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Several Short Sentences About Writing Paperback – April 9, 2013
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An indispensable and distinctive book that will help anyone who wants to write, write better, or have a clearer understanding of what it means for them to be writing, from widely admired writer and teacher Verlyn Klinkenborg.
Klinkenborg believes that most of our received wisdom about how writing works is not only wrong but an obstacle to our ability to write. In Several Short Sentences About Writing, he sets out to help us unlearn that “wisdom”—about genius, about creativity, about writer’s block, topic sentences, and outline—and understand that writing is just as much about thinking, noticing, and learning what it means to be involved in the act of writing. There is no gospel, no orthodoxy, no dogma in this book. Instead it is a gathering of starting points in a journey toward lively, lucid, satisfying self-expression.
- Print length224 pages
- LanguageEnglish
- PublisherVintage
- Publication dateApril 9, 2013
- Dimensions5.18 x 0.68 x 7.97 inches
- ISBN-100307279413
- ISBN-13978-0307279415
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
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Editorial Reviews
Review
Praise for Verlyn Klinkenborg's Several Short Sentences About Writing:
“No other book, old or new, is as well reasoned as this, as entertaining or as wise. . . . Best book on writing. Ever. . . . To paraphrase Voltaire’s statement concerning the Almighty, ‘if Verlyn Klinkenborg did not exist, it would be necessary to invent him.’ Because having read Several Short Sentences About Writing, I do not think that it would be possible to not have this book on hand. . . . Indeed, no other book is as filled with as much grounded, practical advice for putting words to the paper or electronic page or gives better, more helpful exercises.”
—New York Journal of Books
“Powerful . . . each sentence miraculously contains an idea or insight that lesser writers would have milked for several pages.”
—Pittsburgh Post-Gazette
“An exceptionally interesting and useful book about writing.”
—Tom McGuane
“A fresh perspective on writing that goes against conventional classroom theory.”
—Shelf Awareness
“Klinkenborg does away with much of the traditional wisdom on writing and dissects the sentence—its structure, its intention, its semantic craftsmanship—to deliver a new, useful, and direct guide to the art of storytelling.”
—Brain Pickings
“Expertise and zeal are required for an established writer to offer genuinely useful guidance to aspiring writers. It also helps if the writer teaches writing, as Klinkenborg has for many years. . . . The result is a unique anatomy of the sentence and the writing mind and a clarifying and invigorating ‘book of first steps.’”
—Booklist
"This is a very interesting little book about writing. Modest. Learned. Good-natured. Direct and sympathetic to its readers. You don't even have to read it front to back (probably you couldn't, anyway). You can just open it anywhere—as I did—and take away something useful."
—Richard Ford
“There have been good books on grammar and style, some classics, but none to compare to this one for understanding where sentences come from in the first place, where their vitality is found, and what distinguishes their energy, their authenticity, and their prospects for life after birth—that is, the art of revision. This book's long future will be a testament to its author's principles.”
—Tom McGuane
About the Author
Verlyn Klinkenborg is a member of the editorial board of The New York Times, to which he also contributes meditations about his farm in upstate New York, collected in The Rural Life. His other books include Making Hay, The Last Fine Time, and Timothy; or, Notes of an Abject Reptile. Klinkenborg has a Ph.D. in English literature from Princeton University.
Excerpt. © Reprinted by permission. All rights reserved.
*
Your job as a writer is making sentences.
Most of your time will be spent making sentences in your head.
In your head.
Did no one ever tell you this?
That is the writer's life.
Never imagine you've left the level of the sentence behind.
Most of the sentences you make will need to be killed.
The rest will need to be fixed.
This will be true for a long time.
The hard part now is deciding which to kill and which
to fix and how to fix them.
This will get much, much easier, but the decision making will never end.
*
As you practice noticing, notice how thickly particled
with names the world around you is.
This will gradually become part of your noticing,
looking not for words to make us see the way you saw--
But for the names of what you've noticed.
Names that announce the whatness of the world to a single species.
It's hard to grasp at first the density, the specificity
With which the world has been named.
