No book in modern times has matched the uproar sparked by Salman Rushdie's
The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this
Whitbread Prize winner.
Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight's Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, "prancing" Gibreel Farishta and "buttony, pursed" Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, "like titbits of tobacco from a broken old cigar," they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast. 50,000 first printing; $50,000 ad/promo; first serial to Harper's; BOMC alternate; QPBC alternate; author tour.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
When a terrorist's bomb destroys a jumbo jet high above the English Channel, two passengers fall safely to earth: Gibreel, an Indian movie actor, and Saladin, star of the controversial British television program, The Alien Show . The near-death experience changes them into living symbols of good and evilSaladin grows horns, Gibreel a halo. From this fantastic premise Rushdie spins a huge collection of loosely related subplots that combine mythology, folklore, and TV trivia in a tour de force of magic realism that investigates the postmodern immigrant experience. (Why does an Indian expatriate feel homesick watching reruns of Dallas ?) Like Rushdie's award-winning novel Midnight's Children ( LJ 2/15/81), this invites comparison with the miracle-laden narratives of Gabriel Garcia Marquez. Highly recommended. Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 1988 Reed Business Information, Inc.
About the Author
Salman Rushdie is the author of twelve novels—Grimus, Midnight’s Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, The Enchantress of Florence, Luka and the Fire of Life, and Two Years Eight Months and Twenty-Eight Nights—and one collection of short stories: East, West. He has also published four works of nonfiction—Joseph Anton, The Jaguar Smile, Imaginary Homelands, and Step Across This Line—and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a member of the American Academy of Arts and Letters and a Distinguished Writer in Residence at New York University. A former president of PEN American Center, Rushdie was knighted in 2007 for services to literature.