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The Secret Life of Emily Dickinson: A Novel Hardcover – Deckle Edge, February 22, 2010
by
Jerome Charyn
(Author)
| Jerome Charyn (Author) Find all the books, read about the author, and more. See search results for this author |
| Price | New from | Used from |
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“There's nothing quite like a Charyn novel. . . . His sentences make a mournful and sensational clatter, like a bundle of butcher knives dropped on a cathedral floor.” ―Jonathan Yardley, Washington Post
Jerome Charyn has been writing some of the most bold and adventurous American fiction for over forty years. His ten-book cycle of novels about madcap New York mayor and police commissioner Isaac Sidel inspired a new generation of younger writers in America and France, where he is a national literary icon. Now, adding to his already distinguished career, Charyn gives us The Secret Life of Emily Dickinson, an audacious novel about the inner imaginative world of America’s greatest poet. Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn has removed the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality.The story begins in the snow. It’s 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. She sees the seminary’s blond handyman rescue a baby deer from a mountain of snow, in a lyrical act of liberation that will remain with her for the rest of her life. The novel revivifies such historical figures as Emily’s brother, Austin, with his crown of red hair; her sister-in-law, Sue; a rival and very best friend, Emily’s little sister, Lavinia, with her vicious army of cats; and especially her father, Edward Dickinson, a controlling congressman. Charyn effortlessly blends these very factual characters with a few fictional ones, creating a dramatis personae of dynamic breadth.
Inspired by her letters and poetry, Charyn has captured the occasionally comic, always fevered, ultimately tragic story of Dickinson’s journey from Holyoke seminarian to dying recluse, compulsively scribbling lines of genius in her Amherst bedroom. Rarely before has the nineteenth-century world of New England―its religious stranglehold, its barbaric insane asylums, its circus carnivals―been captured in such spectacular depth. Through its lyrical inflections and poetic rhythms, its invention of a distinct, twenty-first-century “Charynesque” language that pays remarkable homage to America’s sovereign literary past, The Secret Life of Emily Dickinson provides a resonance of such power as to make this an indelible work of literature in its own right. 9 illustrations
- Print length352 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateFebruary 22, 2010
- Dimensions6.7 x 1.2 x 9.6 inches
- ISBN-100393068560
- ISBN-13978-0393068566
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Editorial Reviews
From Publishers Weekly
The inner life of Emily Dickinson was creatively effulgent, psychologically pained and emotionally ambivalent, as reported by Charyn, who here inhabits the mind of one of America's most famous poets. Charyn parrots the cadent voice of razor-sharp Dickinson, beginning in her years as the tempestuous young lyricist who aims to choose my words like a rapier that can scratch deep into the skin. From the first page, witty Emily harbors conflicted feelings toward her female status: her esteemed father, the town's preeminent lawyer, adores Emily at home for her intellectual companionship, but also dismisses her formal education as a waste of money & a waste of time, and it's easy to see how Emily's poetic instincts are born from the shifting sensations of comfort and resentment brought by a childhood spent serenading Father with my tiny Tambourine. Emily's growth is brightly drawn as she progresses from petulant child to a passionate woman with a ferocious will and finally to that notorious recluse. However, while this vivid impersonation is a stylistic achievement, it's also confining and limits higher revelations. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Charyn carefully adheres to the known facts of Dickinson's life, and he has a thorough knowledge of her poems and letters, the strains of which echo through his clever and elegant prose. Despite these qualities, the critics' reactions were tepid and unenthusiastic. They collectively took issue with his characterization of Emily as fickle, unstable, and promiscuous--hardly the makings of a perceptive and profound writer. The Washington Post denounced Charyn's choice to exclude Dickinson's poems from the narrative as a "damnable omission," and the San Francisco Chronicle derisively labeled the novel a "bodice-ripper." Readers who cherish Dickinson and her astonishing legacy may find the heroine of Secret Life supremely unsettling; those unacquainted with her should perhaps start with a biography like Brenda Wineapple's White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higgins (HHHH Nov/Dec 2008).
