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![Save the Cat: The Last Book on Screenwriting You'll Ever Need by [Blake Snyder]](https://m.media-amazon.com/images/W/IMAGERENDERING_521856-T1/images/I/41ZA7OUXCQL._SY346_.jpg)
Save the Cat: The Last Book on Screenwriting You'll Ever Need Kindle Edition
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- LanguageEnglish
- PublisherMichael Wiese Productions
- Publication dateMay 25, 2005
- File size2530 KB
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Product details
- ASIN : B00340ESIS
- Publisher : Michael Wiese Productions (May 25, 2005)
- Publication date : May 25, 2005
- Language : English
- File size : 2530 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 215 pages
- Best Sellers Rank: #36,507 in Kindle Store (See Top 100 in Kindle Store)
- #7 in Screenwriting (Kindle Store)
- #21 in Screenwriting (Books)
- #56 in Performing Arts (Books)
- Customer Reviews:
About the author

In his 20-year career as a screenwriter and producer, Blake Snyder sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg. His book, "Save the Cat!® The Last Book on Screenwriting You'll Ever Need," was published in May 2005, and is now in its 33rd printing. The sequels, "Save the Cat!® Goes to the Movies: The Screenwriter's Guide to Every Story Ever Told," "Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into... And Out Of," and software, "Save the Cat!® The Last Story Structure Software You'll Ever Need," are also bestsellers. Along with guiding screenwriters, novelists, and other creative thinkers, Blake's method has become the secret weapon of many development executives, managers, and producers for its precise, easy, and honest appraisal of what it takes to write and develop stories in any media. Blake was a proud member of the Writers Guild of America, west. He passed away suddenly on August 4, 2009, but he lives on in his films and his books, in the advice that will never grow old, with the spirit that will continue to thrive and inspire. His story resonates with all who loved him, and your stories will resonate thanks to his love for you. Blake's vision continues on his website and in "Save the Cat!® Goes to the Indies: The Screenwriter's Guide to 50 Films from the Masters," written by Salva Rubio and published in April, 2017.
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Reviewed in the United States on August 21, 2018
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Halfway through reading, I learned the author had passed away, and I suddenly felt alone. Like I’d lost a mentor I never had.
When I ran the strips of scotch tape on the cork and stepped back to see the blank canvas of my first storyboard, I felt a little glad that maybe Blake was with me, a little shoulder angel, watching from afar as an optimistically energized writer dove head first.
This book is amazing.
Buy it.
The first time, I was new to fiction and - as a published nonfiction author - I needed insights to craft my romance and adventure plots.
Then, after I figured I'd gleaned everything I needed to know from "Save The Cat!," I donated the book to a local charity shop.
The second time, I was in the middle of a short story (fiction) and desperately needed to understand why my story was stuck. In under 10k words, the story seemed to hit all the right plot points, but... no, it was a truly horrible story. Even I couldn't stay awake, re-reading it.
So, I bought this book again, and read it. I had my "ah-HA!" moment, and - thinking I Knew It All - I donated the book to the local charity, again.
But then (deep sigh) a few months later, I was reading about marketing. Trying to understand why my book blurbs were a yawn.
As an indie author, occasional blogger, and possibly aspiring to vlogging, I kept hearing that I needed to craft my marketing better, so it read like a story.
No big deal, right...? I mean, I'm a writer. Fans like some (not all) of my books. I should know ALL about story.
But... I didn't. I just couldn't seem to use story elements in my marketing materials. And don't even ask about how lackluster my YouTube videos were. (I'm blushing, even as I'm writing this.)
So... yes, I bought this book again. And realized that "Save The Cat!" applies to SO much in business, as well as writing and in everyday life, this time I'd better keep it on my bookshelf.
Chances are, I'll need it again and again.
I'm giving this book four stars because it's not the most entertaining or engaging book I've ever read.
On the other hand, it may be one of the most important books for many aspects of my professional life.
You'll probably feel the same when you test-drive the advice in it. It really is a brilliant series of concepts.
And learn from my mistakes. After reading this book, place "Save The Cat!" with your reference books. Chances are, you'll revisit it over and and over again.
What I like about this book is that it takes out the guess work for you. It lays out a structured outline for you to follow. Snyder created what he calls the Blake Synder Beat Sheet and literally every movie I could think of follows its formula. He tells you "you should introduce your main character by this page, set the theme of the movie by this page, create a conflict by this page, etc..." Snyder also uses movies as examples, showing how they followed this tempo. He has good ideas on how to create meaningful, 3 dimensional characters and even how to create a B story that helps the main story flow better. I wouldn't have thought of any of this had I not read this book.
What I don't like is how Snyder is sometimes a little too "by the numbers" when it comes to writing a script. He literally says the break from act 1 to act 2 HAS to happen on page 25. Not page 24, not page 26 but on page 25. I don't agree with that. While you obviously don't want it to come too early or too soon, I don't see a need for it to happen on exactly page 25 of every single script ever written. He goes to make it sound like the big wigs at studios reading your script will toss it in the garbage if they don't find it on page 25. That's simply not true and I feel like it's forcing people to pace THEIR story at HIS speed.
He also goes on to bash other great movies cause they didn't follow HIS pace. This guys claim to fame is writing Disneys "Blank Check" mind you. I don't believe in making others look bad to make yourself look good and that's kind of what he does for a bit in the book. He disses movies like Dantes Peak, Memento, Along Came Polly, etc.. but raves about other mediocre movies like 4 Christmases and miss congeniality cause they followed his cookie cutter methods.
So to sum it up, I'm glad I bought this book because I did learn a lot by reading it. I definitely feel more confident in writing my script now and figuring out how to fill in the blanks when I wasn't sure in what direction the story should go in. While I don't think his "by the numbers" method is ideal for every script, it does help me know how to set my own pace for my own movie so I don't get carried away with one act of the story over the other. If your a beginner like me and are looking for a little guidance on how to create a story, this book is a great help!
Top reviews from other countries

