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Shenzhen: A Travelogue from China Hardcover – October 17, 2006
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From Publishers Weekly
Last year's Pyongyang introduced Delisle's acute voice, as he reported from North Korea with unusual insight and wit, not to mention wonderfully detailed cartooning. Shenzhen is not a follow-up so much as another installment in what one hopes is an ongoing series of travelogues by this talented artist. Here he again finds himself working on an animated movie in a Communist country, this time in Shenzhen, an isolated city in southern China. Delisle not only takes readers through his daily routine, but also explores Chinese custom and geography, eloquently explaining the cultural differences city to city, company to company and person to person. He also goes into detail about the food and entertainment of the region as well as animation in general and his own career path. All of this is the result of his intense isolation for three months in an anonymous hotel room. He has little to do but ruminate on his surroundings, and readers are the lucky beneficiaries of his loneliness. As in his earlier work, Delisle draws in a gentle cartoon style: his observations are grounded in realism, but his figures are light cartoons, giving the book, as Delisle himself remarks, a feeling of an alternative Tintin. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Delisle's Pyongyang (2005) documented two months spent overseeing cartoon production in North Korea's capital. Now he recounts a 1997 stint in the Chinese boomtown Shenzhen. Even a decade ago, China showed signs of Westernization, at least in Special Economic Zones such as Shenzhen, where Delisle found a Hard Rock Cafe and a Gold's Gym. Still, he experienced near-constant alienation. The absence of other Westerners and bilingual Chinese left him unable to ask about baffling cultural differences ranging from exotic shops to the pervasive lack of sanitation. Because China is an authoritarian, not totalitarian, state, and Delisle escaped the oppressive atmosphere with a getaway to nearby Hong Kong, whose relative familiarity gave him "reverse culture shock," Delisle's wittily empathetic depiction of the Western-Chinese cultural gap is less dramatic than that of his Korean sojourn. That said, his creative skill suggests that the comic strip is the ideal medium for such an account. His wry drawings and clever storytelling convey his experiences far more effectively than one imagines a travel journal or film documentary would. Gordon Flagg
Copyright © American Library Association. All rights reserved
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There is no racism or buckteeth, not sure where one of the reviews got that, he just truly enjoys learning. I get the impression that he wants to understand just for the fun of it. He desires, in the end, to understand people, why they do things and uncover life's little mysteries. Like, who is stealing the manhole covers? Was the girl who put the photo albums on his desk in love with him? Why do the hostesses on the train give a military salute when they pull into the station?
Get it used or new, but enjoy it.
I like that he showed the people trying to be good "hosts" to a visitor to their country and entertain him to the best of their ability - what was funny was his slightly puzzled reaction to these efforts. The drawing were simple and clean but conveyed people's reactions well and clearly showed the context of the situations he was describing. I enjoyed this novel and have bought more of the books in his travel series to see what happened to him in Burma and North Korea
At some point, Guy compares himself to Tintin, which I guess is accurate if you're talking about neo-colonial attitudes and racial insensitivity. I can't believe this was published in 2006 and not 1896.
To his credit, the art is good—but the content is cheap.
The inherent story of Shenzhen isn't as compelling as his book on Pyongyang, but Delisle has found plenty of observations that keep the book flowing fast. It's great snapshot of a city in the midst of a huge transformation. (BTW, that 15 story windowless building you saw once, but never saw again. It's a parking structure that is still around.)