Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$15.60$15.60
FREE delivery: Tuesday, Jan 30 on orders over $35.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $13.99
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
How to Sell a Haunted House Hardcover – January 17, 2023
Purchase options and add-ons
"Wildly entertaining."-The New York Times
"Ingenious."-The Washington Post
New York Times bestselling author Grady Hendrix takes on the haunted house in a thrilling new novel that explores the way your past—and your family—can haunt you like nothing else.
When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world.
Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. Unfortunately, she’ll need his help to get the house ready for sale because it’ll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market.
But some houses don’t want to be sold, and their home has other plans for both of them…
Like his novels The Southern Book Club’s Guide to Slaying Vampires and The Final Girl Support Group, How to Sell a Haunted House is classic Hendrix: equal parts heartfelt and terrifying—a gripping new read from “the horror master” (USA Today).
- Print length432 pages
- LanguageEnglish
- PublisherBerkley
- Publication dateJanuary 17, 2023
- Dimensions6.3 x 1.3 x 9.3 inches
- ISBN-100593201264
- ISBN-13978-0593201268
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Frequently bought together

Similar items that may ship from close to you
“Because you’re real, Pupkin,” Louise said. “And nothing real can last forever. That’s how you know you’re real. Because one day you die.”Highlighted by 662 Kindle readers
Mark was cleaner but he looked like exactly the type of guy who’d go to a Waffle House at three in the morning after shooting a haunted puppet.Highlighted by 486 Kindle readers
Something had happened right before her mom and dad had left their house for the last time. Something bad.Highlighted by 345 Kindle readers
From the Publisher
|
|
|
|
|---|---|---|
|
|
|
|
Editorial Reviews
Review
—The New York Times
"A delight...Hendrix, with relentless efficiency—and a bit of humor—forces us to confront our fears."
—The Washington Post
"A madcap funhouse of a novel. Zigzags from hilarious to horrifying to heartbreaking and back again in the blink of an eye. I loved it!"
—Riley Sager, New York Times bestselling author of The House Across the Lake
"Classic Grady Hendrix: an authentically frightening, genuinely funny reconfiguration of what a haunted house can be."
—Esquire
"[A] campy, cinematic ride."
—People
"Hendrix is a contemporary horror master, and the combination of profound storytelling and unapologetic, campy gore he delivers here will surely have horror fans reading with a gleeful smile on their faces."
—NPR
“This book is a missile designed to obliterate you emotionally and absolutely annihilate you with terror. And let me tell you, Grady Hendrix does not miss.”
—Mallory O’Meara, National bestselling author of The Lady from the Black Lagoon
“It's tempting to point out the balance of horror and humor here, and the commingling of the two really is something else, but the true power behind How to Sell a Haunted House is in its emotionality, the sister-brother dynamic, the family matters. It's life and death in the childhood home, and Hendrix has masterfully rendered the journey from one end to the other.”
—Josh Malerman, New York Times bestselling author of Bird Box and Daphne
“May be Grady Hendrix’s best novel yet, and that’s saying a lot! Highly recommended.”
—Mick Garris, writer and director (The Stand, The Shining miniseries)
"A searing look at grief, trauma, and how the things that haunt us aren't always supernatural."
—Rolling Stone
"Another Southern Gothic Horror Comedy classic from Grady Hendrix…This clever, creepy, rollicking book will tug at your horror and heart strings."
—Paul Tremblay, National bestselling author of The Cabin at the End of the World and The Pallbearers Club
"A pulse-pounding exercise in pure horror drive that never loses sight of its emotional core, and that makes it quintessential Hendrix."
—Paste Magazine
“Skillfully balances complete creep outs and moments of outright hilarity. The down-home charm of the Charleston family is on point, and the scares are fun and frequent, while the author almost painfully captures sibling dynamics. Readers will be completely sucked in by Hendrix’s adept prose.”
—Library Journal (starred review)
“Hendrix's book sets the high watermark for horror.”
—Booklist (starred review)
"Grady Hendrix tap dances the line between horror and heart. It’s terrifying, darkly funny and empathetic with a left turn, a left hook when you’re least expecting it. I loved it."
