Best (actually ONLY) textbook on the musical theatre would make this invaluable, but add that it is delightful and readable makes this part of my permanent bedside reading collection. Mr. Stempel's knowledge and love of the subject is clear throughout the book. The organization and chapter headings make it ideal for teaching and learning the historical development of the genre. I love this book and give it as a gift frequently to fellow lover's of musical theatre. Congratulations and gratitude for writing this wonderful book, Mr
Stempel.
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Showtime: A History of the Broadway Musical Theater Hardcover – September 6, 2010
by
Larry Stempel
(Author)
| Larry Stempel (Author) Find all the books, read about the author, and more. See search results for this author |
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The definitive history of the Broadway musical: the shows, the stars, the movers, and the shakers.
Showtime brings the history of Broadway musicals to life in a narrative as engaging as the subject itself. Beginning with the scandalous Astor Place Opera House riot of 1849, Larry Stempel traces the growth of musicals from minstrel shows and burlesques, through the golden age of Show Boat and Oklahoma!, to such groundbreaking works as Company and Rent.Stempel describes the Broadway stage with vivid accounts of the performers drawn to it, and detailed portraits of the creators who wrote the music, lyrics, and stories for its shows, both beloved and less well known. But Stempel travels outside the theater doors as well, to illuminate the wider world of musical theater as a living genre shaped by the forces of American history and culture. He reveals not only how musicals entertain their audiences but also how they serve as barometers of social concerns and bearers of cultural values.
Showtime is the culmination of decades of painstaking research on a genre whose forms have changed over the course of two centuries. In covering the expansive subject before him, Stempel combines original research―including a kaleidoscope of primary sources and archival holdings―with deft and insightful analysis. The result is nothing short of the most comprehensive, authoritative history of the Broadway musical yet published. 16 pages of four-color; 105 black-and-white illustrations
- Print length848 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateSeptember 6, 2010
- Dimensions6.4 x 1.8 x 9.6 inches
- ISBN-100393067157
- ISBN-13978-0393067156
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Editorial Reviews
Review
"Starred Review. Not just a catalog or reference book, but a highly astute, integrative cultural history."
― Kirkus Reviews
"Throughout, as Stempel traces the evolution with exhaustive archival research, he offers a penetrating and illuminating analysis of various musical forms and influences. Many of the 105 carefully selected black-and-white illustrations are surprising and revelatory. Theater buffs will be delighted to find that this scholarly, definitive work is also a hugely entertaining read."
― Publishers Weekly
― Kirkus Reviews
"Throughout, as Stempel traces the evolution with exhaustive archival research, he offers a penetrating and illuminating analysis of various musical forms and influences. Many of the 105 carefully selected black-and-white illustrations are surprising and revelatory. Theater buffs will be delighted to find that this scholarly, definitive work is also a hugely entertaining read."
― Publishers Weekly
From the Back Cover
“Stempel has hit the trifecta: for academics, it’s a definitive work of scholarship; for students, it’s the perfect textbook; for ordinary lovers of musical theater, it’s a treat to savor at the end of a long day.”―Rose Rosengard Subotnik, Brown University
“Showtime is a sumptuous banquet of a book. This richly researched history allows us to be present at the birth of the musical theater and to be enthralled witnesses as it develops and metamorphoses into the wealth of forms we now enjoy. A century and a half of entertainment is a vast amount of ground to cover, but Stempel is the ideal tour guide. This is a book to treasure.”―Sheldon Harnick
“Showtime is a substantial work of American music history. Scrupulous but not fussy, learned but not pedantic, Stempel is a fine storyteller who delights in clarity and knows a good joke when he sees one. The precision of his thinking and writing gives the book an aura of authority keenly attuned to the tradition he critiques and celebrates.” ―Richard Crawford, author of America’s Musical Life: A History
“I cannot put Showtime down―and it’s a heavy book! Showtime is my new favorite companion.” ―John Mauceri, chancellor, University of North Carolina School of the Arts
“This is the book we have been waiting for―thoroughly readable and smart, informative and engaging.” ―Ted Chapin, president, Rodgers & Hammerstein Organization
“This is by far the best book ever written about Broadway, a magisterial critical history, which will be required reading for anyone interested in musical theater.” ―Kim H. Kowalke, Eastman School of Music
“Showtime is a sumptuous banquet of a book. This richly researched history allows us to be present at the birth of the musical theater and to be enthralled witnesses as it develops and metamorphoses into the wealth of forms we now enjoy. A century and a half of entertainment is a vast amount of ground to cover, but Stempel is the ideal tour guide. This is a book to treasure.”―Sheldon Harnick
“Showtime is a substantial work of American music history. Scrupulous but not fussy, learned but not pedantic, Stempel is a fine storyteller who delights in clarity and knows a good joke when he sees one. The precision of his thinking and writing gives the book an aura of authority keenly attuned to the tradition he critiques and celebrates.” ―Richard Crawford, author of America’s Musical Life: A History
“I cannot put Showtime down―and it’s a heavy book! Showtime is my new favorite companion.” ―John Mauceri, chancellor, University of North Carolina School of the Arts
“This is the book we have been waiting for―thoroughly readable and smart, informative and engaging.” ―Ted Chapin, president, Rodgers & Hammerstein Organization
“This is by far the best book ever written about Broadway, a magisterial critical history, which will be required reading for anyone interested in musical theater.” ―Kim H. Kowalke, Eastman School of Music
About the Author
Larry Stempel, an associate professor of music at Fordham University and a recipient of a National Endowment for the Humanities Fellowship, was a member of Lehman Engel's BMI Musical Theater Workshop. He lives in Mount Vernon, New York.
