I started out creating my first "bedroom studio" trying to stay wireless, so I initially purchased a microphone with a UHF connection. It worked, and would probably be great for karaoke, but I could hear the hum of RF interference both through my amp and my headphones. Really, that was pretty naive on my part because in trying to solve a mobility problem I ended up creating a noise problem. After all, I'm playing in my home office and backyard deck, not on stage pretending to be Mick Jagger. (BTW, the above also applies to the wireless connection I started with between my guitar and the amp).
I then purchased this mic and, via the direct XLR connection, eliminated the background hum. I'm still experimenting where best to position it to capture both guitar and vocals, but it seems to handle them quite well at ~18", angled in from the top so that it picks sounds up at a more natural "campfire" distance. (That tip came from Graham Cochrane of RecordingRevolution.com). Since my intent was to hear clear sound through my headphones and amp, and because I also want to record music onto my computer, I'm considering this mic upgrade to be a great success.
Just in case this info might also be helpful to folks creating a studio, the entire setup I'm using now includes:
Samson C01 Large-Diaphragm Cardioid Condenser Microphone (wired)
Fender Acoustasonic 15 amp (limited I/O, but more than fine for my current needs)
Moukey 48V Phantom Power Supply (needed for the mic because one's not built-in on my amp)
Focusrite Scarlett Solo 3rd Gen Audio Interface (includes USB-C-->USB-A cable and several recording packages)
Tascam Closed-Back Over-Ear Headphones (comfortable and clear)
Penker 10 Foot,1/4" --> 1/4" Guitar Cord
AmazonBasics Tripod Boom Microphone Stand (which really should have a 4th leg on the base for stability)
Kasonic Collapsible Music Stand w/LED light & Paper Holder
Total Cost (pre-tax) = $398
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From the manufacturer
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Large Diaphragm; Large SoundA large dual-layer 19mm microphone diaphragm offers a wide dynamic range and features a smooth, natural frequency response for warm bass tones, accurate midrange and extended top end. A high SPL rating makes the C01 perfect for close-miking guitar cabs, drums and more. |
Off-Axis Sound RejectionA cardioid polar pickup pattern focuses on capturing the sound source while minimizing background noise and feedback in live and studio recording applications. |
Rugged DesignThe C01 includes a heavy gauge mesh grille and gold-plated XLR connector. The microphone comes with a swivel mount that can be attached to any standard mic stand and is compatible with the SP01 Spider Shockmount (sold separately) for increased mic and sound stability. |
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| C01 | C02 | CL7a | CL8a | |
| Microphone Type | Condenser | Condenser | Condenser | Condenser |
| Polar Pattern | Cardioid | Cardioid | Cardioid | Cardioid, Omni, Figure-8 |
| Diaphragm Size | 19 mm | 12 mm | 28 mm | 28 mm |
| Frequency Response | 40 Hz – 18 kHz | 40 Hz – 20 kHz | 20 Hz – 20 kHz | 20 Hz – 20 kHz |
| Max SPL | 136 dB | 134 dB | 147 dB | 147 dB |
| Output Impedance | 200 Ω | 200 Ω | 200 Ω | 200 Ω |
| Signal to Noise Ratio | 71 dB | 72 dB | 77 dB | 77 dB |
| Self Noise | 23 dB | 22 dB | 17 dB | 17 dB |
| Low Cut Filter | - | - | ✓ | ✓ |
| Pad | - | - | ✓ | ✓ |
Customer reviews
I was trying to invest in good quality sound, so I ordered this microphone, it says it's a XLR microphone, so I ordered Focusrite Audio Interface with it, it came after months, when I checked it it's an USB Mic!!!I double checked my order, I found I ordered the right one, but I don't know where's the problem?!Even it's not working!This kind mistakes can ruin someone's plans.
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Top reviews from the United States
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Reviewed in the United States on September 27, 2020
I then purchased this mic and, via the direct XLR connection, eliminated the background hum. I'm still experimenting where best to position it to capture both guitar and vocals, but it seems to handle them quite well at ~18", angled in from the top so that it picks sounds up at a more natural "campfire" distance. (That tip came from Graham Cochrane of RecordingRevolution.com). Since my intent was to hear clear sound through my headphones and amp, and because I also want to record music onto my computer, I'm considering this mic upgrade to be a great success.
Just in case this info might also be helpful to folks creating a studio, the entire setup I'm using now includes:
Samson C01 Large-Diaphragm Cardioid Condenser Microphone (wired)
Fender Acoustasonic 15 amp (limited I/O, but more than fine for my current needs)
Moukey 48V Phantom Power Supply (needed for the mic because one's not built-in on my amp)
Focusrite Scarlett Solo 3rd Gen Audio Interface (includes USB-C-->USB-A cable and several recording packages)
Tascam Closed-Back Over-Ear Headphones (comfortable and clear)
Penker 10 Foot,1/4" --> 1/4" Guitar Cord
AmazonBasics Tripod Boom Microphone Stand (which really should have a 4th leg on the base for stability)
Kasonic Collapsible Music Stand w/LED light & Paper Holder
Total Cost (pre-tax) = $398
Size: Mic OnlyColor: SilverVerified Purchase
Great Upgrade to My Mini-Studio
By 6-StringAcoustic on September 27, 2020
I started out creating my first "bedroom studio" trying to stay wireless, so I initially purchased a microphone with a UHF connection. It worked, and would probably be great for karaoke, but I could hear the hum of RF interference both through my amp and my headphones. Really, that was pretty naive on my part because in trying to solve a mobility problem I ended up creating a noise problem. After all, I'm playing in my home office and backyard deck, not on stage pretending to be Mick Jagger. (BTW, the above also applies to the wireless connection I started with between my guitar and the amp).By 6-StringAcoustic on September 27, 2020
I then purchased this mic and, via the direct XLR connection, eliminated the background hum. I'm still experimenting where best to position it to capture both guitar and vocals, but it seems to handle them quite well at ~18", angled in from the top so that it picks sounds up at a more natural "campfire" distance. (That tip came from Graham Cochrane of RecordingRevolution.com). Since my intent was to hear clear sound through my headphones and amp, and because I also want to record music onto my computer, I'm considering this mic upgrade to be a great success.
Just in case this info might also be helpful to folks creating a studio, the entire setup I'm using now includes:
Samson C01 Large-Diaphragm Cardioid Condenser Microphone (wired)
Fender Acoustasonic 15 amp (limited I/O, but more than fine for my current needs)
Moukey 48V Phantom Power Supply (needed for the mic because one's not built-in on my amp)
Focusrite Scarlett Solo 3rd Gen Audio Interface (includes USB-C-->USB-A cable and several recording packages)
Tascam Closed-Back Over-Ear Headphones (comfortable and clear)
Penker 10 Foot,1/4" --> 1/4" Guitar Cord
AmazonBasics Tripod Boom Microphone Stand (which really should have a 4th leg on the base for stability)
Kasonic Collapsible Music Stand w/LED light & Paper Holder
Total Cost (pre-tax) = $398
Images in this review
Top reviews from other countries
MyKey Brooks
I Don't think any other mic comes close at this price!
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