the first Stephen King I have read. It was well
written, captivating the reader. The characters were
vivid and uniquely place within the plot. The story hit
on social issues such as child abuse, betrayal, spying,
malicious gossip, resentment
Thrills, chills, drama, mystery and suspense draw the
reader into the story.
Most recent customer reviews
Felt like a 3 star then 5 star so decided for 4