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Serling: The Rise and Twilight of TV's Last Angry Man Paperback – January 26, 2012
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Gordon F. Sander
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Print length328 pages
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LanguageEnglish
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PublisherCornell University Press
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Publication dateJanuary 26, 2012
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Reading age18 years and up
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Dimensions6 x 0.72 x 9 inches
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ISBN-100801477301
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ISBN-13978-0801477300
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Editorial Reviews
Review
"Sander has fashioned a vivid and fascinating portrait of this complex innovator from television's Golden Age."
― Library Journal"Sander's strong, straightforward portrait of Serling as an industry goad who confronted his corporate bosses forms the most unexpected and powerful part of the book. Rod Serling merited this fine book."
― Philadelphia Inquirer"The story of Serling's career doubles as a history of the television industry itself, and Sander vividly depicts the heady early days of live TV, when the highest artistic achievement seemed attainable. Highly recommended."
― BooklistReview
"Rod Serling was a literary hero to me, and this really outstanding book beautifully balances the highs and lows of his career. Serling is brisk reading on a brilliant and prophetic artist."
-- Mitch Horowitz, author of Occult AmericaAbout the Author
Gordon F. Sander is a journalist and historian who has written for the New York Times and the Financial Times. He is the author most recently of The Frank Family That Survived, also from Cornell. Ron Simon is Curator of the Paley Center for Media and an adjunct professor at Columbia University and New York University.
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Product details
- Publisher : Cornell University Press; 1st edition (January 26, 2012)
- Language : English
- Paperback : 328 pages
- ISBN-10 : 0801477301
- ISBN-13 : 978-0801477300
- Reading age : 18 years and up
- Item Weight : 15 ounces
- Dimensions : 6 x 0.72 x 9 inches
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Best Sellers Rank:
#1,460,141 in Books (See Top 100 in Books)
- #1,257 in TV History & Criticism
- #3,131 in Television Performer Biographies
- #7,380 in Popular Culture in Social Sciences
- Customer Reviews:
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I was surprised to learn that Serling was a Marine and had fought terrible battles for the liberation of the Philippines during World War II. These battles would haunt him and inform his art throughout his life. I wasn't surprised to learn that he was a thorn in the side of the bean counters and studio suits who just wanted to sell cigarettes and breakfast cereal. Serling was an artist who wanted to explore the potential of the television medium at its inception. This he did with great success, not just on the Twilight Zone, but on the long dead format of live television drama.
Sander's is one of the very few biographies of Serling. He shows Serling as the Ed Murrow of broadcast art. We needed, and still need, more people like Rod Serling.
As a minor note: Toward the end of the book the author uses the word "ironically" incorrectly several times in a dozen pages. It may be just a pet peeve but it's a sad thing to see from a professional writer.
Even before The Twilight Zone, Serling was a television celebrity, writing many dramas in the golden age of television, including Requiem for a Heavyweight (later made into a film) and Patterns (his breakout work that earned him his first of six Emmy awards in less than ten years). He wrote about both political and personal challenges of his day. He drew from his life experience as well.
Serling grew up in rural New York. During World War II, he joined the 511th Airborne as a paratrooper, even though he was too short to qualify. He had the personal ambition and strength of will to be a paratrooper. Ironically, he saw very little action for the first few years but then was part of the very intense fighting in the Pacific theater. He returned at the end of the war, as many GIs did, to college. He worked at the campus radio station where he first felt the need to entertain. He worked in radio as a script writer and made the transition to television as it became more popular. The intimacy and the immediacy of television fascinated him and, with a lot of work under his belt, he became a fine writer.
The book starts with his personal life but his writing career becomes the central focus. Serling's wife Carol fades into the background as Serling's television career takes off. Sander mentions that Serling had affairs after the family moved to Hollywood but does not delve into them. Serling was also distant from his two daughters, who are only mentioned occasionally. The real focus of this book is on Serling as an icon of television's golden age and how the collapse of that age played out in his life. Like film auteur Orson Welles, Serling started to cash in on his celebrity, doing parodies of himself and working on commercials. In the last years of his life, Serling's greatest joy was teaching college, where the students were often in awe of him, something Hollywood lost when The Twilight Zone finished. His personal life is at best a secondary theme of the book.
The book identifies Serling as "television's last angry man" in part because of his career ambitions. He wanted to write great dramas about contemporary topics. He especially wanted to write against prejudice, which he abhorred. At first, television was looking for prestige projects to validate the medium as a form of art as well as entertainment. Sponsors and executives eventually became more concerned to avoid controversy, making it a fight for Serling to produce what he wanted. Ironically, starting The Twilight Zone looked like a sell-out for Serling--he'd be making a popular entertainment show. But it really gave him a platform from which to comment on social issues and morality, albeit indirectly through placing the issues in other times or places. The production schedule on the show was too much, leading to burn out and a drop in quality in the later years. Those factors, combined with increasing challenges with the network and the sponsors, drove Serling away from Hollywood in frustration over what he could no longer do.
I found the book fascinating throughout. I didn't mind the focus on his career (gossipy biographies are of little interest to me). His early life and military service are interesting, especially when they are connected to his writing career.
Recommended, especially for Twilight Zone fans.
All of that aside, much of the "information" in this book is length descriptions of Twilight Zone episodes. While that may be fine and dandy for someone who has never watched the show, 99% of people looking for a biography on the enigmatic Rod Serling know the show inside and out. Plodding, several-page-long descriptions of each episode are, quite simply, nothing but dull filler material.
There's nothing great about this book. It's as exciting as watching paint dry, and far more illuminating information can be found now thanks to the internet. Still, if it's absolutely the only thing you can read about Rod Serling, it's better than nothing.





