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Schrodinger's Cat Trilogy Paperback – October 10, 1988
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"I think the dominant tendency in physics is to say that we shouldn't ask questions about the objective universe. All we can talk meaningfully about is the experimental universe, which involves us. Any method of observing imposes upon the thing the structure you're observing It through; your eye, your microscope, whatever. You can't leave the observer out."
In the book, Wilson uses the fundamental ideas in Quantum Mechanics, and Joyce's literary techniques, to craft a complex and subtle story that expands beyond the scope of the normal novel. He creates a world that is made of both fact and fancy, blending them so that the reader's certainty about reality begins to erode. While it is true that it lacks a standard narrative quality, it more than makes up for it with the lovingly detailed segments that, ultimately, fit together into an illuminant masterpiece that I found to be deeply satisfying.
One could argue that this work is analogous to Pointillism. Each part is a dot that, when seen as a whole, creates an amazing, funny, and beautiful picture.
When I started reading this book, I assumed that the story would have to do with Schroedinger's Cat (obviously), but I didn't understand the novel's structure until I reached page 80 and the book ended, only to start again in a different world (which I know sounds strange; read it if you want to understand). The plot of this novel seems entirely random, and up to a certain point it is, but it has more structure than would seem at first glance. Like Illuminatus!, it would require a great deal of analysis and scholarship to unravel the ever-knotted threads of Schroedinger's Cat, and I know few who have the time to do that. Still, it's quite an enjoyable read, even if you never know fully what the hell is going on.
As is usual for Robert Anton Wilson books, Schroedinger's Cat is side-splittingly funny. Perhaps the funniest part of the book is how characters change from world to world. For instance, in one world, Epicene Wildeblood is a debonair ladies' man. In a different world, Epicene is now a she, Mary Margaret Wildeblood, after a sex change. Even historical figures in the novel change depending on the world. James Joyce, in one world, was a minor composer. In another, Ezra Pound was not a famous poet; he was a famous folksinger. In yet another, Aleister Crowley was not an infamous occultist, but instead a British general who was the first person to reach the North Pole, which he claimed was inhabited by little green people when he got there (if you laugh at that, you will appreciate the book's humor).
It's hard to put together a review of this book, because there's no continuous plot (at least not in the ordinary sense). Characters disappear for (sometimes literally) hundreds of pages, then reappear as if nothing happened. It's very disorienting and why I waited several months after reading the book to actually review it. I thought that "sitting on my thoughts," allowing them to formulate, would help. Instead, I find that I've forgotten half of what went on in the book. Oh, memory, how thou hast robbed me!
Anyway, before I start to ramble, let me say that this is a good book for all science-fiction fans to read, since it is actual SCIENCE fiction (i.e. it involves quite complicated issues of quantum mechanics). I would recommend it to anyone with an IQ of 250 or a Ph.D. in rocket science. If you're like me and have neither, it's still a great novel. It just won't make full sense until you understand Bob's philosophy of neurological model agnosticism and quantum mechanics.