From Booklist
*Starred Review* Versatile and puckish Charyn extends his rascally improvisations on American history, following the Revolutionary War–era Johnny One-Eye (2008) with an audacious take on the life and spirit of Emily Dickinson. In his author’s note, Charyn explains his fascination with the poet and, most importantly, her “fiercely imagined life.” In a voice as precise and unnerving as that of her revolutionary poems, Dickinson narrates with droll wit, bemused rhapsody, and acid fury, often mockingly describing her redheaded self as a bird, mouse, kangaroo, spinster, “Uncle Emily,” and the Queen Recluse. Now and then, she alludes to the inner lightning strikes that prompt her to write, but flinty Dickinson focuses most on her knotty relationship with her father, her adoration for her dog, infatuation with her volcanic sister-in-law, and abiding, impossible love for Tom, the tattooed handyman turned thief. Bawdy, intrepid, and passionate, Dickinson ponders the shackles of women’s lives and class prejudice as she shares her surprisingly wild adventures. In this brilliant and hilarious jailbreak of a novel, Charyn channels the genius poet and her great leaps of the imagination, liberating Dickinson from the prim and proper cameo image of a repressed lady in white, and revealing just how free she truly was. --Donna Seaman
Review
Among Charyn's writerly gifts is a dazzling energy--a highly inflected
rapid-fire prose that pulls us along like a pony cart over rough terrain.
- Joyce Carol Oates in The New York Review of Books
Charyn tells the truth, but tells it slant . . . He has re-created her wild mind in all its erudition, playfulness and nervous energy.
--Ron Charles in The Washington Post
In Jerome Charyn's cleverly irreverent novel . . . Emily sneaks out of
her family home in Amherst, Massachusetts, on clandestine missions,
and falls in love with men she cannot have.
--The Daily Beast
In this brilliant and hilarious jailbreak of a novel, Charyn channels the genius poet . . . liberating Dickinson from the prim and proper cameo image of a repressed lady in white, and revealing just how free she truly was. --Booklist
Charyn excels most at drawing from Dickinson's rich poetic legacy to trace the ebb and flow of her life . . . compelling portrait of Emily Dickinson as an intelligent young woman writing on scraps of paper.
--Paula L. Woods in Los Angeles Times
rapid-fire prose that pulls us along like a pony cart over rough terrain.
- Joyce Carol Oates in The New York Review of Books
Charyn tells the truth, but tells it slant . . . He has re-created her wild mind in all its erudition, playfulness and nervous energy.
--Ron Charles in The Washington Post
In Jerome Charyn's cleverly irreverent novel . . . Emily sneaks out of
her family home in Amherst, Massachusetts, on clandestine missions,
and falls in love with men she cannot have.
--The Daily Beast
In this brilliant and hilarious jailbreak of a novel, Charyn channels the genius poet . . . liberating Dickinson from the prim and proper cameo image of a repressed lady in white, and revealing just how free she truly was. --Booklist
Charyn excels most at drawing from Dickinson's rich poetic legacy to trace the ebb and flow of her life . . . compelling portrait of Emily Dickinson as an intelligent young woman writing on scraps of paper.
--Paula L. Woods in Los Angeles Times
From the Author
She was the first poet I had ever read, and I was hooked and hypnotized from the start. It was the old maid of Amherst who lent me a little of her own courage to risk becoming a writer.
We had so little in common. She was a country girl, and I was a boy from the Bronx. She had a lineage with powerful roots in America, and I was a mongrel whose heritage was like an unsolved riddle out of Eastern Europe.
Yet I could hear the tick of her music in my wakefulness and in my sleep. Suddenly that plain little woman with her bolts of red hair was as familiar to me as the little scars on my face.
"The Secret Life of Emily Dickinson" will be told entirely in Emily's voice, with all its modulations and tropes - tropes I learned from her letters, wherein she wears a hundred masks, playing wounded lover, penitent, and female devil as she delights and disturbs us, just as I hope my Emily will both delight and disturb the reader and take her roaring music right into the twenty-first century.