This is a planet of overlapping lexicons,
Generation after generation, trade after trade,
Expedition after expedition sent out to bring home
Name upon name, terms of identity in endless degrees of intimacy,
And all at hand, if you look for them.
*
In the syntax and rhythm of sentences,
In the page of thought, the intensity of movement,
The crescendo and decrescendo,
The trustworthy reader learns the writer's habitude and how to move with it.
You converse, in a sense, with the voice on the other side of the ink.
The kind of reading is the pleasure of being summoned out of ourselves by the grace,
The ferocity, the skill of the writing before us.
How else to explain our love of even difficult writers?
Their agility evokes our agility.
We move at their speed, elliptically, obliquely,
However they move.
Product details
- Publisher : Vintage; Vintage edition (April 9, 2013)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 0307279413
- ISBN-13 : 978-0307279415
- Item Weight : 8 ounces
- Dimensions : 5.18 x 0.68 x 7.97 inches
- Best Sellers Rank: #65,180 in Books (See Top 100 in Books)
- Customer Reviews:
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When I
First started this journey,
I wasn’t sure what I was going to
Expect.
Yet, my expectations
Were exceeded.
But not from the start.
You see,
This book was an
Eye opener
For me.
But I was hesitant at first.
I have been so
Limited my entire writing
Life.
And I didn’t even know it.
The limitations I have felt
Through my
Writing
I believed were
Circumstantial.
The deadlines, the rubric, the rules….
Unfortunately as it turns out, I was limited
Because I did not know how to write.
Not even close.
But now,
I feel clean.
Klinkenborg takes what
We think we know,
Completely disregards it and finds its replacement-
The truth.
It was hard at first,
To be open to learning something completely new.
It was as if
He took everything that I had believed,
And threw it into a fire.
Each ember that sparked out of the scarlet blaze
Symbolized pieces of the old me
Screaming out to be kept alive.
But to be a new me,
I had to learn to let those embers die.
At times,
I felt like he was criticizing me personally,
And I got frustrated.
I was annoyed with the idea that I could be wrong
About something that I love.
How egotistical of me.
Of course I could be wrong.
And soon after I had this realization
I let his words seep into
My newly found skin.
The way he spoke about
Distrusting flow- something
That I thought I should
Value
As a writer,
Captured my attention.
I was a little bit apprehensive
To actually believe what he was saying.
“Flow” is something that I was taught to
Treasure.
But as he explained the thought process behind it,
I began to understand.
Klinkenborg says to
“Depend entirely on the sentence you’re making.”
Entirely on one sentence.
That is what you will use to determine the
Fate
Of the next sentence
And the one after that.
I specifically found comfort in the way
He spoke about
Cliches.
When writing short stories or creative pieces,
I often think that everything has
Already been said.
And yet we continue to say them,
So the cliches continue,
In a long cycle.
But,
What I have come to learn in my time with this book is that, Klinkenborg has a way around the Cliches.
If you focus on the words of the sentence you are
Currently making, and not the
Meaning
Or
Intent
Of the whole piece,
You will
Realize
That the meaning and intent depend entirely on the
Sentence
you are writing right now.
I also found his thoughts about “complete” writing
Compelling.
I am one who will get
Lost
In what I’m writing from time to time.
I find myself
Creating sentences without focusing on what the words
Are
Actually
Saying.
Klinkenborg says that when work is really complete,
The writer
Knows
How each sentence got that way.
That is something that I struggle with.
I use words the wrong way.
I create sentences that make
Absolutely no sense,
And then I look back at them and
Laugh
At myself.
This book has inspired me in ways
I did not know I could be
Inspired by.
Looking into myself as not only a
Writer
But also a
Person.
The time that I have had to
Relfect
On all of my choices,
Writing and in general,
Has
Changed
The way that I think of myself.
I hope that I can
Consistently
Refer back to this book for
Help.
Klinkenborg knows what he is saying,
And I now aspire
To have that feeling-
The feeling of just simply
Knowing
One day.
Book Review:
When I
First started this journey,
I wasn’t sure what I was going to
Expect.
