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The Shelf: From LEQ to LES: Adventures in Extreme Reading Hardcover – May 13, 2014
| Phyllis Rose (Author) Find all the books, read about the author, and more. See search results for this author |
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Phyllis Rose, after a career of reading from syllabuses and writing about canonical books, decided to read like an explorer. She "wanted to sample, more democratically, the actual ground of literature." Casting herself into the untracked wilderness of the New York Society Library's stacks, she chose a shelf of fiction almost at random and read her way through it. Unsure of what she would find, she was nonetheless certain "that no one in the history of the world had read exactly this series of novels."
What results is a spirited experiment in "Off-Road or Extreme Reading." Rose's shelf of roughly thirty books has everything she could wish for―a remarkable variety of authors and a range of literary ambitions and styles. The early-nineteenth-century Russian classic A Hero of Our Time by Mikhail Lermontov is spine by spine with The Phantom of the Opera by Gaston Leroux. Stories of French Canadian farmers sit beside tales about aristocratic Austrians. California detective novels abut a novel from an Afrikaans writer who fascinates Rose to the extent that she ends up watching a YouTube video of his funeral.
Curious about the life of writers across a broad spectrum of time and space, with a keen interest in the challenges for literary women, Rose occasionally follows her reading with personal encounters. One of her favorite discoveries is the contemporary American novelist Rhoda Lerman, in whom she believes that she has found an unrecognized Grace Paley―"another funny feminist humane earth-mother Jewish writer." But Lerman, who becomes a friend, turns out to be not "another" anything: in addition to writing she now raises prizewinning Newfoundlands and "talks of champion canines with the reverence I reserve for Alice Munro."
A joyous testament to the thrill of engagement with books high and low, The Shelf leaves us with the feeling that there are treasures to be found on every library or bookstore shelf. Rose investigates her own discoveries with exuberance, candor, and wit while exploring and relishing the centripetal nature of reading in the Internet age. Measuring her finds against her own inner shelf―those texts that accompany her through life―she creates an original and generous portrait of the literary enterprise.
- Print length288 pages
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateMay 13, 2014
- Dimensions5.77 x 1.04 x 8.48 inches
- ISBN-100374261202
- ISBN-13978-0374261207
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Editorial Reviews
Review
“Simple but radical.” ―Elizabeth Taylor, Chicago Tribune
“Rose is consistently generous, knowledgeable, and chatty, with a knack for connecting specific incidents to large social trends.” ―Christine Smallwood, The New Yorker
“Immensely appealing . . . In encouraging us to be more independent thinkers, less swayed by convention and the critical consensus, more empathetic and open-minded, her book teaches us much about how to approach life as it does about how to read books . . . Irresistible.” ―Priscilla Gilman, Boston Globe
“Readers of ‘The Shelf' will feel befriended.” ―John Williams, The New York Times
“It's thrilling to see, in The Shelf, the happenstance and whimsy that sprang from a random grab bag of books. And the vastness of possibility those books (good or bad) possess is a terrific match for the vastness of Rose's intelligence, which swerves from scholarly to oddball, and from sophisticated to fun.” ―Diane Mehta, Bookforum
“A seasoned, open-minded, and passionate reader, inquisitive thinker, and delectably lucid and witty writer, Rose rallies readers to affirm our love of literature and libraries.” ―Donna Seaman, Booklist (starred review)
“If the world's greatest librarian held hands with the greatest English teacher you ever had and they led you into the middle of the Forest of Literature, Phyllis Rose's The Shelf would be right there, waiting for you. The Shelf is an exceptional, goofy, erudite, deeply thoughtful, and completely enchanting foray into the world of books. As Grace Paley said in another context, you'll learn something.” ―Amy Bloom, author of Away
“Phyllis Rose calls her irresistibly charming journey through the LEQ–LES shelf an experiment in Off-Road Reading. But the lesson I drew from it was that no matter what bookish road you take, whether it's a superhighway or a bumpy track that requires the literary equivalent of four-wheel drive, you're bound to enjoy the scenery if you're as interesting a reader as Rose.” ―Anne Fadiman, author of Ex Libris and At Large and At Small
“In her brilliant and original The Shelf, Phyllis Rose proves how much you can learn about yourself and the world just by reading any book you come across and thinking seriously about it.” ―Alison Lurie, Pulitzer Prize–winning author of Foreign Affairs
“The Shelf is a surprising and wonderful book--a magnificent treat!” ―Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series
“It's always a pleasure to read Phyllis Rose. She ignites our imagination with her own intellectual curiosity, encouraging us to read widely and take chances.” ―Judy Blume, author of Summer Sisters
“Exhilarating, adventurous, original--Phyllis Rose's The Shelf is a reminder of what reading and writing are all about.” ―Azar Nafisi, author of Reading Lolita in Tehran
Product details
- Publisher : Farrar, Straus and Giroux; First Edition (May 13, 2014)
- Language : English
- Hardcover : 288 pages
- ISBN-10 : 0374261202
- ISBN-13 : 978-0374261207
- Item Weight : 14.2 ounces
- Dimensions : 5.77 x 1.04 x 8.48 inches
- Best Sellers Rank: #2,539,886 in Books (See Top 100 in Books)
- #3,340 in General Books & Reading
- #18,001 in Literary Criticism & Theory
- Customer Reviews:
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Top reviews from the United States
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Rose writes for thoughtful readers, giving only a short synopsis of plots, but delving into all sorts of related matters such as the varying backgrounds of her group of unknown authors, how the style of the writer fit with literary trends of his time, and how writing about women's domestic sphere as a subject is held in low esteem. She learns about how libraries pare down their collections, and how different translations of a book elicit different reactions.
