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Seveneves: A Novel Hardcover – May 19, 2015

4.3 4.3 out of 5 stars 29,944 ratings


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An Amazon Best Book of May 2015: Stephenson is not afraid of writing big books—big in page count, big in concept, and big in their long-lingering effect on the reader’s mind. Newcomers to Stephenson should reject any trepidation. This science-fueled saga spans millennia, but make no mistake: The heart of this story is its all-too-human heroes and how their choices, good and ill, forge the future of our species. Seveneves launches into action with the disintegration of the moon. Initially considered only a cosmetic, not cosmic, change to the skies, the moon’s breakup is soon identified as the spawning ground of a meteor shower dubbed the Hard Rain that will bombard Earth for thousands of years, extinguishing all life from the surface of the planet. Now humanity has only two years to get off-world and into the Cloud Ark, a swarm of small, hastily built spaceships that will house millions of Earth species (recorded as digital DNA) and hundreds of people until they can return home again. But who goes, and who stays? And once the lucky few have joined the Cloud Ark, how will the remaining seeds of humankind survive not only the perils of day-to-day of life in space but also the lethal quicksand of internal politics? Slingshot pacing propels the reader through the intricacies of orbit liberation points, the physics of moving chains, and bot swarms, leaving an intellectual afterglow and a restless need to know more. An epic story of humanity and survival that is ultimately optimistic, Seveneves will keep you thinking long past the final page. --Adrian Liang

Review

“No slim fables or nerdy novellas for Stephenson: his visions are epic, and he requires whole worlds-and, in this case, solar systems-to accommodate them....Wise, witty, utterly well-crafted science fiction.” — Kirkus Reviews

“Stephenson’s remarkable novel is deceptively complex, a disaster story and transhumanism tale that serves as the delivery mechanism for a series of technical and sociological visions… there’s a ton to digest, but Stephenson’s lucid prose makes it worth the while.” — Publishers Weekly (starred review)

“The huge scope and enormous depth of the latest novel from Stephenson is impressive… a major work of hard sf that all fans of the genre should read.” — Library Journal (starred review)

“Well-paced over three parts covering 5,000 years of humanity’s future, Stephenson’s monster of a book is likely to dominate your 2015 sf-reading experience.” — Booklist

“[Stephenson] plays with hard ballistics, hard genetics, hard sociology. And what thrills me, is that he makes it interesting. That he makes life and death in space about actual life and death .” — NPR Books

“Written in a wry, erudite voice...Seveneves will please fans of hard science fiction, but this witty, epic tale is also sure to win over readers new to Stephenson’s work.” — Washington Post

Seveneves offers at once [Stephenson’s] most conventional science-fiction scenario and a superb exploration of his abiding fascination with systems, philosophies and the limits of technology.… Stephenson’s central characters, mostly women, serve as a welcome corrective to science-fiction clichés.” — Chicago Tribune

Seveneves can be fascinating. . . . Insights into the human character shine like occasional full moons.” — Boston Globe

“[A] novel of big ideas, but it’s also a novel of personalities, of heart, and of a particular kind of hope that only comes from a Stephenson story. Science fiction fans everywhere will love this book.” — BookPage

“Stephenson… knows the life-sustaining power of storytelling, since storytelling is what he does…Today’s post-apocalyptic stories routinely aim to convey the loss of the old world through the personal losses of a few characters. Stephenson makes you feel the loss of Earth on the scale it deserves.” — Salon

“This is hard sci-fi in a real and welcome sense, ruled by unremitting physical laws, unlike the negotiable rules of the action thriller.” — Nature

“Stephenson’s storytelling style combines the conversational and the panoramic, allowing him to turn his piercing gaze on the familiar aspects of a strange future, encompassing the barely conceivable detail by detail.” — Seattle Times