—Lauren Beukes, Author of The Shining Girls
“A spirited nightmare story about death, but also, what comes after: grief, guilt, family secrets, and estate administration. Oh, also, did I mention the evil puppets?"
—Chuck Wendig, New York Times bestselling author of The Book of Accidents
"After reading this, you might keep a weather eye on that doll propped over in the corner. And you probably also don't want to be trusting Grady Hendrix with a few hundred pages of your head anymore."
—Stephen Graham Jones, New York Times bestselling author of My Heart is a Chainsaw
"With his trademark charm and ingenuity, Hendrix upends the haunted house story."
—Alma Katsu, Author of The Fervor and The Hunger
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Louise thought it might not go well, so she told her parents she was pregnant over the phone, from three thousand miles away, in San Francisco. It wasn't that she had a single doubt about her decision. When those two parallel pink lines had ghosted into view, all her panic dissolved and she heard a clear, certain voice inside her head say:
I'm a mother now.
But even in the twenty-first century it was hard to predict how a pair of Southern parents would react to the news that their thirty-four-year-old unmarried daughter was pregnant. Louise spent all day rehearsing different scripts that would ease them into it, but the minute her mom answered and her dad picked up the kitchen extension, her mind went blank and she blurted out:
"I'm pregnant."
She braced herself for the barrage of questions.
Are you sure? Does Ian know? Are you going to keep it? Have you thought about moving back to Charleston? Are you certain this is the best thing? Do you have any idea how hard this will be alone? How are you going to manage?
In the long silence, she prepared her answers: Yes, not yet, of course, God no, no but I'm doing it anyway, yes, I'll manage.
Over the phone she heard someone inhale through what sounded like a mouthful of water and realized her mom was crying.
"Oh, Louise," her mother said in a thick voice, and Louise prepared herself for the worst. "I'm so happy. You're going to be the mother I wasn't."
Her dad only had one question: her exact street address.
"I don't want any confusion with the cab driver when we land."
"Dad," Louise said, "you don't have to come right now."
"Of course we do," he said. "You're our Louise."
She waited for them on the sidewalk, her heart pounding every time a car turned the corner, until finally a dark blue Nissan slowed to a stop in front of her building and her dad helped her mom out of the back seat and she couldn't wait-she threw herself into her mom's arms like she was a little kid again.
They took her crib shopping and stroller shopping and told Louise she was crazy to even consider a cloth diaper service, and discussed feeding techniques and vaccinations and a million decisions Louise would have to make, and bought snot suckers and diapers and onesies, and receiving blankets and changing pads and wipes, and rash cream and burp cloths and rattles and night-lights, and Louise would've thought they'd bought way too much if her mother hadn't said, "You've hardly bought anything at all."
She couldn't even blame them for having a hard time with the whole Ian issue.
"Married or not, we have to meet his family," her mom said. "We're going to be co-grandparents."
"I haven't told him yet," Louise said. "I'm barely eleven weeks."
"Well, you're not getting any less pregnant," her mom pointed out.
"There are tangible financial benefits to marriage," her dad added. "You're sure you don't want to reconsider?"
Louise did not want to reconsider.
Ian could be funny, he was smart, and he made an obscenely high income curating rare vinyl for rich people in the Bay Area who yearned for their childhoods. He'd put together a complete collection of original pressing Beatles LPs for the fourth-largest shareholder at Facebook and found the bootleg of a Grateful Dead concert where a Twitter board member had proposed to his first wife. Louise couldn't believe how much they paid him for this.
On the other hand, when she suggested they should take a break he'd taken that as his cue to go down on one knee in the atrium of the San Francisco Museum of Modern Art and propose. He'd been so upset when she said no that she'd finally had pity sex with him, which was how she came to be in her current condition.
When Ian had proposed, he'd been wearing his vintage Nirvana In Utero T-shirt with a hole in the collar that had cost him four hundred dollars. He spent thousands every year on sneakers, which he insisted on calling "kicks." He checked his phone when she talked about her day, made fun of her when she mixed up the Rolling Stones and the Who, and said, "Are you sure?" whenever she ordered dessert.