It is an entertaining read and put across in a friendly way. I'm aware that Blake has left this planet but I'm glad that others have carried on with and from what he put together in this book.
I'm aware that there is a soon to be realeased Save the Cat book for novelists but I felt that it makes sense to familiarise myself with what it's about and I'm glad that I did. I have seem some people state that Save the Cat encourages formulaic stories and I suppose if you're not at all bothered about making more that a few quid from your writing then you might not like this. But if you do hope to make money, be successful and appeal to a large audience then surely you must accept at some point that you need to write very commercial stories.
Anyway, I recommend the book for a writer of stories, whether a screenwriter or a novelist. It's the second screenwriting book that I have bought and I hesitated over this one for quite a long time. And there's so much more to it than the 'Save the Cat!' element that the book is named for. Obviously it's not the only book on screenwriting that you will ever need, but one of them that you need.


Being so old, a lot of the films that are mentioned as recent are obviously a bit out of date, as is all the talk of checking newspapers for movie listings etc. I bought this as I already had a copy of ‘save the cat writes a novel’ but as I’m studying screenwriting as part of an MA, I thought I should get this too. It’s not particularly well written or succinct - there are quite a few typos. Having said that, Blake knows his stuff and does impart it in a long winded way. Personally, I found the outdated references really off putting & the games for coming up with ideas were very basic and again felt like they needed a re write. But all the infamous ‘beats’ are here!
Having read a few screenwriting books recently I think there are better books out there, notably John Yorke’s Into the Woods. Or Trottier’s screen writing bible covers all the screenwriting how to books in one with minimal waffle (just ignore the hideous cover. Even though it looks super 1990s, it’s a 2019 edition).


Reviewed in the United Kingdom 🇬🇧 on January 24, 2022
Being so old, a lot of the films that are mentioned as recent are obviously a bit out of date, as is all the talk of checking newspapers for movie listings etc. I bought this as I already had a copy of ‘save the cat writes a novel’ but as I’m studying screenwriting as part of an MA, I thought I should get this too. It’s not particularly well written or succinct - there are quite a few typos. Having said that, Blake knows his stuff and does impart it in a long winded way. Personally, I found the outdated references really off putting & the games for coming up with ideas were very basic and again felt like they needed a re write. But all the infamous ‘beats’ are here!
Having read a few screenwriting books recently I think there are better books out there, notably John Yorke’s Into the Woods. Or Trottier’s screen writing bible covers all the screenwriting how to books in one with minimal waffle (just ignore the hideous cover. Even though it looks super 1990s, it’s a 2019 edition).


Beat sheet adds the structure to your screenplays. I now have 3 boards 90 cm x 55 cm hung on doors to use for screenwriting.


Reviewed in the United Kingdom 🇬🇧 on April 19, 2018
Beat sheet adds the structure to your screenplays. I now have 3 boards 90 cm x 55 cm hung on doors to use for screenwriting.

