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The Scientist in the Crib: What Early Learning Tells Us About the Mind Paperback – December 26, 2000
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A trio of nationally respected childhood-development scientists hailing from Berkeley and the University of Washington has authored The Scientist in the Crib to correct a disparity: while popular books about science speak to intelligent, perceptive adults who simply want to learn, books about babies typically just give advice, heavy on the how-to and light on the why. The authors write, "It's as if the only place you could read about evolution was in dog-breeding manuals, not in Stephen Jay Gould; as if, lacking Stephen Hawking's insights, the layman's knowledge of the cosmos was reduced to 'How to find the constellations.'"
The Scientist in the Crib changes that. Standing on the relatively recent achievements of the young field of cognitive science (pointing out that not so long ago, babies were considered only slightly animate vegetables--"carrots that could cry"), the authors succinctly and articulately sum up the state of what's now known about children's minds and how they learn. Using language that's both friendly and smart (and using equally accessible metaphors, everything from Scooby-Doo to The Third Man), The Scientist in the Crib explores how babies recognize and understand their fellow humans, interpret sensory input, absorb language, learn and devise theories, and take part in building their own brains.
Such science makes for great reading, but will likely prove even more useful to readers with a scientist in their own crib, acting as tonic to pseudoscientific how-to baby books that recommend everything "from flash cards, to Mozart tapes, to Better Baby Institutes." As the authors put it, "We want to understand children, not renovate them." --Paul Hughes --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Although Gopnik, Meltzoff and Kuhl have each conducted groundbreaking research into the cognitive development of infants and its philosophical implications, this book evokes less excitement than their more straightforward research. With breathless enthusiasm, the authors review recent findings in developmental psychology and explain, in a tone somewhat self-consciously aimed at the "lay reader," their hopes that they will help answer fundamental philosophical questions. They focus on Kuhl's work in early infant phonetic recognition and language acquisition, Meltzoff's work on imitation in infants and Gopnik's exploration of philosophical development in infants, as well as other important work in the field. How do babies learn? they ask, answering that "they are born knowing a great deal, they learn more and we are designed to teach them." They also give refreshing emphasis to the evolutionary basis for infant-caregiver interactions. For example, they explain that "motherese"Athe high-pitched, slightly louder than normal speech with elongated and articulated consonants and vowelsAis not only preferred by babies but also optimally suited to their developing auditory systems. It's ironic, though, that these authors, who from the first pages decry ill-informed condescension to children, should be themselves so unthinkingly condescending in their tone and presentation: "children and scientists," they repeatedly aver, "are the best learners in the world." Agent, Katinka Matson, Brockman Inc.; 5-city author tour.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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The author is very knowledgeable and informative.
Gopnik et al. have managed to present new research and insights into neonatal/early childhood neurophysiology in a very accessible and engaging way. The book resonates on several levels, touching on philosophy and sociology as it treats language development, exploration of the physical world, and development of an understanding of "other minds" by babies as they develop.
This book will change the way you view babies and children!
Better yet, the book is written in a thoroughly engaging and often humorous style that possibly owes something to the first named author's brother, the New Yorker writer Adam (or, more likely, both Gopniks inherited the same literary genes).
But don't expect pointers on burping technique.