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The Saphead: Ultimate Edition [Blu-ray]
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| Genre | Comedy/Classic Comedies, Classics/Silent Films |
| Format | Multiple Formats, Blu-ray, NTSC, Silent |
| Contributor | Bealah Booker, Herbert Blache, Edward Jobson, Buster Keaton, Edward Connelly, Wincell Smith |
| Language | English |
| Runtime | 1 hour and 17 minutes |
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Product Description
In his first starring role (and the film that launched his career), Buster Keaton stars in The Saphead as Bertie Van Alstyne, the spoiled son of a powerful Wall Street financier. Unable to escape the wealth and comfort that are foisted upon him, he pursues individuality in a series of comic misadventures in the speakeasies of New York, at the altar of matrimony, and even on the floor of the American stock exchange. The Saphead was instrumental in establishing Keaton as a bona fide star and greatly influenced his formulation of the Buster persona: a lonely, stone-faced soul thwarted by circumstance yet undauntedly resourceful and indefatigable in his struggle for love and survival within a chaotic world.
BONUS FEATURES: Loaded with special features including an alternate version of the film and more (TBD).
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.72 Ounces
- Item model number : 25109307
- Director : Herbert Blache, Wincell Smith
- Media Format : Multiple Formats, Blu-ray, NTSC, Silent
- Run time : 1 hour and 17 minutes
- Release date : July 10, 2012
- Actors : Buster Keaton, Edward Jobson, Bealah Booker, Edward Connelly
- Subtitles: : English
- Studio : Kino Lorber films
- ASIN : B007UQ8ITM
- Number of discs : 1
- Best Sellers Rank: #255,959 in Movies & TV (See Top 100 in Movies & TV)
- #7,341 in Comedy (Movies & TV)
- Customer Reviews:
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If you like to see Buster doing his acrobatics most of the little amount is in one sequence near the end.
It just isn't as funny as some of Keaton's other work.
I prefer watching the "Alternate" version, it is way better in the second half with better interior details.
The first version is the standard "Rohauer" version with his re-issues titles and film tinting. The "Alternate" version (accessible from the extras menu) presents what is believed to be the foreign camera negative version that would have been sent to other countries to have the 1-frame dialogue cards translated (Kino inserted the Rohauer dialogue cards that are long enough to read).
The "Rohauer" version has new Rohauer titles and a brief history of the story on stage before the movie starts. The "Alternate" version recreates what the original title card might have looked like. Unfortunately the original title cards have not survived over time.
The "Rohauer" version is 2 minutes longer than the "Alternate" version, but this discrepancy, demonstrated in a brief bonus documentary, is due to slightly shorter cuts of some scenes. Nothing major is missing.
The "Rohauer" version may look sharper at first, but you will notice much more detail in the dark areas of the "Alternate Version". The wedding scene is particularly dark around the edges, Kino tried to compensate for the edge darkness by raising the black levels on the edges, but this does not restore the details, It just gives a weird halo effect that looks unnatural. The "Alternate" version has all details and a smooth grey-tone.
The "Rohauer" version tints all scenes various colors (muted somewhat on this new re-release) while the "Alternate" version only tints the night scenes blue. Which version is correct is unknown as the tinting continuity log is lost. The negative of the "Alternate" version had all of the night scenes mounted on one reel for tinting while all other scenes were edited together. This hints that only the night scenes were originally tinted.
The bonus documentary "A PAIR OF SAPHEADS" compares selected scenes from the two versions, showing how the camera placement differs. Sometimes one version has tighter framing, other times it is the other version with tighter framing. It is obvious that two different negatives, filmed at the same time, survive.
Comparing this new Blu-ray to the old "Art of Buster Keaton" DVD (which only contains the "Rohauer" version) shows an overall sharper, stable image. The old DVD was not bad, this is just a little better. The tints on the old DVD are much more brighter, this new Blu-ray tones them down to a more natural look.
