- Hardcover: 416 pages
- Publisher: Random House; First Edition edition (September 6, 2005)
- Language: English
- ISBN-10: 0679463356
- ISBN-13: 978-0679463351
- Product Dimensions: 6.5 x 1.3 x 9.5 inches
- Shipping Weight: 1.6 pounds (View shipping rates and policies)
- Average Customer Review: 125 customer reviews
- Amazon Best Sellers Rank: #1,071,739 in Books (See Top 100 in Books)
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Shalimar the Clown: A Novel First Edition Edition
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From Publishers Weekly
Starred Review. [Signature]Reviewed by William T. VollmannThe focus of this novel is extremism. It tells the tale of two Kashmiri villages whose inhabitants gradually get caught up in communal violence. As we know from Yugoslavia, hatred takes on especially horrific manifestations when neighbors turn against each other. The neighbors to whom Rushdie introduces us are memorable and emblematic characters, especially his protagonists, the Hindu dancer Boonyi Kaul and her childhood sweetheart, Shalimar the clown, son of a Muslim family. Their passion becomes a marriage solemnized by both Hindu and Muslim rites, but as conflict heats up, Boonyi seduces the American ambassador. The resulting transformation of Shalimar into a terrorist is easily the most impressive achievement of the book, and here one must congratulate Rushdie for having made artistic capital out of his own suffering, for the years he spent under police protection, hunted by zealots, have been poured into the novel in ways which ring hideously true. Bit by bit, Shalimar becomes a figure of supernatural menace.The life of the ambassador, Max Ophuls, is also brilliantly invented. In a series of highly effective set pieces—Nazi-occupied Strasbourg, where he failed to persuade his principled parents to save the books they published, not to mention themselves, from the flames (the family was Jewish); southern France, where his exploits on behalf of the Resistance were so colorful that I would spoil the reader's pleasure if I betrayed them; England, where a glamorous wartime romance led him into his only marriage—the author builds our sympathy for the man who (with her connivance) ruins Boonyi's life and sets in motion Shalimar's destiny.Now for the novel's defects: Rushdie's female characters are generally less plausible than the male ones. When he is describing Kashmir's good old days of communal tolerance, he too frequently takes refuge in slapstick. His depiction of Los Angeles relies so much on references to popular culture that the place becomes a superficial parody of itself. In terms of technique, Rushdie's most irritating tic is the sermonistic parallelism or repetition, but the novel's best passages (not to mention his other great work, Shame) prove him capable of great style.Never mind these flaws. Shalimar the Clown is a powerful parable about the willing and unwilling subversion of multiculturalism. And for those readers who even in this post-September-eleventh continue to cling to American narcissism, the parable grows more urgently pointed: Ophuls and Boonyi conceive a daughter, who is taken away at birth and in due time becomes a beautiful, troubled, privileged ignoramus in Los Angeles. About Shalimar the clown, her mother's husband, she doesn't have a clue. Is that her fault? Is it our fault that we never paid much attention to the rest of the world? But one day, without any warning, two planes smashed into the Twin Towers, and now (wake up and run!) Shalimar the clown has arrived in Los Angeles. (On sale Sept. 6)Vollmann's most recent novel is Europe Central (Viking).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Like some of the post-9/11 literature, Shalimar delves deep into the roots of terrorism and explores the turmoil generated by different faiths and cultures attempting to coexist. How can nations, Rushdie asks, go from near-peaceful ethnic and religious acceptance to violent conflict within a mere generation? Critics agree that Rushdie has brilliantly unraveled the construction of terrorists: some of them fight for ideas; others fight to fulfill vows or, if they are men, to reclaim their wives.
Shalimar is at once a political thriller, folk tale, slapstick comedy, wartime adventure, and work of science fiction, pop culture, and magical realism. In shimmering (if sometimes baroque) language, Rushdie invokes clever satire and imaginative wordplay. Yet, despite its diverse genres and styles, Shalimar is, at heart, a story of love, honor, and revengeand the global consequences of such emotions and actions. Critics particularly praised Rushdies shocking description of Shalimars transformation into a cold-blooded Islamic terrorist, from his participation in training camps to forced humiliations before Taliban leaders. Similarly, wrenching descriptions of pre- and post-war Kashmir, his homage to a paradise lost, confirm Rushdies brilliant powers of observation and keen social insight. Some reviewers felt that some characters lacked psychological depth or complete plausibility, or were too allegorical, but most described Shalimar as convincingly realtoo real, even.
In the 21st century, Shalimars painful, terrifying themes are both fantastical and devastatingly real. To evidence otherwise, Rushdie offers a note of cautious optimism: people can work out their differences if left alone by ideologues or fanatics. Shalimar provides a timely, ultimately idealistic, message for our times.
Copyright © 2004 Phillips & Nelson Media, Inc.
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The "real" story tells about all of our status as fallen from grace and undeserving of forgiveness.
That's not to say he gives ample and fair treatment to each (nor does he need too)...although the characters whose beliefs he clearly despises are the least defined and in fact, sometimes blandly stereotypical. This tendency markedly detracts from the overall wonder of the book. I'm speaking specifically of Shalimar and the ambassador's wife, who, it seems, can barely utter a coherent phrase without resorting to language only apropos for the estate's fox hunting outings.
Still, a great writer, and a great, compelling read that pulls you into a different world in a way in which you can see the "difference" both clearly and almost personally...so much so that very quickly it no longer seems different. I think in fiction writing, that's called "success."
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Shame & Midnight's Children are among my favorite books.Read more
pay attention or you'll get lost in the complexity of this famous writer.