Rose is a game gal, giving every book her best shot, though some books were beyond her appreciation. But she makes silk purses out of those sows ears, writing as entertainingly as ever.
I'm barely coherent here, as I just finished the book and can't wait to recommend it to my reading group. It's like a great chat with your most bookish friend. Don't miss this one!
This author has a lot more discipline than me because she chose to read a single book shelf in a New York library; multiple books from multiple authors some of which I had heard of and some of which I hadn’t. She’s a good writer because despite the possibly very dry material of writing about other people’s work it was never boring and I was able to finish it in less than a weeks’ time.
I’m weird. I like reading about what other people read but to be honest I don’t know if I’d read anything that she read, if that makes any sense. Still I learned a lot because Rose was very in-depth she didn’t just read she researched a book, the time period, the author’s life and in some cases multiple translations of the writing along with reviews from the time it was published. It was a little like a lit class that I was choosing to take. The most interesting part to me was the discussion about the inherent prejudice about women writers. The idea that if a male author writes about domestic situations it’s considered great literature but if a woman writes about the same subjects its chick lit. There was also a fascinating section (to me at least) about how libraries decide what to order and what to get rid of- which made me really want to run to the library and see if I could save any poor unread books from obscurity.
Top reviews from other countries
Indeed, there are many lovely parts. I was fascinated by her descriptions of the impact of different translations of the same book. I learnt a great deal also about the process of 'library weeding' where old books are discarded to make room for the new. Towards the end, I also loved her take on how difficult it can be for writers to create their own 'voice', while the conclusion was simply charming.
However, there were many sections I really disliked. Somehow her own voice often came across to me as that of a sneering reviewer's (which is maybe why so many professional reviewers seem to adore this book...). This is curious considering that she also writes, "Negative reviews are fun to write and fun to read, but the world doesn't need them". Even when Rose describes the books she read that she enjoyed, I found nothing to encourage me to also go and seek them out for my own shelf. She states that literary critics wrongly favour the famous and canonical and then peppers her writing with constant reference to, you guessed it, the famous and canonical. There's a whole chapter decrying the gender inequality in prose, but she compares Jodi Picoult and Jennifer Weiner to Jonathon Franzen. To me, that's almost like comparing Lee Child to Hillary Mantel. I have nothing against any of these writers (don't get me wrong, I enjoy reading them all) but in an argument about pervasive sexism in literature, I can't see how they can be considered comparable texts.
Rose is an excellent writer herself. In particular, I loved her phrase about a bad review becoming the 'death of the book baby'. This is certainly not what I'm trying to achieve here! I would suggest that if you want to expand your ideas on reading, then give this one a shot. There are parts to love: I just wish there weren't so many parts that I personally hated.
I found it a fascinating book to read as it didn't just cover the books she read but also took a look at libraries and how they decide what to keep and what to buy in the first place. She discussed different formats of the various books and found that in some instances she found the format of the book got in the way of her enjoyment of it. If the book was very old and tatty or was printed in a very small font it was easier and much more enjoyable to read an e-book version where there was nothing to get between the reader and the text.
I particularly enjoyed the chapter on 'Phantom of the Opera' as it takes in not just the original text but film adaptations of the story as well as the musical versions. I enjoyed the author's comments on literature in translation and how the translator’s desire to over inform the reader with a plethora of footnotes and explanations can interfere with the enjoyment of the text. Nabokov apparently did this with his translation of ‘A Hero of Our Time’ and the author turned to other translations which she found she could read with much more enjoyment.
If you enjoy books about books then you will probably enjoy this one. The author writes in an easy low key style and while she makes references to other more famous authors I think she succeeded admirably in her stated aim of reading outside the perceived canon of literature as taught in schools and universities. I enjoyed the book so much that I even forgave the author her trenchant comments on mystery and crime novels – which are my particular favourites. The book contains notes and an index.


