- File Size: 2548 KB
- Print Length: 579 pages
- Publisher: Tor Books (February 6, 2018)
- Publication Date: February 6, 2018
- Sold by: Macmillan
- Language: English
- ASIN: B078H73XY9
- Text-to-Speech: Enabled
- Word Wise: Enabled
- Lending: Not Enabled
- Amazon Best Sellers Rank: #102,799 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
|Print List Price:||$23.99|
Save $12.00 (50%)
Price set by seller.
Your Memberships & Subscriptions
The Science Fiction Hall of Fame, Volume One 1929-1964: The Greatest Science Fiction Stories of All Time Chosen by the Members of the Science Fiction Writers of America (SF Hall of Fame Book 1) Kindle Edition
|New from||Used from|
|Length: 579 pages||Word Wise: Enabled||Enhanced Typesetting: Enabled|
|Page Flip: Enabled||
Switch back and forth between reading the Kindle book and listening to the Audible book with Whispersync for Voice. Add the Audible book for a reduced price of $7.49 when you buy the Kindle book.
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
More items to explore
The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared.
Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward --This text refers to an out of print or unavailable edition of this title.
"Libraries can toss out worn collections of partly good/partly poor and buy thiss volume of the creme de la creme." -- Library Journal
"The first definitive modern anthology of top science fiction stories." -- Newark Sunday News
"Quibbling about the choice of the prize winners would be like arguing with the pros who vote on the Academy Awards."--Publishers Weekly on The Science Fiction Hall of Fame, Volume One
"The first definitive modern anthology of top science fiction stories."--Newark Sunday News on The Science Fiction Hall of Fame, Volume One
"Libraries can toss out worn collections of partly good/partly poor and buy this volume of the creme de la creme."--Library Journal on The Science Fiction Hall of Fame, Volume One
"Not for years has there appeared a collection of stories so remarkable, so profoundly enjoyable, so full of that marvelous 'remember when' quality, and, for the absolute beginner, so rewarding and informative a reading experience."--Theodore Sturgeon in the National Review on The Science Fiction Hall of Fame, Volume One
"A basic one-volume library of the short science fiction story." (Kirkus )
"Quibbling about the choice of the prize winners would be like arguing with the pros who vote on the Academy Awards." (Publishers Weekly )
"The first definitive modern anthology of top science fiction stories." (Newark Sunday News )
"Libraries can toss out worn collections of partly good/partly poor and buy this volume of the creme de la creme." (Library Journal )
"Not for years has there appeared a collection of stories so remarkable, so profoundly enjoyable, so full of that marvelous ''remember when'' quality." (Theodore Sturgeon National Review ) --This text refers to an out of print or unavailable edition of this title.
Would you like to tell us about a lower price?
There was a problem filtering reviews right now. Please try again later.
The trouble with classic SF tales is that they are very old and outdated. I am trying to get a classic SF education, so that doesn't bother me much. But unless that is your specific intention, you may find the tales quite annoying.
Unsurprisingly, the tales in this collection explore a wide range of themes. However, two stand out clearly, and they show their age. Many of the authors of these stories were preoccupied with nuclear energy. In stories published before 1945, a number of them wrote about rocket-powered spaceships, automobiles, and even personal flying devices. After that milestone, some wrote about nuclear fallout and nuclear war. And a number of the tales included here are about Martians—yes, walking, talking, humanoid (even human) Martians, who take walks with their human contacts in Mars’ punishingly cold, unbreatheable atmosphere. Was it really so recently that our understanding of the red planet was so limited?
Few of the writers are familiar to fans today
A handful of the writers featured in this collection are well known to science fiction fans today; Ray Bradbury, Arthur C. Clarke, Robert E. Heinlein, and, of course, Isaac Asimov.
Others, probably little remembered now, lodge in my memory from my voracious reading of science fiction as a youngster: Anthony Boucher, Lewis Padgett, James Blish, John W. Campbell, Theodore Sturgeon, C. M. Kornbluth, Murray Leinster, Richard Matheson, Alfred Bester, Damon Knight, Lester Del Rey, Clifford D. Simak, Cordwainer Smith, Fritz Leiber, A. E. Van Vogt, and Roger Zelazny.
Still others were unfamiliar to me: Daniel Keyes (even though I clearly recalled his story), Judith Merril, Frederic Brown, Jerome Bixby, Tom Godwin, and Stanley G. Weinbaum.
Here, then, is a blow-by-blow account of the twenty-six short stories and novelettes in this anthology. I’ve arranged them in the order of the individual ratings I assigned them.
As you’ll see, there are just four outstanding stories (rated @@@@@) among the twenty-six selected by editor Robert Silverberg from among the dozens nominated by the members of the Science Fiction Writers of America. By contrast, seven are, in my estimation, clunkers (@ or @@).
