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Seek!: Selected Nonfiction Paperback – May 24, 1999
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- Print length356 pages
- LanguageEnglish
- PublisherFour Walls Eight Windows
- Publication dateMay 24, 1999
- Dimensions5.5 x 0.75 x 8.5 inches
- ISBN-101568581386
- ISBN-13978-1568581385
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From Library Journal
Copyright 1999 Reed Business Information, Inc.
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About the Author
Product details
- Publisher : Four Walls Eight Windows; First Edition (May 24, 1999)
- Language : English
- Paperback : 356 pages
- ISBN-10 : 1568581386
- ISBN-13 : 978-1568581385
- Item Weight : 15.2 ounces
- Dimensions : 5.5 x 0.75 x 8.5 inches
- Best Sellers Rank: #8,785,455 in Books (See Top 100 in Books)
- #15,295 in Economic Conditions (Books)
- #222,042 in Philosophy (Books)
- #427,784 in Social Sciences (Books)
- Customer Reviews:
About the author

Rudy Rucker has written forty books, both pop science. and SF novels in the cyberpunk and transreal styles. He received Philip K. Dick awards for for the novels in his "Ware Tetralogy". His "Complete Stories," and his nonfiction "The Fourth Dimension" are standouts. He worked as a professor of computer science in Silicon Valley for twenty years. He paints works relating to his tales. His latest novel "Juicy Ghosts" is about telepathy, immortality, and a new revolution. Rudy blogs at www.rudyrucker.com/blog
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Rucker's mathematical writings tend to focus on the more esoteric subjects of infinity and the fourth dimension. They include: (1) "Geometry, Relativity, and the Fourth Dimension" (1977); (2) "The Fourth Dimension: A Guided Tour of the Higher Universes" (1985); (3) "Mind Tools: The Five Levels of Mathematical Reality" (1988); (4) "Infinity and the Mind: The Science and Philosophy of the Infinite" by Rudy Rucker (1995); and (5) "Software Engineering and Computer Games" (To be published in Nov 2002). That he is regarded as a serious mathematician is evidenced by the fact that "Infinity and the Mind" is published by the Princeton University Press, one of the best publishers of books on mathematics, engineering and science in the world.
In the area of software, Rucker is known for his participation in developing "Chaos" ands "CA (Cellular Automata)Lab", two highly innovative software programs that came out about 20 years ago. Cellular automata, which produce screen images that appear to be randomly generated patterns (in fact, the patterns are generated in accordance with simple rules) have been studied seriously by scientists (including Richard Feynman) interested in determining the patterns that underlie life. In fact, one of the earliest CA games was called "The Game of Life."
Like Feynman, Rucker is a free spirit, interested in virtually everything he encounters in life. Fortunately for the rest of us, he also likes to write about it. Among the topics treated in this collection of his essays are: (1) what it's like to live in Lynchburg, VA with Jerry Falwell; (2) a visit to a semiconductor clean room; (3) his beloved dog, Arf; (4) the paintings of Peter Breughel; (5) visits to Japan, where Rucker's S/F is immensely popular; (6) a live sex show in Manhattan; (7) his life as a hippie and abuse of drugs; and of course (8) thoughts on the possible uses of cellular automata.
Through it all comes the impression of a very good, very open, mind at work. I suspect that he really only writes to please himself; but fortunately he shares it with the rest of us.
Readers with more of an interest in Rucker's S/F writings should consider buying "Gnarl!", a companion volume of essays on that topic.
I found some of the earlier material on cellular automata and other mathematical curiosities to be less interesting, probably because I have never explored them, and I can't share the enthusiasm Mr Rucker has for them. On the other hand, his essay on the history of computing I found fascinating.
Overalll, I came away feeling that these essays were written by a very real person, one who has managed to enjoy the fame he has achieved largely as a writer. He is not backward in expressing his admiration for the opposite sex, and his openness and candour is sometimes startling compared to other more conservative modern essayists.
I used to have a pretty high opinion of Mr. Rucker, but reading this book took him down a few notches. His travelogues are "nothing to write home about," his self-aggrandizement gets annoying, his extravagant personal claims about cyberpunk and transreal writing are laughable, and his essays on Bruegel add nothing to art appreciation.
The companion volume of fiction, "Gnarl!" is a much better read.