We had so little in common. She was a country girl, and I was a boy from the Bronx. She had a lineage with powerful roots in America, and I was a mongrel whose heritage was like an unsolved riddle out of Eastern Europe.
Yet I could hear the tick of her music in my wakefulness and in my sleep. Suddenly that plain little woman with her bolts of red hair was as familiar to me as the little scars on my face.
"The Secret Life of Emily Dickinson" will be told entirely in Emily's voice, with all its modulations and tropes - tropes I learned from her letters, wherein she wears a hundred masks, playing wounded lover, penitent, and female devil as she delights and disturbs us, just as I hope my Emily will both delight and disturb the reader and take her roaring music right into the twenty-first century.
From the Inside Flap
"There's nothing quite like a Charyn novel. . . . His sentences make a mournful and sensational clatter, like a bundle of butcher knives dropped on a cathedral floor." --Jonathan Yardley, Washington Post
Jerome Charyn has been writing some of the most bold and adventurous American fiction for over forty years. His ten-book cycle of novels about madcap New York mayor and police commissioner Isaac Sidel inspired a new generation of younger writers in America and France, where he is a national literary icon. Now, adding to his already distinguished career, Charyn gives us The Secret Life of Emily Dickinson, an audacious novel about the inner imaginative world of America's greatest poet. Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn has removed the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality.
The story begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. She sees the seminary's blond handyman rescue a baby deer from a mountain of snow, in a lyrical act of liberation that will remain with her for the rest of her life. The novel revivifies such historical figures as Emily's brother, Austin, with his crown of red hair; her sister-in-law, Sue; a rival and very best friend, Emily's little sister, Lavinia, with her vicious army of cats; and especially her father, Edward Dickinson, a controlling congressman.
Charyn effortlessly blends these very factual characters with a few fictional ones, creating a dramatis personae of dynamic breadth. Inspired by her letters and poetry, Charyn has captured the occasionally comic, always fevered, ultimately tragic story of Dickinson's journey from Holyoke seminarian to dying recluse, compulsively scribbling lines of genius in her Amherst bedroom. Rarely before has the nineteenth-century world of New England--its religious stranglehold, its barbaric insane asylums, its circus carnivals--been captured in such spectacular depth. Through its lyrical inflections and poetic rhythms, its invention of a distinct, twenty-first-century "Charynesque" language that pays remarkable homage to America's sovereign literary past, The Secret Life of Emily Dickinson provides a resonance of such power as to make this an indelible work of literature in its own right.
Jerome Charyn has been writing some of the most bold and adventurous American fiction for over forty years. His ten-book cycle of novels about madcap New York mayor and police commissioner Isaac Sidel inspired a new generation of younger writers in America and France, where he is a national literary icon. Now, adding to his already distinguished career, Charyn gives us The Secret Life of Emily Dickinson, an audacious novel about the inner imaginative world of America's greatest poet. Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn has removed the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality.
The story begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. She sees the seminary's blond handyman rescue a baby deer from a mountain of snow, in a lyrical act of liberation that will remain with her for the rest of her life. The novel revivifies such historical figures as Emily's brother, Austin, with his crown of red hair; her sister-in-law, Sue; a rival and very best friend, Emily's little sister, Lavinia, with her vicious army of cats; and especially her father, Edward Dickinson, a controlling congressman.
Charyn effortlessly blends these very factual characters with a few fictional ones, creating a dramatis personae of dynamic breadth. Inspired by her letters and poetry, Charyn has captured the occasionally comic, always fevered, ultimately tragic story of Dickinson's journey from Holyoke seminarian to dying recluse, compulsively scribbling lines of genius in her Amherst bedroom. Rarely before has the nineteenth-century world of New England--its religious stranglehold, its barbaric insane asylums, its circus carnivals--been captured in such spectacular depth. Through its lyrical inflections and poetic rhythms, its invention of a distinct, twenty-first-century "Charynesque" language that pays remarkable homage to America's sovereign literary past, The Secret Life of Emily Dickinson provides a resonance of such power as to make this an indelible work of literature in its own right.
