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Secret History Of Witches Paperback
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- LanguageEnglish
- PublisherOrbit
- Dimensions7.83 x 1.3 x 5.16 inches
- ISBN-100356511561
- ISBN-13978-0356511566
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Product details
- Language : English
- ISBN-10 : 0356511561
- ISBN-13 : 978-0356511566
- Item Weight : 12.7 ounces
- Dimensions : 7.83 x 1.3 x 5.16 inches
- Best Sellers Rank: #235,316 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author

Louisa Morgan lives and writes and rambles with her Border Terrier along Lake Pend Oreille in Scenic Idaho. A musician and a yogini, she finds time to teach workshops here and there and she finds inspiration in the woods and mountains and waters of the Northern Panhandle.
She says, "It's been fascinating writing about witches, and I'll be doing it again. But my next novel is a ghost story! I hope my readers will share some of their personal paranormal experiences."
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The story begins in the year 1821 and continues until just past the end of World War II. It's a lot of time and history to cover, but Morgan managed to write it in a way that allowed it flow naturally. I'll be honest and say that I was slightly skeptical of how five entire generations could be explored in a book under five hundred pages, but I'm really impressed by how Morgan decided to explore the lives of each Orchiére daughter. I worried that there would be a bit of repetition at play and although there were elements throughout the generations that had similar elements and there tended to be patterns you could predict (which was a bit of a drawback at times), there was enough difference within each woman's life to make each snippet feel unique and engaging. It also made it feel almost like a folklore setup where there are similar main story elements, but they differ according to each specific story. At times, it almost felt as though I were reading interconnected novellas or short stories with how we got to experience a certain amount of time with each woman before encountering a momentous moment and moving onto the next, all while keeping the long Orchiére story and tradition alive in each one.
The Orchiére women we follow are Nannette, Ursule, Irène, Morwen, and Veronica. I found Morgan development of each woman really strong and well done and I was satisfied by how she managed to make each one's story unique in their own way. There were some that believed the magic from birth, some that were skeptical, some that liked their life, some that hated it--all of the emotions and family struggles that one might expect across five generation were present and made this book such a joy to explore. Of the five women, I would say I most enjoyed Nannette, Morwen, and Veronica's storylines and my least favorite was probably Irène's. Nannette really kicks off the story well with her strong passion for the tradition of her Orchiere witchcraft and understanding of the perils associated with it and Veronica wraps up the story nicely with a great example of her usage of the magic as well. Irene was the hardest for me to get behind (and frankly, I never really did) because of her ungratefulness to her mother and somewhat narcissistic-leaning personality. I appreciated some of her confidence and determination, but it was mixed with too much hatred and selfishness to grab me. I don't know if we were supposed to particularly like Irene or not, so I applaud Morgan for adding such a diverse group of women in this large story.
I really love the way that Morgan incorporated the witchcraft and magical elements to this story. The magic that exists is very much in the fashion of the sort of 'traditional' old-fashion witchcraft you might expect from the time periods this story covers. There are 'simple' spells made to help with small things like nausea, colds, sleeping, etc., as well as scrying stones, rituals, familiars, and a few more similar elements.
Watching the Orchiére family over give generations was truly exciting and it was so interesting to me to see how attitudes towards the witchcraft of the family differed throughout time. There was so much to explore in this book, from social views towards witchcraft and women to family struggles to struggles of social status and economics and so much, this book really has a little bit of something for everyone.
I was really pleasantly surprised by how Morgan wrote a multi-generational story in such a compelling and meaningful way. Definitely pick this one up if you like historical fiction, witches, or stories that explore a lot of family dynamics and lore!
I enjoyed the author’s writing style. If there was anything I would have liked to add to the story, it might be a little more story for some of the characters. And the author leaves us without a complete ending but hopeful for the continued succession of the witches heritage.
TL, DR:
I think the author would have done better service to her readers if she had created a single published novel for each character and made it a series featuring a single protagonist. She could have developed the characters far more and made the settings and events more interesting and explicable. And I hope I never have to read the word "belly" again in my life.
