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Shards: A Novel Paperback – October 4, 2011
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* A Chicago Sun-Times Best Book of the Year
* An Oregonian Top 10 Northwest Book of the Year
* Shortlisted for the Pacific Northwest Booksellers Association Book Award and the Flaherty-Dunnan First Novel Prize
* Winner of the Sue Kaufman Prize for First Fiction
* Winner of the Los Angeles Times Art Seidenbaum Award
"Impressive . . . Inventive . . . Pushes against convention, logic, chronology . . . Ambitious and deep . . . [Prcic] succeeds at writing an unsettling and powerful novel."
The New York Times Book Review
"Fierce, funny and real, it also says much about war, exile, guilt and fear."
Chicago Sun Times, Favorite books of 2011
"Prcic captures the insanity of war and its unceasing aftermath."
"A playful but heartfelt debut . . . Brightly detailed . . . [Prcic is] a spirited, soulful talent."
"Brilliant . . . With verbal glee, Prcic serves up a darkly comic vision of the terrors and misunderstandings of immigration. Tight, glorious little tales-within-tales abound, rattled off with a quick, artless naturalism. . . . The writing is packed with one original metaphor after another, language that's almost drunk with colorful, startling images. . . . Brimming with scraps of memory, regrets, and rationalizations, Shards leaves an indelible scar on the reader's imagination. Prcic has pieced together a young man's story from the torn and exploded remains of his former life, and the sheer power of his language leaves the reader shaken."
"The experience of reading Shardsthe deliberate disorientation, the layering and morphing of events that characterize the bookreveals in a more visceral way what it might be like to live always with a full awareness of the tenuousness of civil society, of the terrible precariousness of calm."
St. Louis Beacon
"Compelling, sensual detail . . . Prcic’s prose is effective both at delineating the psychological nuances of his characters, and the sometimes-dodgy circumstances of the outside world. . . . There is a strain of dark humor running throughout, and an elastic joy in storytelling and linguistic expression that prevents this from being a simple recitation of atrocities and pain. . . . Well-written and thought-provoking . . . The story it tells is as unique and individual as the author who penned it."
"Experimental and brutal and heart-wrenching . . . You just give in to it, as you do when reading someone like Faulkner. . . . What makes Shards so compelling is, first of all, the language . . . which has an almost ferocious beauty. Secondly, and as important, is the organization of the book, which gives it a sense of urgency. . . . Ismet's confusion is so vivid that it becomes ours, making us participants in this story. . . . To have had such a life when you are so young is hard to convey without becoming sentimental or pathetic, yet Prcic has done it brilliantly."
The Arts Fuse
"Innovative in form and startling in its storytelling, Shards is a brilliant debut novel from Ismet Prcic."
"Ismet Prcic has taken apart the complexities of war, love, family and home and scattered them across a novel that is as heartbreaking as it is beautiful. Shards is an original work of art, brutal and honest, and absolutely unforgettable."
Dinaw Mengestu, author of How to Read the Air
"Ismet Prcic's prose is a gleaming pinball kept in inexhaustible play, kinetically suspended in time and space, endlessly flung away from its inevitable ending, colliding with memory and invention. This is writing fed by skill, inertia, horror, and sorrow, a survivor's story of triumph and guilt. Yet Prcic's sensibility is at once brutally and tenderly comic. Humanity seems to run deepest among those who have survived its near-absence in the world."
Brad Watson, author of The Heaven of Mercury and Aliens in the Prime of their Lives
"A brilliant debut that manages to be both experimental and emotionally resonant. Comparisons to that other Bosnian-American writer, Aleksandar Hemon, will be unavoidable, but Prcic’s work is completely and wholly his own. Shards will come to be seen as the definitive novel of the Bosnian war and its resultant diaspora."
Philipp Meyer, author of American Rust
"This novel moves at light speed, with shattering immediacy, through the parallel universe lives of two young Bosnian menwho may, in fact, be one person. Like fear, it will make you open your ears."
Rae Armantrout, author of Versed
"The reason this novel is so good, hard, beautiful, and disturbing is that there is more than one Ismet delivering the many sharp pieces. Shards feels like a primary document torn from life by a powerful new talent."
Ron Carlson, author of The Signal and Five Skies
"A passionate heart beats in these pages devoted to the reassembling of a life sundered by war. Ismet Prcic’s debut novel Shards is an outsized, outrageous, outstanding performance."
Christine Schutt, author of All Souls
"[A] heartbreaking, rude, surprisingly compassionate, and still violent story about a Bosnian refuge who is trying to make sense of his new life in southern California . . . You're not going to find many sentences in any book, anywhere, like the sentences you find here. . . . Prcic makes use of preposterous and somehow dead-on analogies and allusions, profanities and profundities. He celebrates the hieroglyphs of punctuational tics, smears words, elevates typefaces, deploys footnotes, diary entries, memoirisms, blasphemy, theater, treachery, vulgarisms, and it works. . . . This book cannot be explained. It is to be experienced. Sentence by sentence, scene by scene."
"I read the book with my mother, we were laughing, we read passages to each other, we said: Look, it’s giving me goose bumps, and then mother was crying quietly, and I thought: What a great book, what it is doing to us!"
Saša Stanišic, author of How the Soldier Repairs the Gramophone
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One could easily forget that SHARDS is a novel, partly because its protagonist is also named Ismet Prcic, and partly because its narrative arc has such an immediacy, creating a sense of reality not often found in contemporary fiction, often weaving in dated excerpts "from Ismet Prcic's diary." But then the schizophrenic side of the narrative kicks in, the dreamlike parts where Ismet's shadowy alter ego, Mustafa Nalic, moves to center stage, a soldier drafted into the religious-political war that is ripping his beloved Bosnia apart.
Because, like Ben Busch's celebrated memoir, Prcic's novel is a child born of modern wars. Prcic himself, having grown up in Tuzla, a city that was in a constant state of turmoil and war for years, suffers from PTSD. SHARDS is his attempt to sort it all out, to expiate his feelings of terror, anger and guilt. Indeed his 'character Ismet' has been directed by his therapist to "write it all" down. And so he does, all of it, including his nightmares, alcoholism, suicidal thoughts and black holes of depression - and a general feeling that, in his new life in California, he is surrounded by people who are, "in every (g*d*)way better than me."
With its chaotic and often confusing mixture of memories and horrific hallucinations (which often require a strong stomach), SHARDS is one of the most unusual fictional debuts in recent years. It is, alternately, a war story and a coming-of-age tale, and the two themes meld seamlessly. Also a filmmaker, Prcic now follows another recent Bosnian refugee, Aleksandar Hemon (Nowhere Man) onto the literary stage. Take a bow, Mr. Prcic. I will be watching for your encore. Highly recommended.