From the Back Cover
“Jerome Charyn is one of the most important writers in American literature.” ―Michael Chabon
An astonishing novel that reveals the passions, humor, and heartbreak of America’s greatest poet.
“The Secret Life of Emily Dickinson is astonishing. Charyn gives Emily Dickinson a new life, and one with a rush of energy and power. I shall never see her or her poetry in the same way again.” ―Frederic Tuten, author of Adventures of Mao on the Long March
“I never heard Emily Dickinson’s voice, but Jerome Charyn’s novel convinces me that this is the nineteenth-century genius woman poet, actually telling her story. . . . A tour de force by a major American novelist.” ―Herbert Gold, author of Still Alive: A Temporary Condition
“In his breathtaking high-wire act of ventriloquism, Jerome Charyn pulls off the nearly impossible: in The Secret Life of Emily Dickinson he imagines an Emily Dickinson of mischievousness, brilliance, desire, and wit (all which she possessed) and then boldly sets her amid a throng of historical, fictional, and surprising characters just as hard to forget as she is. This is a bold book, but we’d expect no less of this amazing novelist.” ―Brenda Wineapple, author of White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson
“Jerome Charyn is merely one of our finest writers, with a polymorphous imagination and crack comic timing. Whatever milieu he chooses to inhabit, his characters sizzle with life and his sentences are pure vernacular music, his voice unmistakable.” ―Jonathan Lethem, author of The Fortress of Solitude
“Charyn, like Nabokov, is that most fiendish sort of writer―so seductive as to beg imitation, so singular as to make imitation impossible.” ―Tom Bissell, author of God Lives in St. Petersburg
“Charyn skillfully breathes life into historical icons.”―The New Yorker
“Deserves to be spoken about in the same breath as E. L. Doctorow’s Ragtime.” ―Publishers Weekly, about Johnny One-Eye
An astonishing novel that reveals the passions, humor, and heartbreak of America’s greatest poet.
“The Secret Life of Emily Dickinson is astonishing. Charyn gives Emily Dickinson a new life, and one with a rush of energy and power. I shall never see her or her poetry in the same way again.” ―Frederic Tuten, author of Adventures of Mao on the Long March
“I never heard Emily Dickinson’s voice, but Jerome Charyn’s novel convinces me that this is the nineteenth-century genius woman poet, actually telling her story. . . . A tour de force by a major American novelist.” ―Herbert Gold, author of Still Alive: A Temporary Condition
“In his breathtaking high-wire act of ventriloquism, Jerome Charyn pulls off the nearly impossible: in The Secret Life of Emily Dickinson he imagines an Emily Dickinson of mischievousness, brilliance, desire, and wit (all which she possessed) and then boldly sets her amid a throng of historical, fictional, and surprising characters just as hard to forget as she is. This is a bold book, but we’d expect no less of this amazing novelist.” ―Brenda Wineapple, author of White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson
“Jerome Charyn is merely one of our finest writers, with a polymorphous imagination and crack comic timing. Whatever milieu he chooses to inhabit, his characters sizzle with life and his sentences are pure vernacular music, his voice unmistakable.” ―Jonathan Lethem, author of The Fortress of Solitude
“Charyn, like Nabokov, is that most fiendish sort of writer―so seductive as to beg imitation, so singular as to make imitation impossible.” ―Tom Bissell, author of God Lives in St. Petersburg
“Charyn skillfully breathes life into historical icons.”―The New Yorker
“Deserves to be spoken about in the same breath as E. L. Doctorow’s Ragtime.” ―Publishers Weekly, about Johnny One-Eye
About the Author
“One of the most important writers in American literature” (Michael Chabon), Jerome Charyn is the award-winning author of more than fifty works, including The Secret Life of Emily Dickinson. A renowned scholar of twentieth-century Hollywood, he lives in Manhattan.