Product details

  • Publisher ‏ : ‎ William Morrow; First Edition (May 19, 2015)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 880 pages
  • ISBN-10 ‏ : ‎ 0062190377
  • ISBN-13 ‏ : ‎ 978-0062190376
  • Item Weight ‏ : ‎ 2.19 pounds
  • Dimensions ‏ : ‎ 9.1 x 6.4 x 2 inches
  • Customer Reviews:
    4.3 4.3 out of 5 stars 29,944 ratings

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Neal Town Stephenson (born October 31, 1959) is an American writer, known for his speculative fiction works, which have been variously categorized science fiction, historical fiction, maximalism, cyberpunk, and postcyberpunk. Stephenson explores areas such as mathematics, cryptography, philosophy, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and has worked part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system.

Born in Fort Meade, Maryland (home of the NSA and the National Cryptologic Museum) Stephenson came from a family comprising engineers and hard scientists he dubs "propeller heads". His father is a professor of electrical engineering whose father was a physics professor; his mother worked in a biochemistry laboratory, while her father was a biochemistry professor. Stephenson's family moved to Champaign-Urbana, Illinois in 1960 and then to Ames, Iowa in 1966 where he graduated from Ames High School in 1977. Stephenson furthered his studies at Boston University. He first specialized in physics, then switched to geography after he found that it would allow him to spend more time on the university mainframe. He graduated in 1981 with a B.A. in Geography and a minor in physics. Since 1984, Stephenson has lived mostly in the Pacific Northwest and currently resides in Seattle with his family.

Neal Stephenson is the author of the three-volume historical epic "The Baroque Cycle" (Quicksilver, The Confusion, and The System of the World) and the novels Cryptonomicon, The Diamond Age, Snow Crash, and Zodiac. He lives in Seattle, Washington.

