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Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera
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Purchase options and add-ons
| Brand | Sigma |
| Focal Length Description | 17-50 millimeters |
| Lens Type | Standard |
| Compatible Mountings | Canon EF-S |
| Camera Lens Description | zoom lens |
About this item
- FLD glass elements along with two glass mold elements and one hybrid aspherical lens provide excellent correction of aberrations and allow for incredibly sharp images with great contrast
- Aperture : F11
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| Price | -18% $799.95$799.95 List: $980.00 | $1,899.00$1,899.00 | $589.00$589.00 | $399.00$399.00 | $458.00$458.00 | -21% $629.00$629.00 List: $799.00 |
| Delivery | Get it as soon as Thursday, Feb 22 | Get it as soon as Wednesday, Feb 21 | Get it Feb 22 - 26 | Get it as soon as Tuesday, Feb 20 | Get it as soon as Wednesday, Feb 21 | Get it as soon as Thursday, Feb 22 |
| Customer Ratings | ||||||
| Image stabilization | 4.5 | 4.1 | 4.5 | 4.2 | 4.5 | 4.0 |
| Picture quality | 4.5 | 4.6 | 4.5 | 4.7 | 4.5 | 4.4 |
| Quality of material | 4.5 | 4.9 | 4.5 | 4.6 | 4.5 | 4.2 |
| Auto focus | 4.4 | 4.5 | 4.4 | 4.0 | 4.4 | 4.3 |
| Durability | 4.4 | 4.9 | 4.4 | 4.6 | 4.4 | 4.2 |
| Sold By | est est | Amazon.com | Gabrian's | Amazon.com | tip of wonderful life | Best Seller Deals |
| lens type | Standard | zoom | Standard | Telephoto | Standard | Wide Angle |
| compatible mountings | Canon EF-S | Canon EF | Nikon F (DX) | Canon EF | Sony/Minolta Alpha DT | Canon EF-S |
| lens design | Zoom | Zoom | Zoom | Prime | Zoom | Zoom |
| focus type | Ultrasonic | Auto Focus | Ultrasonic | Auto Focus | Ultrasonic | Auto Focus |
| minimum focal length | 17 millimeters | 24 millimeters | 17 millimeters | 0.45 millimeters | 17 millimeters | 18 millimeters |
| max focal length | 50 millimeters | 70 millimeters | 50 millimeters | 50 millimeters | 50 millimeters | 35 millimeters |
From the manufacturer
17-50mm F2.8 EX DC (OS)* HSM
The Camera Bag Staple
Sigma’s 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens covers a focal length from 17mm wide angle and offers a large aperture of F2.8 throughout the entire zoom range, making it ideal for many types of photography especially portraiture and landscapes. The OS, Sigma’s anti shake feature offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. HSM provides fast and quiet AF. Sigma’s own FLD glass elements, which have performance equal to fluorite along with two glass mold and one hybrid aspherical lens, provide excellent correction for all types of aberrations. The Super Multi-Layer coating reduces flare and ghosting. This lens boasts superior peripheral brightness and provides sharp, high contrast images even at the maximum apertures. With a minimum focusing distance of 11 inches throughout the entire zoom range and a magnification ratio of 1:5. If you need to be ready for any photographic opportunity, even low light, then this Sigma lens is perfect. Compact and light weight, it’s a necessary addition to your camera bag.
Dimensions (Diameter x Length): 83.5x91.8 mm/3.3x3.6 in
Weight: 565g / 19.9oz.
About Sigma
Since 1961, and with the recent introduction of Sigma Global Vision, we have worked toward one single, simple goal: To hold ourselves to the highest standard of design & manufacturing of imaging products. Photography is all we do. And it’s all we’ve done. So you can rest assured that it’s something we know extensively and care deeply about. You have a vision. We’ve made it our mission.
- Large aperture, stabilized, standard zoom lens
- FLD glass with performance equal to fluorite
- Carrying case, lens hood, front & rear caps
- *OS is not available in Pentax and Sony mounts
Looking for specific info?
What's in the box
Product information
| Product Dimensions | 3.62 x 3.31 x 3.31 inches |
|---|---|
| Item Weight | 1.25 pounds |
| ASIN | B003A6H27K |
| Item model number | 583101 |
| Customer Reviews |
4.6 out of 5 stars |
| Best Sellers Rank | #576 in SLR Camera Lenses |
| Is Discontinued By Manufacturer | No |
| Date First Available | January 1, 2008 |
| Manufacturer | Sigma Corporation of America |
Warranty & Support
Feedback
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Product Description
Product Description
SIGMA 17-50MM LENS CANON F/2. 8 LARGE APETURE LENS
Set Contains:
Sigma
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, performance, and value of the lens. For example, they say it's a great lens for hobbyists looking for an addition to a kit lens, and it has top clarity. Customers are also impressed with the sharpness, and performance. That said, opinions are mixed on autofocus and noise.
AI-generated from the text of customer reviews
Customers are satisfied with the quality of the lens. They mention that it is a great 3rd party lens for APS-C sensor cameras with sharp optics. It is praised as a good walk-around lens and a wonderful travel lens. Customers also appreciate the lens case and the bayonet style rigid hood. Overall, customers are happy with their purchase and recommend it to others.
