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The story is dark and at most times twisted. The characters are not likable, their not supposed to be; they are from what could be called the "alleyway" of society. Yes they're rich, but they're also psychologically damaged beyond repair. Their actions are horrid, and their personalities are even worse. Just because the characters are not honorable, generous, or even understandable, doesn't make the movie bad. People like this do actually exist, its just that most of us would greatly try to avoid them. The actors in this movie were excellent. I think Moore did a great job portraying the damaged wife and mother. If your looking to watch something out of the norm, go ahead and give this a try.
Just be warned that this movie is truly, out of the norm.
Howard A. Rodman's screenplay covers over a quarter-century of the characters' lives beginning in 1946 when a vivacious Barbara dotes on her baby Antony even as she gallivants amid the Manhattan social scene. The story quickly flashes forward to Paris when a precocious, 14-year-old Antony remains devoted to his mother even when she embarrasses him by forcing him to read a passage from de Sade's Justine in front of a small gathering of pretentious socialites. Another seven years pass, and a sexually awakened Antony takes up with a young, pot-smoking Spaniard named Jake, while Barbara has been deserted by her husband Brooks for a younger woman who once bedded Antony. As with many women of her standing, Barbara becomes involved with a gay "walker", Sam, who becomes Barbara's erudite escort. More transgressions occur until we catch up with mother and son living together in London in 1972. The Oedipal machinations come into fruition there leading to the tragic conclusion.Read more ›
Knowing that the story is true adds a bit of intrigue: the family of a plastics mogul is in the third generation: Brooks Baeklande (Stephen Dillane) wallows in his wealth without positively contributing to his family reputation; his wife Barbara (Julianne Moore), a former actress and Feline's salesgirl who marries into wealth only to become obsessed with climbing a ladder that repeatedly betrays her 'class'; their only son Antony (Eddie Redmayne) who moves from his mother's worshipped idol to his father's loathed rival at his being bisexual/gay to a series of affairs - none of which he finds satisfying or fulfilling, especially his ultimate incestuous relationship with his mother. The film runs from 1946 (Antony's birth) to 1972 and the tragic finale and during this time the audience is conducted through the superficial corridors of life among the wealthy and influential people of New York, Paris, London, Cadaques.Read more ›
Most Recent Customer Reviews
I am an Eddie Redmayne fan and I had seen it before but I didn't quite remember Julianne Moore being so evil,Published 2 months ago by Diane B
Good acting but not the best way to tell the story of this unusual familyPublished 2 months ago by Alba Nino
If I didn't know the story of this family, I would have had no clue what was going on in this movie.Published 3 months ago by Amy
Frightfully good. Be prepared for a very twisted Mother/son relationship. Quite a drama on the subject. Well acted and raw.Published 4 months ago by Jean Fitzpatrick
Fell in love with Eddie Redmayne in this movie. It is a sad tale of people with too much money.Published 5 months ago by Chez
Amazing acting from Julianne Moore, truly bizarre story. Definitely keeps your attention, not a dull moment. Language, implied sex.Published 6 months ago by Dukeman