- Paperback: 352 pages
- Publisher: W. W. Norton & Company; 1 edition (October 20, 2014)
- Language: English
- ISBN-10: 0393349721
- ISBN-13: 978-0393349726
- Product Dimensions: 5.5 x 1 x 8.3 inches
- Shipping Weight: 13.6 ounces
- Average Customer Review: 70 customer reviews
- Amazon Best Sellers Rank: #18,870 in Books (See Top 100 in Books)
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Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks 1st Edition
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“If Eats, Shoots & Leaves whetted your appetite on the subject of punctuation, then you have a treat in store. Shady Characters is an authoritative, witty, and fascinating tour of the history and rationale behind such lesser known marks as the ampersand, manicule, the pilcrow, and the interrobang. Keith Houston also explains the octothorpe―otherwise known as the hashtag―and and my final comment on his book is #awesome.”
- Ben Yagoda, author of How to Not Write Bad
“Make no mistake: this is a book of secrets. With zeal and rigor, Keith Houston cracks open the &, the #, the † and more―all the little matryoshka dolls of meaning that make writing work. Inside, we meet novelists, publishers, scholars and scribes; we range from ancient Greeks to hashtagged tweets; and we see the weird and wonderful foundations of the most successful technology of all time.”
- Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore
“Funny, surprising, and, of course, geeky.”
- Michael D. Schaffer and John Timpane, Philadelphia Inquirer
“Might make you look at books… in an entirely new way.”
- Andrew Robinson, Nature
“Houston…is a tireless researcher and an amiable teacher.”
- Jan Gardner, Boston Globe
“A pleasurable contribution to type history, particularly for readers who haven’t considered the ampersand in any detail.”
- Carl W. Scarbrough, New Criterion
- Rob Kyff, The Courant
About the Author
Keith Houston is the author of Shady Characters and the founder of shadycharacters.co.uk. He lives in London.
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Houston has selected the pilcrow (that backward P for paragraph), "commercial at" (@), octothorpe (pound or hash sign), ampersand, asterisk, dagger, hyphen, manicule (pointing hand), quotation marks, the interrobang (question mark overlaid with an exclamation mark) and marks to indicate irony and sarcasm. The earliest symbols show up with the Greeks and Romans; turning points include the rise of Christianity, the Renaissance and the invention of the printing press, and, more recently, the typewriter. Computers and the internet are respectful latecomers to the party.
Houston is a detective who digs for hard evidence. Typographical legends persist and he insists on finding the truth. Assumptions are dashed. His end notes and bibliography reveal that he shifted through a lot of dry, not to mention dusty, texts in search of his answers and he has done a terrific job of articulating the information. He sustains a vibrant energy to the last page. The hardcover book is attractively produced with the symbols rendered in red ink.
This is Houston's first book. On the strength of it, I'll sign up for his next, whatever it is.
The mark "@" is ubiquitous, at least on the Internet, and we all use and understand it. But where did it come from? As Houston tells us, it was the brainchild of Ray Tomlinson, a twenty-nine-year-old computer engineer who in 1971 was working on the development of the ARPANET. On his own initiative Tomlinson came up with a way to direct messages to the mailbox of a specific user on a given mainframe computer, employing the then-underutilized symbol "@" on the keyboard of his ASR-33 teletype. "Half-fearing the wrath of his superiors were they to discover his pet project, Tomlinson initially kept quiet about his invention. [He told a co-worker,] 'Don't tell anyone! This isn't what we're supposed to be working on.' His concern was misplaced: e-mail became the fledgling network's first 'killer app' * * *. [B]y 1973, only two years after the first e-mail traveled from one side of Tomlinson's office to the other, it accounted for three-quarters of all traffic on the ARPANET."
Another ubiquitous symbol is "#". Most folks nowadays would call it a "hash tag" or a "pound sign". Its formal name, however, is an "octothorpe", which was bestowed on it by Bell Labs in the development of the Touch-Tone keypad, although the symbol itself can be traced back to medieval times in connection with usages dating back to ancient Rome.
In several chapters Houston ventures into the related realm of punctuation, in particular as regards the hyphen, the dash, and quotation marks. Throughout the book the reader is exposed to vignettes of history, smatterings of grammar, and precís of technological developments -- all invariably relevant and interesting. The book also unearths various proposed symbols that failed to catch on, including several designed to signify irony (all of which shared an inherent shortcoming: "if the quality of irony in a statement is such that it must be telegraphed to the reader, is it still ironic?").
SHADY CHARACTERS is extremely well written. The subject is rather esoteric, even recondite, and in the hands of most authors the book would undoubtedly be on the dry and pedantic side. But SHADY CHARACTERS is a delight to read, which is quite an accomplishment. Some of that pleasure is also due to the intelligent and intricate, yet carefully executed, typesetting. Among other things, the book uses a reddish hue for printing the various symbols being discussed as well as for miscellaneous ornamentation. (Aesthetically pleasing as the practice is, my faltering eyesight was not always able to discern the small reddish asterisks used as footnote markers.) Augmenting and enhancing the discussion are numerous illustrations. Given the relative complexities of the typography and typesetting, coupled with the haphazard copyediting that often prevails today, I would not have been surprised to encounter a host of typographical errors, but I did not find any. Kudos to W.W. Norton! This book is a shining example that publishers still can turn out error-free products if they -- and the authors -- care enough. (On the other hand, I suspect that the book bumps up against the limitations of Kindle.)
There is one small writing misstep, however: In the course of discussing how the asterisk was once used by the baseball establishment to set apart and mildly denigrate Roger Maris's accomplishment of hitting 61 home runs in a 162-game season (vis-á-vis the sacred 60-home-run mark of the Babe in a 154-game-season), Houston writes that late in the 1961 season Mickey Mantle had to sit out due to injury, "leaving Maris to score a record-breaking 61st run". The proper American baseball terminology, of course, would have been "to hit a record-breaking 61st home run". But then, the author lives in Scotland.