If you’re getting the impression that I’m far more impressed with some of the authors writing in the field today, you are, of course, entirely right. I could easily name a dozen contemporary writers much of whose work stacks up against the very best of the stories included in this book. But all you have to do is read the novels of Becky Chambers, Mary Robinette Kowal, or Paolo Bacigalupi, and you’ll see what I mean.
The best of the lot in the Science Fiction Hall of Fame
@@@@@ Flowers for Algernon by Daniel Keyes (1959)
This unsettling story strikes me as the best of the lot. Because Charlie is a mentally disadvantaged young man who eagerly wants to learn, his teacher recommends him as a subject to a neurosurgeon and a psychologist who have devised a way to increase a person’s intelligence through surgery. We follow Charlie’s experience with the experiment from his hapless days as the butt of jokes among the men he works with as a janitor through his growing awareness of the world around him as the impact of the surgery becomes ever more pronounced.
@@@@@ Mimsy Were the Borogoves by Lewis Padgett (1943)
Padgett was the pen name for the husband-and-wife team of Henry Kuttner and C. L. Moore. This is a delightful tale of two young children who come across a box of educational toys from thousands of years in the future.
@@@@@ The Quest for Saint Aquin by Anthony Boucher (1951)
Far in the future, some time following a devastating nuclear war, life goes on under the tyrannical Technarchy—science run amok. In this brave new world, Christians are persecuted to the death, but an envoy of the beleaguered Pope bravely sets out on a dangerous quest in the company of a robot to find the legendary Aquin. His mission: to determine whether Aquin is worthy of sainthood.
@@@@@ Surface Tension by James Blish (1952)
One of several hundred human “seed-ships” dispatched across the galaxy has crashed on the sole continent of the water-planet Hydrot. The crew, all destined to die, spend their remaining time engineering a microscopic new human species that will live underwater. This tale explores the lives of the new species as it comes to terms with its human heritage on an inhospitable world.
Also worthy of inclusion in the Science Fiction Hall of Fame
@@@@ Twilight by John W. Campbell (1934)
An inventive look at humanity in the far, far future by the man who later masterminded the Golden Age of Science Fiction as the editor of the magazine Astounding Science Fiction. Routinely included among the best examples of classic science fiction.
@@@@ Microcosmic God by Theodore Sturgeon (1941)
A charming story about an inventor and the greedy banker who tries to control him.
@@@@ Mars Is Heaven! by Ray Bradbury (1948)
On a mission to Mars, the crew of an American spaceship land in what seems to be a typical small Midwestern town, circa 1927. Is it proof of an earlier landing on the Red Planet? Or of something more sinister?
@@@@ The Little Black Bag by C. M. Kornbluth (1950)
A practical joker in a far-future Earth sends a doctor’s bag in a time machine back to mid-twentieth century America, where it is recovered by an old drunk, a doctor whose license was lifted years earlier for medical fraud.
@@@@ The Nine Billion Names of God by Arthur C. Clarke (1953)
The lamas at a Tibetan lamasery acquire a mainframe computer and hire two engineers to service it for the three months it will be needed. Their charge: to compile and print the nine billion names of God, as calculated by the lamas. Once the names are all printed, they predict, the world will come to an end.
Fair-to-middling stories in the Science Fiction Hall of Fame
@@@ Nightfall by Isaac Asimov (1941)
One of many stories John W. Campbell suggested to the young Asimov, this account of life on a planet with six suns and the threat of a total eclipse reads as just silly today, although Campbell’s premise is interesting.
@@@ First Contact by Murray Leinster (1945)
This 1945 novelette put the phrase First Contact into the lexicon of science fiction. It’s a simple tale of an encounter 4,000 light-years from Earth between the crew of a human spaceship and that of one from an alien species. Like so many of these stories from the Golden Age of Science Fiction, it comes across as both naive and unrealistic.
@@@ That Only a Mother by Judith Merril (1948)
Published shortly after World War II, this short story reflected the widespread hysteria about birth defects from “atomic radiation,” as the world woke up to the aftermath of Hiroshima and Nagasaki. Radiation poisoning and birth defects were a reality, of course, and tragically intensive in and near the two Japanese cities, but far less common elsewhere than many then believed.
@@@ Arena by Fredric Brown (1944)
Are you familiar with the concept of deus ex machina? Brown brings this idea to the fore when the human race faces off with a hostile alien species in interstellar battle.
@@@ Born of Man and Woman by Richard Matheson (1950)
This story appears to have come from the same place as Judith Merrill’s piece on birth defects caused by nuclear radiation, although that’s not explicitly stated. And, to my mind, this tale qualifies more as horror than as science fiction. I don’t think it belongs in this collection.