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Product details
- Publisher : W. W. Norton & Company; 1st edition (February 22, 2010)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0393068560
- ISBN-13 : 978-0393068566
- Item Weight : 1.42 pounds
- Dimensions : 6.7 x 1.2 x 9.6 inches
- Best Sellers Rank: #1,078,218 in Books (See Top 100 in Books)
- #3,588 in Biographical Historical Fiction
- #3,904 in Biographical Fiction (Books)
- #19,468 in Contemporary Literature & Fiction
- Customer Reviews:
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"Charyn, like Nabokov, is that most fiendish sort of writer―so seductive as to beg imitation, so singular as to make imitation impossible." ―Tom Bissell
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Reviewed in the United States on August 21, 2019
Verified Purchase
Did not feel this was genuinely Emily Dickinson's story - having read her poetry I have a certain gestalt for Emily and did not feel this was captured in the book. It is an engaging story and easy to read but found myself not really 'buying' it. I appreciate the author's attempt to create her story but I don't believe a man can truly capture what it is like to be a woman. For example the 'Diary of a Geisha' was clearly not written by a woman.
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Reviewed in the United States on October 14, 2012
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Jerome Charyn's "Secret Life of Emily Dickinson" is tremendously moving and atmospheric. I've read extensively through the three volumes of her personal correspondence, and (to my admittedly lit-crit-untrained eye) he has largely captured her eccentricities, cadences, and most of all, her hypnotically musical way of writing. I can think of little that compares with Dickinson's "prose" style, except perhaps the high cadences of the Authorized Version of the Bible or the Arabic of the Qur'an. Like these works, Dickinson's prose style is less "prose" than it is a near-blank verse poetic style--rhythmic, and when read aloud, musical.
Charyn captures both Dickinson's language and her complexities. He freely intertwines fact with fiction, which is why I think reading this book as some kind of strict historical fiction/quasi-biography is a huge mistake. This isn't a biography or even a biographical novel. It's more akin to what Shakespeare's great Roman tragedies were: dramatic reworkings of sources that were themselves somewhat embellished (the layering of Shakespeare's Coriolanus to Plutarch's Caius Martius to the "real" Caius Martius, for example). A more contemporary example might be Sandra Cisneros's The House on Mango Street, which is largely autobiographical but (as I understand it) interpolates some fictive situations or twists--new layers to a real story. Like The House on Mango Street, Charyn's Secret Life is also told in a loose vignette style.
Out of the raw material of Dickinson's tempestuous life in the Amherst teapot, Charyn casts her as a somewhat reclusive spinster whose bottled-up passions are always at a boil and ready to burst. The story is relatively straightforward, and usually centers on Dickinson's interaction with one or two people at a time. Like Dickinson, Charyn has a mastery of the small, pithy sarcasm: "There was never a show-off like Emily Lavinia Norcross," she says to us in the first-person, "But I'd start a war between our families if I bludgeoned her."
Charyn's Dickinson is also a warm, acutely human observer: "I find Mother in the kitchen, reading a recipe. There is a delight on her face I seldom see. Perhaps the clarity of measuring cups soothes her. She looks up in wonder, her mind still caught in a world of ingredients." My own mother has a deep and abiding love of cooking and recipes--so perhaps that is why this passage struck me powerfully, but a world of meaning is crammed into this brief set of sentences. Charyn, like Dickinson, has the gift of packing mountains of meaning into molehills of sentences.
The ending (mild spoiler: Dickinson dies at the book's end) is an immensely moving fugue, as Dickinson walks almost like a ghost through a maelstrom of faces, voices, and memories that have filled the book from literally its first page. As the final chapters unfold, Charyn's Dickinson speaks with consistently powerful, forceful images (a dancing cow, for example), but it is clear the division between her lively imagination and reality is blurring and collapsing. The result is some of the most moving prose I've read in a work of modern fiction.
Coming off of a reading of Alfred Habegger's magnificent My Wars Are Laid Away in Books: The Life of Emily Dickinson , I found this book to be a satisfying, intriguing, and even emotional read for anyone who loves the work of one of the greatest poetic voices in the history of American literature.