ALERT- There may be spoilers here, but the story (as many other reviewers mentioned) is so repetitive I can't think there could be many after the first section of the book (Nanette/Ursule).
Characters: I really didn't care about any of them. I couldn't empathize with them because they are drawn so shallowly, and I couldn't stand Irène from the beginning, so I dropped the book before she reproduced herself. The original sisters and their husbands were almost completely interchangeable window dressing. Did none of them have children? Not one? Why not? And it would have been nice to read more personal recollections and feelings about the first Ursule. Was she loved? Revered? Secretly mocked? Did she love her husband, etc. The peripheral characters had almost no personality and contributed little to the overall story.
As soon as each daughter reaches 17, the mother becomes a farm drudge and a background character, and her previous story arc becomes irrelevant.
I had a LOT of trouble with the fact that each mother raised her daughter ignorant of witchcraft, power, religious faith, or any other foundation to prepare her for her inheritance, and then expected her to know how to handle it with no training whatsoever.
The story opens in 1821. These people are rural farmers and have evidently come from a long line of itinerant people. How on Earth would these women know how to read? Especially a language (Old French) not written or spoken for the prior 200 years? That book would have been worth thousands of pounds, according to its age. How did they take pains to preserve and conceal it? What was in it? Mysterious symbols? Illuminated pages? Evidently, it was just a collection of recipes for herbal remedies. Kinda boring.
And why would rural farm women allow a daughter to be rebellious and sass them so much? On a farm, if you don't contribute and show respect to your elders, the whole family could suffer.
Setting: Two generations lived in Cornwall, about which I learned nothing. I've never been there. What does it look like? What are the smells, the sounds? Then they moved to Wales, about which (again) I learned nothing. I also learned nothing of their original homeland (they're supposed to be Romani, I think, but I don't remember because it was never reminisced about by any characters).
The "Craft": For supposedly being witches, these women did almost nothing (in the first 200 pages, anyway) that could be classified as witchcraft except for a potion, a couple of incantations in front of the crystal, and some casual mentions of having knowledge of healing herbs. Whether they actually healed anyone or had any clientele whatsoever isn't mentioned. Oh, and being terrified the church was going to burn them all. In the Victorian age. In Britain.
Religion: I tried to suspend my disbelief as much as I could but, considering the word "Mabon" was coined by Aidan Kelly in the 1970s, it's not possible these women would have called it that. Their "worship" seems to have centered on dancing around some crystal praying to some goddess to light it up. Who is the goddess? What are her attributes? Why are they worshiping and calling on her? Has she ever helped them? Why do they do this? Is it an esoteric Romani practice? Where does it originate? Also, the modern Wiccan holy days incorporate four “lesser Sabbats” including Mabon that were not part of an actual agrarian society in those parts of the world until the 20th century, they were added to the Wheel of the Year.
If the story had been shifted to an alternate or fantasy world, I would have no problem going along with the societal rules of that place, but these characters and events seem largely implausible in an Earth-historical context.
Writing style: One of the reasons I couldn't get into the characters is because the author spent more time telling us how the characters experienced things rather than showing us and allowing us to feel along with them.
The bottom line is I wasn't able to suspend disbelief long enough to finish the book. I wanted to like it; I really did. But I just found it unreadable.
Top reviews from other countries
Overall, this was a very enjoyable reading experience and I would recommend this book.
One life follows another each with its own deep secrets, dreams and aspirations. Each faces up to a personal dilemma, some with more success than others.
Starting in 1821 when the family flee from Brittany and following the daughters as they mature and grow into their powers. Not all will make the right choice but each will pass on the spark that brings the scrying stone to life to the next. They will face the choices they made and live hard lives often fearful of discovery.
I really enjoyed the book but I felt it lacked a vital something.. it needed just a little spark somewhere to lift it into 5*'s. The end felt a little flat.. which was a shame because it's just so close to the next level.