"Dad," Louise said. "Ian's not ready to be a parent."
"Who is?" her mom asked.
But Louise knew Ian really wasn't ready.
Every family visit lasts three days too long, and by the end of the week Louise was counting the hours until she could be alone in her apartment again. The day before her parents' flight home, she holed up in her bedroom "doing email" while her mom took off her earrings to take a nap and her dad left to find a copy of the Financial Times. If they could do this until lunch, then go on a walk around the Presidio, then dinner, Louise figured everything would be fine.
Louise's body had other plans. She felt hungry now. She needed hard-boiled eggs now. She had to get up and go to the kitchen now. So she crept into the living room in her socks, trying not to wake her mom because she couldn't handle another conversation about why she wouldn't let her hair grow out, or why she should move back to Charleston, or why she should start drawing again.
Her mom lay asleep on the couch, on one side, a yellow blanket pulled up to her waist. The late-morning light brought out her skeleton, the tiny lines around her mouth, her thinning hair, her slack cheeks. For the first time in her life, Louise knew what her mother would look like dead.
"I love you," her mom said without opening her eyes.
Louise froze.
"I know," she said after a moment.
"No," her mom said, "you don't."
Louise waited for her to add something, but her mom's breathing deepened, got regular, and turned into a snore.
Louise continued into the kitchen. Had she overheard half of a dream conversation? Or did her mom mean Louise didn't know she loved her? Or how much she loved her? Or she wouldn't understand how much her mom loved her until she had a daughter of her own?
She worried at it while she ate her hard-boiled egg. Was her mom talking about her living in San Francisco? Did she think Louise had moved this far away to put distance between them? Louise had moved here for school, then stayed for work, although when you grew up with all your friends telling you how cool your mom was and even your exes asked about her when you bumped into them, you needed some distance if you wanted to live your own life, and sometimes even three thousand miles didn't feel like enough to Louise. She wondered if her mom somehow knew.
Then there was her brother. Mark's name had only come up twice on this visit and Louise knew it ate at her mom that the two of them didn't have a "natural" relationship, but, to be honest, she didn't want a relationship with her brother, natural or otherwise. In San Francisco, she could pretend she was an only child.
Louise knew she was a typical oldest sibling, a cookie-cutter first child. She'd read the articles and scanned the listicles, and every single trait applied to her: reliable, structured, responsible, hardworking. She'd even seen it classified as a disorder-Oldest Sibling Syndrome-and that made her wonder what Mark's disorder was. Terminal Assholism, most likely.
When people asked why she didn't speak to her brother, Louise told them the story of Christmas 2016, when her mom spent all day cooking but Mark insisted they meet him for dinner at P. F. Chang's, where he showed up late, drunk, tried to order the entire menu, then passed out at the table.
"Why do you let him act like that?" Louise had asked.
"Try to be more understanding of your brother," her mom had said.
Louise understood her brother plenty. She won awards. Mark struggled through high school. She got a master's in design. Mark dropped out of college his freshman year. She built products that people used every day, including part of the user interface for the latest iteration of the iPhone. He was on a mission to get fired from every bar in Charleston. He only lived twenty minutes away from their parents but refused to lift a finger to help out.
No matter what he did, her parents lavished Mark with praise. He rented a new apartment and they acted like he brought down the Berlin Wall. He bought a truck for five hundred dollars and got it running again and he may as well have landed on the moon. When Louise won the Industrial Designers Society of America Graduate Student Merit Award she gave the trophy to her parents to thank them. They put it in the closet.
"Your brother is going to be hurt we have that out for you and nothing for him," her mom had said.
Louise knew that her not speaking to Mark was the eternal elephant in the room, the invisible ghost at the table, the phantom strain on every interaction with her parents, especially with her mom, who hated what she called "unpleasantness." Her mom was always "up," she was always "on," and while Louise didn't see anything wrong with being happy, her mom's enforced happiness seemed pathological. She avoided hard conversations about painful subjects. She had a Christian puppet ministry and acted like she was always onstage. The few times she lost it as a mother she'd snap, "You're embarrassing me!" as if being embarrassed was the worst possible thing that could happen to someone.