Aside form the above mentioned bonus, there is also an audio recording from May 5th 1962 of Buster Keaton at a private intimate party. The amateur recording is primitive and often hard to hear as the microphone is too far away, so turn up the volume. This peak into his off-screen world shows his joy in social parties.
There is also a collection of stills from the movie.
A miss-named, miss-leading bonus item called "Why They Call Him Buster" would lead you to believe this is a documentary about Buster starting out in show business. But NO this is only a promo for Kino's LOST KEATON DVD & Blu-ray release. Shameful! Why didn't they just call this a promo.
I am sorry there is no audio commentary, I especially like to listen to them on silent movies. They often help you understand out-dated jokes or forgotten cameos.
As far as the movie goes, this is Buster's first feature film. Since the original title card is lost we don't know if he got star billing in the title, but in the cast credits he is last.
While not his best work, Buster is still enjoyable here and this is a 'must-have' for his fans. Buster is the 'comedy hero' in this otherwise dramatic film.
If you are just getting to know Buster, i direct you to his classics like "The General" The General [Blu-ray ] and "Sherlock Jr." Sherlock Jr. / Three Ages [Blu-ray ].
"The Saphead" does not showcase Keaton the filmmaker, but rather Keaton the actor. The script is from a play, the directors are individuals Keaton never worked with before or hence, and the studio was Metro, predecessor of MGM. Keaton plays Bertie the Lamb, mild-mannered and spoiled son of Nick Van Alstyne, "the Wolf of Wall Street". In spite of the fact that Keaton had no creative input to the film and isn't actually its centerpiece, there is much to like about this film and much that is so Keatonesque. Keaton plays an old-fashioned romantic and someone that is thrust into the role of the fall guy by the actual bad guy - a theme he repeats in his own features. He also has down pat the part of being the well-dressed dapper man of the 1920's, which he repeats with more comic effect in "The Battling Butler".
"The High Sign" was Keaton's first two-reeler after he went solo in 1920, but it was not the first film he released. Here he plays a drifter who gets hired by a member of the gang "The Blinking Blizzards" to run a shooting gallery. In a turn of events that can happen only in a Keaton film, Buster winds up being hired to both kill the father of the girl he loves and also to protect him. The film ends with a funny chase sequence through a house that has a series of trick doors, false walls, and traps that could only be designed by the mind of Keaton.
Keaton disliked "The High Sign" and delayed its release. Instead, his premiere release was "One Week". Here Keaton is the groom in the story of a pair of newlyweds that receive a wedding gift of an assemble-it-yourself house. Unfortunately, the bride has a jilted suitor that wants revenge. He gets it by renumbering all of the containers of building supplies that come with the manufactured home. The result is a house that is incorrectly assembled to say the least. The roof doesn't fit, the kitchen sink is on the outside of the house, and the chimney is over the bathtub, among other faults.
I really like the score on all of the Kino Keaton DVDs, and the video, though not perfect, is better than anything you'll find in the public domain. The only bad thing I can say is that there are no extra features or commentary at all. In their earlier DVDs, of which this is one, it seems like Kino didn't really grasp the power of DVD to deliver extra features and just reissued the VHS tapes of many of their silents in DVD form with no upgrades.
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As to the film itself, well that is another thing. Dull, weak, tedious drama about someone double crossing at the stock market for a mine called Henrietta. A woman is involved, then another and so on. 77 minutes of vapid nothing, peppered with an occasional few moments of Keaton parading about like a zombie or a lost robot. Comedic moments to liven things up amount to perhaps 1% of the film, being generous. In short then, this is someone inserting one of the many facets of Keaton into an otherwise boring film, in order to use his name to sell it. Or at least that is all i could imagine. They had extracted the charm from his persona and demeanour in order portray one single state. I was feeling the leaden weight of this film by the end, bearing down on me, so that my smile muscles went all Keatony. A poverty stricken direction of a dreary treatment of a blasé theme.
As an historical piece of work, important. As entertainment, a dragged out scenario of momentous pointlessness. Next time Mr Fairbanks, please don't recommend Buster for such tripe.

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