Yet, my expectations
Were exceeded.
But not from the start.
You see,
This book was an
Eye opener
For me.
But I was hesitant at first.
I have been so
Limited my entire writing
Life.
And I didn’t even know it.
The limitations I have felt
Through my
Writing
I believed were
Circumstantial.
The deadlines, the rubric, the rules….
Unfortunately as it turns out, I was limited
Because I did not know how to write.
Not even close.
But now,
I feel clean.
Klinkenborg takes what
We think we know,
Completely disregards it and finds its replacement-
The truth.
It was hard at first,
To be open to learning something completely new.
It was as if
He took everything that I had believed,
And threw it into a fire.
Each ember that sparked out of the scarlet blaze
Symbolized pieces of the old me
Screaming out to be kept alive.
But to be a new me,
I had to learn to let those embers die.
At times,
I felt like he was criticizing me personally,
And I got frustrated.
I was annoyed with the idea that I could be wrong
About something that I love.
How egotistical of me.
Of course I could be wrong.
And soon after I had this realization
I let his words seep into
My newly found skin.
The way he spoke about
Distrusting flow- something
That I thought I should
Value
As a writer,
Captured my attention.
I was a little bit apprehensive
To actually believe what he was saying.
“Flow” is something that I was taught to
Treasure.
But as he explained the thought process behind it,
I began to understand.
Klinkenborg says to
“Depend entirely on the sentence you’re making.”
Entirely on one sentence.
That is what you will use to determine the
Fate
Of the next sentence
And the one after that.
I specifically found comfort in the way
He spoke about
Cliches.
When writing short stories or creative pieces,
I often think that everything has
Already been said.
And yet we continue to say them,
So the cliches continue,
In a long cycle.
But,
What I have come to learn in my time with this book is that, Klinkenborg has a way around the Cliches.
If you focus on the words of the sentence you are
Currently making, and not the
Meaning
Or
Intent
Of the whole piece,
You will
Realize
That the meaning and intent depend entirely on the
Sentence
you are writing right now.
I also found his thoughts about “complete” writing
Compelling.
I am one who will get
Lost
In what I’m writing from time to time.
I find myself
Creating sentences without focusing on what the words
Are
Actually
Saying.
Klinkenborg says that when work is really complete,
The writer
Knows
How each sentence got that way.
That is something that I struggle with.
I use words the wrong way.
I create sentences that make
Absolutely no sense,
And then I look back at them and
Laugh
At myself.
This book has inspired me in ways
I did not know I could be
Inspired by.
Looking into myself as not only a
Writer
But also a
Person.
The time that I have had to
Relfect
On all of my choices,
Writing and in general,
Has
Changed
The way that I think of myself.
I hope that I can
Consistently
Refer back to this book for
Help.
Klinkenborg knows what he is saying,
And I now aspire
To have that feeling-
The feeling of just simply
Knowing
One day.
Book Review:
When I
First started this journey,
I wasn’t sure what I was going to
Expect.
Yet, my expectations
Were exceeded.
But not from the start.
You see,
This book was an
Eye opener
For me.
But I was hesitant at first.
I have been so
Limited my entire writing
Life.
And I didn’t even know it.
The limitations I have felt
Through my
Writing
I believed were
Circumstantial.
The deadlines, the rubric, the rules….
Unfortunately as it turns out, I was limited
Because I did not know how to write.
Not even close.
But now,
I feel clean.
Klinkenborg takes what
We think we know,
Completely disregards it and finds its replacement-
The truth.
It was hard at first,
To be open to learning something completely new.
It was as if
He took everything that I had believed,
And threw it into a fire.
Each ember that sparked out of the scarlet blaze
Symbolized pieces of the old me
Screaming out to be kept alive.
But to be a new me,
I had to learn to let those embers die.
At times,
I felt like he was criticizing me personally,
And I got frustrated.
I was annoyed with the idea that I could be wrong
About something that I love.
How egotistical of me.
Of course I could be wrong.
And soon after I had this realization
I let his words seep into
My newly found skin.
