From the Inside Flap
Shooting Kennedy is a tour de force of cultural criticism and rhetorical analysis, managing to be both wildly playful and deadly serious, richly digressive and right on target, and not afraid to confront the ambiguities in Lubin's own--and our--responses to the trauma of the Kennedy assassination.--Miles Orvell, author of American Photography
A path-breaking reflection on the Kennedy period in America, with its flash, its verve, its astonishing acceleration of image-flicker, and its singular and unforgettable heartbreak. David Lubin captures this complex not by chronologically mapping its mileposts, but by looking around-with focused attention, extraordinary range, and analytical insight--at what occupied Americans' imaginations and attention during the Kennedy years.--Richard Terdiman, author of Present Past: Modernity and the Memory Crisis
One of the most readable and compelling books ever written on visual aspects of twentieth-century American culture. David Lubin engages some of the best-known images from the most image-saturated century in far-reaching dialogues with one another and with an imaginative array of artifacts drawn from photojournalism, the visual arts, movies, television, and other media. He makes astonishing yet convincing connections among these disparate cultural phenomena that will change the way readers think about life in the highly mediated world of the post-World War II United States.--George H. Roeder, Jr., author of The Censored War: American Visual Experience During World War II
From the Back Cover
"Shooting Kennedy is a tour de force of cultural criticism and rhetorical analysis, managing to be both wildly playful and deadly serious, richly digressive and right on target, and not afraid to confront the ambiguities in Lubin's own--and our--responses to the trauma of the Kennedy assassination."―Miles Orvell, author of American Photography
"A path-breaking reflection on the Kennedy period in America, with its flash, its verve, its astonishing acceleration of image-flicker, and its singular and unforgettable heartbreak. David Lubin captures this complex not by chronologically mapping its mileposts, but by looking around-with focused attention, extraordinary range, and analytical insight--at what occupied Americans' imaginations and attention during the Kennedy years."―Richard Terdiman, author of Present Past: Modernity and the Memory Crisis
"One of the most readable and compelling books ever written on visual aspects of twentieth-century American culture. David Lubin engages some of the best-known images from the most image-saturated century in far-reaching dialogues with one another and with an imaginative array of artifacts drawn from photojournalism, the visual arts, movies, television, and other media. He makes astonishing yet convincing connections among these disparate cultural phenomena that will change the way readers think about life in the highly mediated world of the post-World War II United States."―George H. Roeder, Jr., author of The Censored War: American Visual Experience During World War II
About the Author
David M. Lubin, Charlotte C. Weber Professor of Art at Wake Forest University, is author of Titanic (1999), Picturing a Nation: Art and Social Change in Nineteenth-Century America (1994), and Act of Portrayal: Eakins, Sargent, James (1985).
