- Series: B&B Art
- Paperback: 496 pages
- Publisher: McGraw-Hill Education; 2 edition (December 9, 2008)
- Language: English
- ISBN-10: 0073379212
- ISBN-13: 978-0073379210
- Product Dimensions: 8.5 x 1.1 x 10.8 inches
- Shipping Weight: 3 pounds (View shipping rates and policies)
- Average Customer Review: 4.3 out of 5 stars See all reviews (49 customer reviews)
- Amazon Best Sellers Rank: #100,390 in Books (See Top 100 in Books)
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Seizing the Light: A Social History of Photography (B&B Art) 2nd Edition
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About the Author
Robert Hirsch is an artist, author, curator, and educator.
Hirsch is the author of Seizing the Light: A History of Photography; Exploring Color Photography: From the Darkroom to the Digital Studio published by McGraw-Hill and Photographic Possibilities: The Expressive Use of Ideas, Materials, and Processes published by Focal Press.
He is a former associate editor for Photovision magazine and is a contributing writer for Afterimage, Digital Photography (UK), exposure, Ilford Photo Newsletter, and The Photo Review.
He was the Executive Director and Chief Curator of the Center for Exploratory and Perceptual Art (CEPA Gallery) in Buffalo, NY.
Hirsch is on the art faculty of SUNY Buffalo and teaches history of photography online through Eastern New Mexico University.
Recently his images have been shown at: University of New Mexico, Albuquerque, NM; Vermont Center for Photography, Brattleboro, VT; Artspace, New Haven, CT; Corcoran Gallery of Art, Washington, D.C.; George Eastman House, Rochester, NY; Williamsburg Art & Historical Center, Brooklyn, NY; Albright-Knox Art Gallery, Buffalo, NY; Contemporary Museum, Baltimore, MD; and Stefan Stux Gallery, NY, NY.
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Top Customer Reviews
As a primer for the invention of photography and its chemical underpinnings, "Seizing the Light" is as good as it can be. It falls a little short, however, in its treatment of contemporary photography. The book would have been better served by including a few in-depth surveys of important contemporary photographic projects in order to emphasize the centrality of this discipline in contemporary art history and postmodern theory which is heavily dependent on the nature of images and processes of image-making.
In the meantime, I am using this book until the semester is over with because of how low the pricing is for rentals. Thanks Amazon, I will highly recommend to students to check out your site.