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Shure BETA 57A Supercardioid Dynamic Microhone with High Output Neodymium Element for Vocal/Instrument Applications

4.6 out of 5 stars 199 ratings
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About this item

  • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound.
  • Uniform super cardioid pattern for high gain before feedback and superior rejection off axis sound
  • Hardened steel mesh grille that facilitates use of proximity effect and resist wear and abuse
  • Connectivity: Wireless
New (30) from $135.99 + FREE Shipping

Frequently bought together

  • Shure BETA 57A Supercardioid Dynamic Microhone with High Output Neodymium Element for Vocal/Instrument Applications
  • +
  • Shure A57AWS - Locking Foam Windscreen for BETA 57 and BETA 57A (Black)
  • +
  • CBI MLC LowZ XLR Male to XLR Female Microphone Cable, 20 Feet
Total price: $157.85
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WARNING:

CHOKING HAZARD -- Small parts. Not for children under 3 yrs.

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From the manufacturer

Product description

Product Description

The Shure Beta 57A Dynamic Microphone is a precision-engineered dynamic microphone designed for professional live sound reinforcement and studio recording. A tight supercardioid pattern on the Beta 57A delivers high gain before feedback and maximum isolation from other sound sources, with minimum off-axis tone coloration. Shure Beta 57A Dynamic Microphone Features: Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound, Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound, Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse, Neodymium magnet for high signal-to-noise ratio output, Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration, Frequency response: 50 to 16,000 Hz. Shure Beta 57A Suggested Applications: Guitar Amp, Bass Amp, Acoustic Guitar, Brass and Saxophone, Snare Drums, Rack and Floor Toms, Congas, Woodwinds, and Lead Vocals.

From the Manufacturer

Consistently excellent performance has made Beta microphones the choice of top performers worldwide. Renowned for their warmth, presence and sensitivity to fine detail, Beta cartridge configurations and carefully tailored response curves are as distinctive as the artists who prefer them. All models feature maximum isolation and minimum off-axis coloration.

The Shure Beta 57A® is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration.

Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

Features

  • Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound
  • Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound
  • Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse
  • Neodymium magnet for high signal–to–noise ratio output
  • Minimally affected by varying load impedance
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Legendary Shure quality and reliability

http://shure.com/stellent/groups/public/@gms_gmi_web_us/documents/web_resource/site_img_us_rc_beta57a_large.gif

NOTE: The curve above shows on-axis response at a distance of 2 feet from a uniform sound source. Your response may vary, depending on microphone position.
 
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis, uniform with frequency.
 
Output Level (at 1,000 Hz)
Open Circuit Voltage -51 dBV/Pa* (2.8 mV)
*1 Pa = 94 dB SPL
 
Impedance
Rated impedance is 150 ohms (290 ohms actual) for connection to microphone inputs rated low Z.
 
Phasing
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3.
 
Connector
Three-pin professional audio connector (male XLR type).
 
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille.
 
Adjustable Stand Adapter
Slip-in, adjustable through 180 degrees, with standard 5/8"-27 thread.
 
Net Weight
275 grams (9.6 oz)


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Customer reviews

4.6 out of 5 stars
4.6 out of 5
199 global ratings
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Top reviews from the United States

Reviewed in the United States on August 21, 2020
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Reviewed in the United States on November 17, 2015
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Reviewed in the United States on March 16, 2020
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Reviewed in the United States on November 25, 2015
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Reviewed in the United States on October 22, 2019
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Reviewed in the United States on September 5, 2020
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Reviewed in the United States on December 25, 2017
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Reviewed in the United States on August 25, 2017
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Top reviews from other countries

Michael Scott
4.0 out of 5 stars sheerness and thickness are really odd catagories!
Reviewed in the United Kingdom on October 4, 2020
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Mr. R. Hyder
5.0 out of 5 stars Great versatility
Reviewed in the United Kingdom on February 17, 2013
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Emiliano
5.0 out of 5 stars OTTIMO PER I MIEI SAX
Reviewed in Italy on September 3, 2018
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3 people found this helpful
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Chris Spiegl
1.0 out of 5 stars Fälschung Erhalten
Reviewed in Germany on April 18, 2019
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5 people found this helpful
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Seb
3.0 out of 5 stars Great Microphone, but buyer beware.
Reviewed in Canada on December 6, 2020
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3.0 out of 5 stars Great Microphone, but buyer beware.
Reviewed in Canada on December 6, 2020
I acquired one, then a second. After some testing, one seemed to have something off about it. After some investigation, I've found one had a misaligned cartridge. Got a replacement, and that one sounded OK, but not quite as clear as my good unit. I've found the cartridge assembly seemed botched, as the white tape was not straight, and wasn't evenly applied to the cartridge sides. I don't think the tape thing was the sole issue, but I'm no engineer, yet all my recording tests sounded wrong with it. Sent it back. I still want another unit, but I'm going to wait and see if I just got real bad luck, or if it's just a case of new product manufacturing issues that will get ironed out over time.

Edit:

It's been a month since my issues. I figured I'd have another go at this. Just got a second unit. Very slight misalignment of cartridge, but no more than 1°~ 2°, Recording did not show any notable problems, so it,s a keeper.

Some QC issues seemed to have cropped-up on me. Perhaps I just got a bit bad luck, but I'm now a very happy owner of two good Beta 57A units. These microphones are quite amazing both sound-wise and build-wise, if you get a good unit, you will be quite enthused at owning and using these.
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