The way he spoke about
Distrusting flow- something
That I thought I should
Value
As a writer,
Captured my attention.
I was a little bit apprehensive
To actually believe what he was saying.
“Flow” is something that I was taught to
Treasure.
But as he explained the thought process behind it,
I began to understand.
Klinkenborg says to
“Depend entirely on the sentence you’re making.”
Entirely on one sentence.
That is what you will use to determine the
Fate
Of the next sentence
And the one after that.
I specifically found comfort in the way
He spoke about
Cliches.
When writing short stories or creative pieces,
I often think that everything has
Already been said.
And yet we continue to say them,
So the cliches continue,
In a long cycle.
But,
What I have come to learn in my time with this book is that, Klinkenborg has a way around the Cliches.
If you focus on the words of the sentence you are
Currently making, and not the
Meaning
Or
Intent
Of the whole piece,
You will
Realize
That the meaning and intent depend entirely on the
Sentence
you are writing right now.
I also found his thoughts about “complete” writing
Compelling.
I am one who will get
Lost
In what I’m writing from time to time.
I find myself
Creating sentences without focusing on what the words
Are
Actually
Saying.
Klinkenborg says that when work is really complete,
The writer
Knows
How each sentence got that way.
That is something that I struggle with.
I use words the wrong way.
I create sentences that make
Absolutely no sense,
And then I look back at them and
Laugh
At myself.
This book has inspired me in ways
I did not know I could be
Inspired by.
Looking into myself as not only a
Writer
But also a
Person.
The time that I have had to
Relfect
On all of my choices,
Writing and in general,
Has
Changed
The way that I think of myself.
I hope that I can
Consistently
Refer back to this book for
Help.
Klinkenborg knows what he is saying,
And I now aspire
To have that feeling-
The feeling of just simply
Knowing
One day.
Book Review:
When I
First started this journey,
I wasn’t sure what I was going to
Expect.
Yet, my expectations
Were exceeded.
But not from the start.
You see,
This book was an
Eye opener
For me.
But I was hesitant at first.
I have been so
Limited my entire writing
Life.
And I didn’t even know it.
The limitations I have felt
Through my
Writing
I believed were
Circumstantial.
The deadlines, the rubric, the rules….
Unfortunately as it turns out, I was limited
Because I did not know how to write.
Not even close.
But now,
I feel clean.
Klinkenborg takes what
We think we know,
Completely disregards it and finds its replacement-
The truth.
It was hard at first,
To be open to learning something completely new.
It was as if
He took everything that I had believed,
And threw it into a fire.
Each ember that sparked out of the scarlet blaze
Symbolized pieces of the old me
Screaming out to be kept alive.
But to be a new me,
I had to learn to let those embers die.
At times,
I felt like he was criticizing me personally,
And I got frustrated.
I was annoyed with the idea that I could be wrong
About something that I love.
How egotistical of me.
Of course I could be wrong.
And soon after I had this realization
I let his words seep into
My newly found skin.
The way he spoke about
Distrusting flow- something
That I thought I should
Value
As a writer,
Captured my attention.
I was a little bit apprehensive
To actually believe what he was saying.
“Flow” is something that I was taught to
Treasure.
But as he explained the thought process behind it,
I began to understand.
Klinkenborg says to
“Depend entirely on the sentence you’re making.”
Entirely on one sentence.
That is what you will use to determine the
Fate
Of the next sentence
And the one after that.
I specifically found comfort in the way
He spoke about
Cliches.
When writing short stories or creative pieces,
I often think that everything has
Already been said.
And yet we continue to say them,
So the cliches continue,
In a long cycle.
But,
What I have come to learn in my time with this book is that, Klinkenborg has a way around the Cliches.
If you focus on the words of the sentence you are
Currently making, and not the
Meaning
Or
Intent
Of the whole piece,
You will
Realize
That the meaning and intent depend entirely on the
Sentence
you are writing right now.
I also found his thoughts about “complete” writing
Compelling.
I am one who will get
Lost
In what I’m writing from time to time.