Maybe that's why she was so certain about her decision to have this baby. Becoming a mother would allow her and her mom to share something just between them. It would bring them closer together. She suspected all the things that annoyed her about her mom were exactly the things that would make her an incredible grandmother.
As Louise brushed eggshell off the counter, she thought that shared motherhood might form a bridge between them, and gradually the walls Louise had needed to protect herself would come down. It wouldn't happen overnight, but that was okay. They'd have a lifetime to adjust to each other's new roles-a daughter becoming a mother, a mother becoming a grandmother. They would have years.
As it turned out, she got five.
Denial
Chapter 2
The call came as Louise desperately tried to convince her daughter that she was not going to like The Velveteen Rabbit.
"We just got all those new library books," she said. "Don't you want-"
"Velverdeen Rabbit," Poppy insisted.
"It's scarier than The Muppet Christmas Carol," Louise told her. "Remember how scary that was when the door knocker turned into the man's face?"
"I want Velverdeen Rabbit," Poppy said, her voice firm.
Louise knew she should take the path of least resistance and just read Poppy The Velveteen Rabbit, but that would happen over her dead body. She should have checked the package before letting Poppy open it, because of course her mom hadn't sent the check for Dinosaur Dig Summer Camp like she'd promised, but she had randomly sent Poppy a copy of The Velveteen Rabbit because she thought it was Louise's favorite book.
It was not Louise's favorite book. It was the source of Louise's childhood nightmares. The first time her mom had read it to her she'd been Poppy's age and she'd burst into tears when the Rabbit got taken outside to be burned.
"I know," her mom had said, completely misreading the situation. "It's my favorite book, too."
The book's emotional cruelty made five-year-old Louise's stomach hurt: the thoughtless Boy who abused his toys, the needy toys who pathologically craved his approval no matter how much he neglected them, the remote and fearsome Nana, the bullying rabbits living in the wild. But her mom kept picking it for her bedtime story, oblivious to the fact that Louise would lie rigid while she read, hands gripping the sheet, staring at the ceiling as her mom did all the voices.
It was a master class in acting, a star turn by Nancy Joyner, and getting to deliver this performance was the real reason her mom kept picking the book. By the end, they'd both be crying, but for very different reasons.
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse. "When you are Real, you don't mind being hurt."
Louise had dated a girl at Berkeley who had that exact quote tattooed on her forearm and she wasn't surprised when she found out that she gave herself tattoos with a sewing needle taped to a Bic pen.
The Velveteen Rabbit confused masochism with love, it wallowed in loneliness, and what kind of awful thing was a Skin Horse, anyway?
Louise wouldn't make the same mistake with Poppy. There would be no Velveteen Rabbit in this house, even if she had to fight dirty.
"You're going to hurt the feelings of all those new library books," Louise said, and instantly Poppy's eyes got wide. "They're going to be sad you didn't want to read them first. You're going to make them cry."
Lying to Poppy felt awful, pretending inanimate objects had feelings felt manipulative, but every time Louise did it she felt less guilty. Her mom had manipulated them throughout their childhoods with impossible promises and flat-out lies (elves are real but you'll only see one if you're absolutely quiet for this entire car ride; I'm allergic to dogs so we can't have one) and she'd vowed to always be honest and straightforward with her own child. Of course, the second Poppy turned out to be an early talker, Louise had adjusted her approach, but she didn't rely on it nearly as much as her mother. That was important.
"They're really going to cry?" Poppy asked.
Dammit, Mom.
"Yes," Louise said. "And their pages are going to get all wet."
Which, thank God, is when her ringtone activated, playing the hysteric escalating major chords of "Summit" with its frantic bird whistles, which meant the call came from family. She looked at her screen, expecting it to read "Mom&Dad Landline" or "Aunt Honey." Instead, it said "Mark."
Her hands got cold.
He needs money, Louise thought. He's in San Francisco and he needs a place to stay. He's been arrested and Mom and Dad finally put their foot down.
"Mark," she said, answering, feeling her pulse snap in her throat. "Is everything all right?"
"You need to sit down," he said.
Automatically, she stood up.