@@@ It’s a Good Life by Jerome Bixby (1953)
If Stephen King had been writing in 1953—he was six years old then—he might have crafted this story about the young son of a rural couple who terrorizes everyone in their village through the power of his mind. The story works, but like the Matheson tale it’s better described as horror than as science fiction. And, just to be clear, I am not a fan of horror stories.
@@@ The Cold Equations by Tom Godwin (1954)
During the Golden Age of Science Fiction, magazine editors paid for stories by the word—a penny, two cents, or far more for a well established author. The best writers (and editors) hid the inevitable repetition. Some didn’t, and here’s a sad example. “The Cold Equations” is a less than gripping tale of a teenage girl who stows away on an interstellar ship, ignorant of the consequences. Spoiler alert: this is a tearjerker.
@@@ Fondly Fahrenheit by Alfred Bester (1954)
Here’s a creepy story about a murderous android and his owner, with a focus on the relationship between them. (BTW, I would have enjoyed this book more if I had read it rather than listened to it as an audio recording. I find that I miss important clues when I simply hear them.)
@@@ The Country of the Kind by Damon Knight (1955)
Damon Knight was a gifted writer. His prose sings. But this story, like much of his work, is better categorized as fantasy rather than science fiction. I don’t read fantasy.
@@@ A Rose for Ecclesiastes by Roger Zelazny (1963)
Although this story is remarkably well written, I found it to be tedious. It’s a contrived tale of a poet from Earth who is part of a mission to Mars who falls in love with a Martian woman—yes, a Martian woman. The poet is the son of a Bible-thumping preacher and is himself obsessed with religion. Guess what? So are the Martians. How’s that for an exercise in projection?
These stories don’t belong in the Science Fiction Hall of Fame
@@ Helen O’Loy by Lester del Rey (1938)
A sexist and silly story about two men and a robotic woman that’s not worth the time to read it.
@@ The Roads Must Roll by Robert A. Heinlein (1940)
A Right-Wing, anti-union diatribe about a future USA in which automated roads have replaced vehicle traffic. All too typical of the highly overrated author.
@@ Huddling Place by Clifford D. Simak (1944)
Speculating that in the future humankind will retreat from the cities—and eventually from space exploration—as we fall victim to an epidemic of agoraphobia. Silly, no?
@@ Scanners Live in Vain by Cordwainer Smith (1948)
This is a novelette about “scanners” and “Habermans.” They’re people, and both are somehow involved in space travel, but I couldn’t figure out what either of them actually does, or why. I couldn’t finish this confusing and poorly written tale.
@@ Coming Attraction by Fritz Leiber (1950)
Fritz Leiber seems to be predicting that in some future society women will freely bare their breasts but veil their faces. I’m not sure where this idea comes from, but it’s lame as well as sexist.
@ A Martian Odyssey by Stanley G. Weinbaum (1934)
A fanciful account of an expedition on Mars that’s little more insightful than anything written about the Red Planet in the nineteenth century.
@ The Weapon Shop by A. E. van Vogt (1942)
Don’t bother. I couldn’t get through it.
Top international reviews
I remember hiding under the covers as a young teen, reading any and all of the SF books from my step-father's collection. Some of the better stories have stuck in my mind for the past twenty years and I've often cursed my younger self for not remembering the titles or authors. I'm happy to say that at least four of those long-forgotten tales are in this collection, but all of them are thought-provoking, idea-inspiring, awe-casting classics.
As you'd expect in an anthology the writing styles vary, but the ideas are powerful and, in all cases, as relevant today as they've ever been.
If you love SF (and don't demand it be 'hard', military or cyberpunk) then buy this collection. No ifs, no buts. Buy it and love it.
Especially "A rose for Ecclesiastes" and "Flowers for Algernon"
If you have never read any science Fiction this is the place to start
Die in diesem Band präsentierten Kurzgeschichten repräsentieren kondensiert die aussagekräftigsten, kreativsten und einflussreichsten amerikanischen SciFi-Kurzgeschichten der ersten Hälfte des 20. Jahrhunderts.
Die Auswahl erfolgte von einem Komitee erfahrener, anerkannter Autoren der SciFi-Hochliteratur. Dabei beschränkte man sich auf ein Werk pro Autor, auch wenn manche Autoren durchaus auch mehrfach vertreten hätten sein können.
Die enthaltenen Geschichten erstrecken sich von Weinbaums "A Martian Odyssey" über Asimov, Heinlein bis hin zu Clarkes "The nine billion names of God".
Insgesamt betrachtet kann ich mich dem Library Journal nur anschließen: "creme de la creme".