Charyn captures both Dickinson's language and her complexities. He freely intertwines fact with fiction, which is why I think reading this book as some kind of strict historical fiction/quasi-biography is a huge mistake. This isn't a biography or even a biographical novel. It's more akin to what Shakespeare's great Roman tragedies were: dramatic reworkings of sources that were themselves somewhat embellished (the layering of Shakespeare's Coriolanus to Plutarch's Caius Martius to the "real" Caius Martius, for example). A more contemporary example might be Sandra Cisneros's The House on Mango Street, which is largely autobiographical but (as I understand it) interpolates some fictive situations or twists--new layers to a real story. Like The House on Mango Street, Charyn's Secret Life is also told in a loose vignette style.
Out of the raw material of Dickinson's tempestuous life in the Amherst teapot, Charyn casts her as a somewhat reclusive spinster whose bottled-up passions are always at a boil and ready to burst. The story is relatively straightforward, and usually centers on Dickinson's interaction with one or two people at a time. Like Dickinson, Charyn has a mastery of the small, pithy sarcasm: "There was never a show-off like Emily Lavinia Norcross," she says to us in the first-person, "But I'd start a war between our families if I bludgeoned her."
Charyn's Dickinson is also a warm, acutely human observer: "I find Mother in the kitchen, reading a recipe. There is a delight on her face I seldom see. Perhaps the clarity of measuring cups soothes her. She looks up in wonder, her mind still caught in a world of ingredients." My own mother has a deep and abiding love of cooking and recipes--so perhaps that is why this passage struck me powerfully, but a world of meaning is crammed into this brief set of sentences. Charyn, like Dickinson, has the gift of packing mountains of meaning into molehills of sentences.
The ending (mild spoiler: Dickinson dies at the book's end) is an immensely moving fugue, as Dickinson walks almost like a ghost through a maelstrom of faces, voices, and memories that have filled the book from literally its first page. As the final chapters unfold, Charyn's Dickinson speaks with consistently powerful, forceful images (a dancing cow, for example), but it is clear the division between her lively imagination and reality is blurring and collapsing. The result is some of the most moving prose I've read in a work of modern fiction.
Coming off of a reading of Alfred Habegger's magnificent My Wars Are Laid Away in Books: The Life of Emily Dickinson , I found this book to be a satisfying, intriguing, and even emotional read for anyone who loves the work of one of the greatest poetic voices in the history of American literature.
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Reviewed in the United States on November 28, 2013
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If I were to meet Monsieur Charyn in person, I should feel compelled to curtsy and thank him profusely for his quite wonderful and engaging book ... I'm in the Facebook group by the same name (as his book title). I am a "former" college librarian and a published poet, having written since the age of 14 (I started in 1973). I do consider myself to be more than a bit of an Emily scholar, as well. I have read more than a few of the books written about her - many were speculative and judgmental for the most part, it seemed. Yet Jerome Charyn managed to (pardon the pun) "uncover" the Belle of Amherst as I might have imagined her to be - not as some poor little eccentric recluse, but a woman light years ahead of her time (and she still is), someone who knew better than to waste precious time on "societal expectations". Most people only know her writing from what we read in school - and most of those were her poems about death ... but she was so much more than that! Thank goodness, the author gained access to her manuscripts and discovered Emily waiting between the pages, between the pauses ... I did get to see a microfilm of her original, borrowed from another library, in the late 1970's. I've written more than a few poems inspired by and/or about Emily - two of my personal favorites are "Rebel Without a Pause" which describes her in a much more intelligent and intriguing way, a woman who chose a life of the mind over a life of dull and meaningless tasks - this was an existence so precious to her, for she knew very well how brief life truly is. My other favorite is "Taking Off Billy Collins' Prose" - it was penned in defense of my literary heroine's honor, of course. My older brother bought her collected poems for me in 1983 and I have since gathered many other books about her, as well as her letters, various critical essays and pretty much anything else I could get my hands on. I also won a booklet with some of her recipes from the Emily Dickinson museum. My next purchase from my "Emily wish list" will be "Gorgeous Nothings", her "envelope poems". I can barely wait ... or perhaps I should quote from Emily's poem "I sing to use the waiting"?
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