"What happened?" she asked.
"Don't freak out," he said.
She started to freak out.
Product details
- Publisher : Berkley (January 17, 2023)
- Language : English
- Hardcover : 432 pages
- ISBN-10 : 0593201264
- ISBN-13 : 978-0593201268
- Item Weight : 1.35 pounds
- Dimensions : 6.3 x 1.3 x 9.3 inches
- Best Sellers Rank: #18,021 in Books (See Top 100 in Books)
- #34 in Ghost Thrillers
- #1,273 in Psychological Thrillers (Books)
- #2,530 in Suspense Thrillers
- Customer Reviews:
Important information
To report an issue with this product or seller, click here.
About the author

New York Times bestselling author Grady Hendrix makes up lies and sells them to people. His novels include HORRORSTÖR about a haunted IKEA, MY BEST FRIEND'S EXORCISM, which is basically "Beaches" meets "The Exorcist", WE SOLD OUR SOULS, a heavy metal horror epic, THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES, and THE FINAL GIRL SUPPORT GROUP, coming on July 13, 2021. He's also the author of PAPERBACKS FROM HELL, an award-winning history of the horror paperback boom of the Seventies and Eighties. He wrote the screenplay for, MOHAWK, a horror flick about the War of 1812, and SATANIC PANIC about a pizza delivery woman fighting rich Satanists. You can discover more ridiculous facts about him at www.gradyhendrix.com.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images

-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Reviewed in the United States on January 6, 2024
I had a Bozo the clown doll and a Charlie McCarthy dummy when I was a child. They sat in a chair facing the bed at night. When I had children of my own, Bozo scared my son and Charlie scared my daughter. I'm not entirely sure what ever became of Bozo when he disappeared. Charlie was put in the top of the closet where he still is? I better check. My grandson hates puppets. He gave the puppets Grandpa got him to his dog. She wasted no time taking them outside where the weather ruined them and they were put out in the trash.😉
It also does not seem to be Grady Hendrix best writing. It was like even he thought it was kinda bad. I just don’t think he was really into the story.
Better luck next time!!! I will keep reading his books because when he’s good he’s very good!
This book is like his other ones — My Best Friend’s Exorcism, The Southern Book Club’s Guide to Slaying Vampires. It starts out tongue-in-cheek to help you bond with the characters, then migrates to horror, then terror. In How to Sell a Haunted House, there really isn’t much “selling”. But there is plenty of conflict between a brother and sister whose parents just died. The sister (main character) is smart, has her life together, and is raising a child. The brother is fuck-up who doesn’t realize he’s a fuck-up and then wonders why there are consequences for his actions. You know the type.
Hendrix always nails female characters, enough to make this writer jealous. The content of this book will hit hard for anyone who has dealt with a parent’s death. Especially if it’s your last parent and you now have to deal with splitting the inheritance, the house’s objects and furniture, what to keep, what to toss, what has value, what doesn’t, bickering with everyone about it, not to mention handling all the legalities. Then combine that with the characters Hendrix creates, like the brother that Mom always liked best and the eccentricities that empty nesters left behind.
The brother is the best antagonist I’ve seen in a long time. The whole plot is a rollicking ride (what does “rollicking” mean? And why does it only apply to rides?) It’s definitely not as serious as The Final Girl Support Group, which I think is his best book but not my favorite (I’m not sure what my favorite is yet). Imagine something like “Child’s Play” or “Annabelle”. Something clearly camp but combined with domestic problems like “Oculus” or “The Amityville Horror”. It’s a book about dealing with grief and getting along with siblings you don’t get along with and death as a human concept.
It’s a great book. It’s Hendrix’s latest work. I definitely recommend it, especially if you’re fond of eighties horror.
Top reviews from other countries
What I didn't like: The "supposed" to be creepy parts weren't really all that creepy for me. I wish there was more detail in the creepy parts to really set the vibe.
I rated the book 5 stars because it was a great read, I would read it again and recommend it to others. What I didn't like does not determine how well the book was because it's just my opinion.
Great spooky read 👻🏚




