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Product details
- Publisher : W. W. Norton & Company; 1st (first) edition (September 6, 2010)
- Language : English
- Hardcover : 848 pages
- ISBN-10 : 0393067157
- ISBN-13 : 978-0393067156
- Item Weight : 2.61 pounds
- Dimensions : 6.4 x 1.8 x 9.6 inches
- Best Sellers Rank: #573,071 in Books (See Top 100 in Books)
- #238 in Performing Arts History & Criticism
- #289 in Broadway & Musicals (Books)
- #319 in Musicals (Books)
- Customer Reviews:
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4.6 out of 5 stars
4.6 out of 5
86 global ratings
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Reviewed in the United States on October 1, 2014
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3 people found this helpful
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Reviewed in the United States on September 10, 2018
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I bought this in the new hardcover format for school. The box was fine but the cover of the book was ripped in two places. One along the side is at least an inch long and another is on the spine of the book. I need this for school and can read it so I won’t return it but I’m annoyed by not receiving it in the condition I expected to. Especially as someone who takes good care of their books.
Reviewed in the United States on June 22, 2011
Verified Purchase
At this point, there are a few books covering the history of music theater. Some present it as dry statistics, some take a chronological approach, and some take a very editorialized chronological approach (American Musical Theater: A Chronicle comes immediately to mind). I think the only way to get a grasp on the progress of the musical is to read as many of these as possible and synthesize their thoughts. So, add to that pile this excellent book. It uses a conceptual angle. So there is a chapter on Off-Broadway, a chapter on concept musicals, a chapter on post-modern "antimusicals", etc. This is an effective, entertaining, and interesting way to go about it. The reason there are only four stars instead of five is that the book tends to leave out shows that were more obscure or had short runs. But, going back to the beginning of this review,
Strike Up the Band: A New History of Musical Theatre
and
Off-Broadway Musicals Since 1919: From Greenwich Village Follies to the Toxic Avenger
will cover the ground left over and give you a pretty decent comprehensive review.
7 people found this helpful
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Reviewed in the United States on November 24, 2015
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I expected more showbiz, bright lights and fun than this survey provides. Stempel's book is academic, fact-filled and heavy going. Little of the joy of the Broadway musical transcends the pedestrian prose. Nevertheless, it's a worthy catalogue of shows, many of which I'd seen and enjoyed.
Reviewed in the United States on October 7, 2019
Verified Purchase
Came quickly and just like the description
One person found this helpful
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Reviewed in the United States on December 16, 2016
Verified Purchase
Still reading it. Great history of the stage and interesting information.
Reviewed in the United States on January 28, 2018
Verified Purchase
Good reference book on the American musical theater.
Reviewed in the United States on May 14, 2021
Verified Purchase
This book is just as described. Thank you!
Top reviews from other countries
Ggab
4.0 out of 5 stars
Strong historical purview
Reviewed in Canada on December 3, 2013Verified Purchase
Stempel leaves few stones unturned in this rather dense but very relevant study. In his effort to cover the vast history he sadly is less able to get into the more vivid details of some of the people especially with much more than tacit focus. But it served well to introduce the whole of American Musical Theatre in an university entry level class. It would be a truly better book were it tied to a video/audio collection of the material he speaks so well about.
Cliente Amazon
5.0 out of 5 stars
Livro Referência no Assunto
Reviewed in Brazil on November 28, 2020Verified Purchase
Ainda não li, mas pelo que vi e conheço do livro ele é realmente uma das maiores referências no tema de teatro musical nos EUA.
Marcelo Almont
3.0 out of 5 stars
Cronologia Geral!
Reviewed in Brazil on August 15, 2021Verified Purchase
Acho que faltou mencionar mais aspectos técnicos!
Noemie
4.0 out of 5 stars
Peu de photos
Reviewed in France on November 8, 2019Verified Purchase
L'ado a qui j'ai offert ce livre a adoré. Il est fan de théatre. Par contre, il y a bcp de texte et peu de photos





