- Series: The Basics
- Paperback: 328 pages
- Publisher: Routledge; 2 edition (March 8, 2007)
- Language: English
- ISBN-10: 0415363756
- ISBN-13: 978-0415363754
- Product Dimensions: 5.1 x 0.7 x 7.8 inches
- Shipping Weight: 12.6 ounces (View shipping rates and policies)
- Average Customer Review: 3.6 out of 5 stars See all reviews (22 customer reviews)
- Amazon Best Sellers Rank: #190,060 in Books (See Top 100 in Books)
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Semiotics: The Basics 2nd Edition
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'A very useful book, not only for those who wish to find out about semiotics, but also for those interested in finding out how language or any other sign system is far from being a neutral means of communication.' - Juan A. Prieto-Pablos, University of Seville, Spain
'The book is well written and up-to-date, without unnecassary verbosity or jargon, and yet reflects the complexity of the field and its problems.' - Journal of Pragmatics
'This an excellent basic introduction to the subject, with a good glossary, an index, and a list of further reading.' - www.mantex.co.uk
'Chandler's Semiotics: The Basics is an outstanding introduction to the field for students new to cultural studies. It is an ideal classroom text, and it covers a great deal of ground quickly while avoiding oversimplification or a specific and narrow agenda... There is no better introduction to semiotics anywhere.' - Professor Gregory Eiselein, Kansas State University, USA
About the Author
Daniel Chandler is a Lecturer in the Department of Theatre, Film and Television Studies at the University of Wales, Aberystwyth.
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Top customer reviews
I firmly believe that these extremely important "diagnostic" and critical approaches of the 20th century will make (and, I think, are making) a come back. I am mostly interested in creation of contemporary dance and theatre and I read about semiotics and structuralism with a very pragmatic, worldly eye. In that respect, I believe that post-Barthes French thinkers diluted the issues towards pure speculation and inapplicable and frequently unintelligible brain gymnastics and denied their methodological aspects for use in linguistics, anthropolgy, film, etc. I have not been able to deduct practical benefits from the critical movements of the past 30 years either.