I find myself
Creating sentences without focusing on what the words
Are
Actually
Saying.
Klinkenborg says that when work is really complete,
The writer
Knows
How each sentence got that way.
That is something that I struggle with.
I use words the wrong way.
I create sentences that make
Absolutely no sense,
And then I look back at them and
Laugh
At myself.
This book has inspired me in ways
I did not know I could be
Inspired by.
Looking into myself as not only a
Writer
But also a
Person.
The time that I have had to
Relfect
On all of my choices,
Writing and in general,
Has
Changed
The way that I think of myself.
I hope that I can
Consistently
Refer back to this book for
Help.
Klinkenborg knows what he is saying,
And I now aspire
To have that feeling-
The feeling of just simply
Knowing
One day.
When I
First started this journey,
I wasn’t sure what I was going to
Expect.
Yet, my expectations
Were exceeded.
But not from the start.
You see,
This book was an
Eye opener
For me.
But I was hesitant at first.
I have been so
Limited my entire writing
Life.
And I didn’t even know it.
The limitations I have felt
Through my
Writing
I believed were
Circumstantial.
The deadlines, the rubric, the rules….
Unfortunately as it turns out, I was limited
Because I did not know how to write.
Not even close.
But now,
I feel clean.
Klinkenborg takes what
We think we know,
Completely disregards it and finds its replacement-
The truth.
It was hard at first,
To be open to learning something completely new.
It was as if
He took everything that I had believed,
And threw it into a fire.
Each ember that sparked out of the scarlet blaze
Symbolized pieces of the old me
Screaming out to be kept alive.
But to be a new me,
I had to learn to let those embers die.
At times,
I felt like he was criticizing me personally,
And I got frustrated.
I was annoyed with the idea that I could be wrong
About something that I love.
How egotistical of me.
Of course I could be wrong.
And soon after I had this realization
I let his words seep into
My newly found skin.
The way he spoke about
Distrusting flow- something
That I thought I should
Value
As a writer,
Captured my attention.
I was a little bit apprehensive
To actually believe what he was saying.
“Flow” is something that I was taught to
Treasure.
But as he explained the thought process behind it,
I began to understand.
Klinkenborg says to
“Depend entirely on the sentence you’re making.”
Entirely on one sentence.
That is what you will use to determine the
Fate
Of the next sentence
And the one after that.
I specifically found comfort in the way
He spoke about
Cliches.
When writing short stories or creative pieces,
I often think that everything has
Already been said.
And yet we continue to say them,
So the cliches continue,
In a long cycle.
But,
What I have come to learn in my time with this book is that, Klinkenborg has a way around the Cliches.
If you focus on the words of the sentence you are
Currently making, and not the
Meaning
Or
Intent
Of the whole piece,
You will
Realize
That the meaning and intent depend entirely on the
Sentence
you are writing right now.
I also found his thoughts about “complete” writing
Compelling.
I am one who will get
Lost
In what I’m writing from time to time.
I find myself
Creating sentences without focusing on what the words
Are
Actually
Saying.
Klinkenborg says that when work is really complete,
The writer
Knows
How each sentence got that way.
That is something that I struggle with.
I use words the wrong way.
I create sentences that make
Absolutely no sense,
And then I look back at them and
Laugh
At myself.
This book has inspired me in ways
I did not know I could be
Inspired by.
Looking into myself as not only a
Writer
But also a
Person.
The time that I have had to
Relfect
On all of my choices,
Writing and in general,
Has
Changed
The way that I think of myself.
I hope that I can
Consistently
Refer back to this book for
Help.
Klinkenborg knows what he is saying,
And I now aspire
To have that feeling-
The feeling of just simply
Knowing
One day.
The book was a unique journey.
It wasn’t complex, and it wasn’t out of the ordinary. Did it have to be?
Again, a book completely shuffles my expectations. There was something peculiar about the writing style, as if it was trying to prove that writing could be unique.
A lot of the wisdom were givens.
We all knew the answers, we just didn’t know the questions.
All books provide knowledge.
But few make you think about knowledge.