Customer reviews

4.3 out of 5 stars
4.3 out of 5
29,944 global ratings
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A wild ride with plausible ideas, myriad close calls -- and orbital mechanics!
5 Stars
A wild ride with plausible ideas, myriad close calls -- and orbital mechanics!
Some minor spoilers ahead...When I got super interested in space flight technology and orbital mechanics back in 2005, I played with the Orbiter space flight simulator for a few months and wrote a 181 page tutorial book for it called Go Play In Space. When Neal Stephenson got interested in space technology and orbital mechanics, he researched it for 9 years and wrote 880 pages to create a novel called SevenEves. The only common thread I can claim is that Neal and I both did our homework on the physics of space flight. But Neal did his homework on much more than this, and tied it all together into a fantastic story. Two major stories, actually -- one an extremely detailed, near-future "disaster movie" (the first two thirds of the book), the other an imaginative and ultimately exciting speculation on the lives of the survivors' descendants, 5000 years in the future. How many survivors were there? The book's title gives a clue that's at least partially correct (it's also a palindrome).I really enjoy most of Neal Stephenson's writing, and when I learned that his next book would be based in space, I pre-ordered it immediately. When it was released last Monday, it jumped the queue of all the books I was reading or planning to read. I saw a couple of early reviews, including a fairly negative one focused on Stephenson's relative lack of character development and other novelish niceties, in favor of nerdish discussions of all technical sorts. To me, this is a feature, not a bug. I loved the wide-ranging and carefully researched details, and I thought the characters were mostly well drawn. The storytelling and pace are good, although I did feel that it bogged down in the first third of part 3 (the 5000 years from now part). In fairness, there's a lot of explaining to do when you introduce a complex future civilization and many new characters, and after all that setup, the last 300 pages are quite thrilling. Good save, Neal!The book starts with the moon exploding for no apparent reason. It initially breaks into seven major pieces, but a popular public outreach astrophysicist nicknamed "Doob" (clearly modeled on Neil Degrasse Tyson) and his grad students figure out that it will soon break further into trillions of pieces, many of which will reenter Earth's atmosphere, destroying the atmosphere and everything in it. In 25 months (plus or minus 2 months). Scientists in many other countries independently reach the same conclusion.Two years is not much time to get ready for the end of the world, so most of the 7 billion people and virtually all other living things will die. And unfortunately, the incoming swarm of debris dubbed "hard rain" is estimated to continue for some 5000 years. So immediate repopulation of Earth's surface will not be possible. People will have to learn to live deep underground or in space, indefinitely -- somehow. The first 600 pages are mainly focused on a gigantic space lifeboat effort, although it's clear that only a relative handful of people (a few thousand at most) can make it to space in that short time, even with all of Earth's resources, industry, and minds focused on this.Of course this immediately answers the question, what is the International Space Station good for? Why, to serve as the centerpiece of a swarm of hastily constructed and launched habitat spacecraft that will be used to save this small number of humans in hopes of some sort of future. It's fortunate that in this near future world, the ISS has been expanded to include an experimental rotating habitat and a captured asteroid for experimentation with mining using a fleet of small robots. That at least gives the planetless survivors a fighting chance. But to say there are challenges is a vast understatement. There are many close calls and heroic efforts that turn out to be essential -- like a hastily organized mission led by an Elon Musk-like space entrepreneur to retrieve a chunk of a comet. This huge mass of water is needed for radiation shielding and to make rocket fuel. You can do that (extract hydrogen and oxygen) if you have enough electric power, like a nuclear power plant repurposed from a submarine. Since part 3 takes place 5000 years in the future, you know that somehow humanity makes it, but it is by the very thinnest of margins.Is this book realistic? You have to just accept the premise that the Moon just blows up for some reason. The "agent" responsible for this is never really explained, but it doesn't really matter. Everything else within parts one and two ("now") is constrained by realistic physics and plausible current or near-future technology. Orbital mechanics is a major constraint and is handled very well. The problems of radiation, microgravity, growing food in space, living in crowded spaces, and many other issues are handled realistically. Space debris is a constant problem, especially once the "hard rain" starts throwing parts of the former moon in all directions. Space construction requires the help of thousands of small robots, but these are not especially smart robots -- plausible extrapolations of things I have read about in MIT Technology Review. All in all, I consider parts 1 and 2 to be some of the best "hard SF" that I've ever read.Part 3 is more problematic for me, though ultimately enjoyable. The future space construction technology is massive, though still believable by extrapolation of robotic capabilities. But the tight connection between the personalities of the few survivors and the characteristics of the resulting race-driven civilization in 5000 years often did not ring true to me. There are a lot of interesting and plausible ideas, but also a lot that I thought was very silly, seemingly just made up, "because I said so." These are extrapolations of genetic and social engineering over 5000 years. I don't think you can say anything definitive about this based on anything we know, even if you accept genetic manipulation of the human genome as a required and well-understood tool.Of course it is all just made up by the author. But it is in part 3 that I have to say to myself, "that's why they call it science fiction." It's still more than fantasy or magic, though I wouldn't call it hard SF. But overall, it's a really good book, and most of those 880 pages flew by over the last six days (actually 14,403 Kindle "locations," read mostly on my iPad).It's a long book, full of interesting ideas and good writing. I learned a lot, as I always do from Stephenson's books. It is ultimately a hopeful book -- humans are resourceful and manage to barely survive, and eventually go on to build a new and very different civilization and to start to repopulate the Earth (with genetically engineered plants and animals, synthesized from a comprehensive DNA database that was saved from "Old Earth," since no actual animals and very few plants were brought to space -- the Old Earth mission planners did manage to preserve much of Earth's knowledge, genetic and otherwise). But as different as their new civilizations are, aggression and racial stereotypes remain -- even though the races are completely new. Even if we were capable of building a future "paradise," even a small handful of people will fail to agree that it is paradise -- some will want something else. Humans are difficult creatures. It will always be so.Note: the picture is my own impression of "Izzy" in the Orbiter space flight simulator
A wild ride with plausible ideas, myriad close calls -- and orbital mechanics!
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