This book was one of the few to do it. It’s special, because it defies any imaginary boundaries set by the readers.
No chapters, no paragraphs, no format.
But it is organized.
Do not mistaken the wisdom as strawn about all over,
It is inconspicuously very organized.
Much like a school of fish, seemingly very clumsy,
But surprisingly flexible once put into action.
Throughout the book, the theme was always among the same guidelines.
That is to be contrary to what one would think,
And to be innovative on looking at subjects from different angles.
The wisdom was given raw, without need of long elaboration, \
Or detailed profiling. However, that is by no means calling it simple.
Certain things at base value are more complex because of their simplicity.
For example:
“The first person who needs to be persuaded of your authority, is you.”
Not difficult in terms of comprehension, not unique in terms of sage wisdom.
But insightful of its application to writing.
It really means to have confidence in yourself, something teachers and friends
Tell us everyday.
So how come we still defy that moral?
Klinkenborg gives us the wisdom, and reassurance through inspiration.
“The only sure test of your ideas is whether they interest you.”
Is the sentence hard to grasp? No.
Is the sentence convoluted? No.
Is the sentence really as simple as it appears? Yes.
We have our doubts because our experiences set standards.
But this book seeks to break every single one of them.
Instead of breaking order for chaos,
It breaks borders to expand the horizon.
What better way is there to demonstrate your mastery over a subject,
Then to present in a sui generis way?
It’s like turning a transcript into guidelines, then reinventing a play for yourself.
A baker making cake with pie ingredients,
An artist painting with melted crayons.
Speaking of a unique way of delivery, let us discuss humor.
To hit the right balance is hard.
Too forced, and awkwardness threatens the entire play.
Too subtle, and nobody would notice.
Klinkenborg does it with style, that is deadpan humor.
“Let us presuppose she (The other reader) exists.”
“Which is more than your education presupposes”
It makes you grin, but for such a deep book,
That's all you need.
To burst out laughing would seem weird in this environment.
The humor links up with wisdom,
The key of not getting too serious, but not too whimsical,
Is a showstopper of its own.
150 pages are built for wisdom,
A length that is perfect, for a book with no defined structure.
You can finish the book by jumping around,
But you won’t rush through it because of all the valuable information.
You won’t tire yourself as you flip through pages,
I should know, I read the book in the law firm for 2 hours once.
Its open enough to be drawn upon, but not compact enough for scribbles to happen.
Every page is fresh.
Fresh like a calm river stream.
The new information flows through steadily,
Not too fast, and not too slow.
You know the water came from another source,
But you don’t know which source specifically.
Thus a sense of familiarity, and mystery are both established.
The perfect balance to spark interest, and stop feelings of repulsiveness.
All books demand to be read again, but this one requests it.
Klinkenborg created a timeless storage for his temporary ideas,
But consistent ideals.
Its format is defiant, but memorable for sure.
My only criticism, is that maybe a few chapter marks would have helped,
Because when I go back in to dig for more,
I won’t know where to start.
Top reviews from other countries
The reason this book really vibes with me, and why I'm comfy recommending it, is I found it does the opposite. It decluttered my mind and helped me see core, highly valuable writing concepts clearly for the first time in a long time.
I enjoyed reading about these familiar turns of the writer’s brain. But after a few pages the message began to seem turgid. Repetitive. Slow. Dragging. Dull.
I have no doubt that Klinkenborg is a superb teacher of writing, but this book… in my opinion… does not drive a writer forward. It seems, on the other hand, to stop him in his tracks.
The essential message that I take from this book is that we must NOT write freely, we must examine each sentence as we put it to the page, and polish it, and make it perfect, and not worry about any other sentence until we are ready to proceed to the next sentence…
There. That is what I get from this book. And a lot about what the writer ought to be thinking while he is writing one sentence.
In three reading sessions I got to page 135 before wearily, finally, closing the covers. I don’t know what I may miss by not finishing the book. I don’t much care.
What I DO know is that I already know what Klinkenborg says I ought to know. Thank you
This is not a "Grammar Rule Book" though. But everyone should have this book.