"...It balances the weight out, and is a nice pairing. It's a great replacement for the kit lens I was using, letting me get the whole room in, or..." Read more
"...However, it is not really a deal breaker.The lens itself is nice and sharp...." Read more
"...Anyway, fantastic lens. If you're on a DX camera (d3x00, d5x00, d7x00) and want a lens in this focal range, I would highly recommend it." Read more
"...This is a wonderful travel lens...." Read more
Customers like the image quality of the camera lens. They mention that the images look fantastic, it has good optical quality at an affordable price, and it has a decent bokeh. Customers also mention that it has top clarity and that they've gotten sharp, printable pictures at 1/3rd second hand-held.
"...The OS is very good. It's subtle, but it lets you take sharp images even at a shutter speed of 1/20 or less.Pro/Con:..." Read more
"...I am happy with the lens because it gives me good optical quality at an affordable price...." Read more
"...Pros:- overall image quality; good contrast, bright and rich colors comparable to a good Nikkor, good sharpness across lens-..." Read more
"...bitten the bullet, but all of the reviews said the same thing: decent image quality, but not a good value proposition...." Read more
Customers like the quality of the lens. They mention it's a well-built, solid piece of glass that can hold up well to different conditions. It performs focusing quickly, and it doesn't feel cheap or like it will break with too much use. The lens is constructed well with a metal mount and doesn''t feels overly plasticy. Overall, customers are happy with the quality and value of this lens.
"...Solidly built. Nothing feels cheap or like it will break with too much use.> Sharpness, even at f/2.8, is very good...." Read more
"...And, while the corners are a bit soft wide open, they look pretty good by f/4...." Read more
"...very sharp (for a zoom) lens with a very smooth action and feels like an excellent build. The results I'm getting are just what I'd hoped for...." Read more
"...Every review singled out its stellar build quality, and IQ was very good to great at all focal lengths...." Read more
Customers are satisfied with the value of the lens. They mention that it's a constant f2.8 and solid for the price. Some say that it is worth the gamble and a decent, sharp lens.
"...I still whole-heartedly believe that this was worth the investment...." Read more
"...the reviews by saying that most felt that the Sigma was the best value for the money and, on average, optically as good as the Nikon and Tamron...." Read more
"...This lens is great optically. It is also much more affordable than the comparable [..." Read more
"...buttery smooth bokeh- optical stabilization- price to quality ratioCons:- relatively large and heavy-..." Read more
Customers are satisfied with the sharpness of the camera lens. They mention that the sharp edge is amazing, even at f/2.8. Customers are also impressed with the APS-C sensor cameras with sharp optics and a constant f 2.8 aperture, and the corners are actually sharper than those of their Nikon 18-55 VR.
"...it is, since it varies by lens and camera, but once you do the sharpness is amazing, even at f/2.8. The OS is working well...." Read more
"...found that when the lens is closed down a stop or two, the corners are actually sharper than those of my Nikon 18-55 VR kit lens...." Read more
"...i think this lens is great for what it is- low light performance, sharpness, and versatility... 17-50mm range is very useful as a walk around lens..." Read more
"...The lens itself is nice and sharp. The AF is decently fast and the fast f2.8 aperture is welcome when shooting indoors...." Read more
Customers generally like the performance of the lens. They say that the IS is a nice feature and works well enough, the AF is fine, and the results are great. The OS works great for shooting video and taking photos in darker conditions, and it works very well with the 70D autofocus. The 17-50mm range is very useful as a walk-around lens, and works great both indoors and outdoors. It also works great with an APS-C (24mm) sensor and is impressive.
"...The OS is working well. I still whole-heartedly believe that this was worth the investment...." Read more
"...light performance, sharpness, and versatility... 17-50mm range is very useful as a walk around lens for sure...." Read more
"...to go with this lens; 50mm with an APS-C (24mm) sensor works great for portraiture shots...." Read more
"...Stabilization (or VR or IS, or whatever you want to call it) works great, pretty much lives on my camera right now.Long(er) version:..." Read more
Customers are mixed about the autofocus of the camera lenses. Some mention that the auto focus is spot on and fast, while others say that it can be difficult as the range of manual focus is quite small. The control for changing to manual focus and going in and out of OS are well, but some customers say that the range is small and it's difficult to do smooth follow focus. The issue with this lens is the manual focus ring, and it doesn't have focus override. For video, the auto-focus is audible in playback, so be mindful of that.
"...I found that focus accuracy was very good...." Read more
"...from minimum to infinity in a short distance, so it'll be hard to do smooth follow focus since the distance traveled is so small...." Read more
"...The sharpness at f/2.8 is very good and the focus is fast enough for the type of shooting I use this lens for..." Read more
"...focus on this lens, however, can be difficult as the range of manual focus is quite small- slight turn will shift out of focus right away....." Read more
Customers are mixed about the noise of the lens. Some mention that it's relatively quiet and focuses quickly, while others say that the elements do make a bit of noise when you shake the lens, this is normal. There is also an audible clicking, motor noise, and rattling during autofocusing. Some customers also say that it sounds cheap when you shaking the lens and that the ratting is very pronounced.
"...Focus. It's quiet and usually accurate, but it will take a little fine-tuning to get perfect autofocus...." Read more
"...The focusing is pretty quick but not silent, the lens makes ticking sounds which are readily picked up by the internal microphone if shooting video...." Read more
"...It's not at all noisy. No hunting, no hesitation. Even in low contrast conditions it's just bang on...." Read more
"...You get used to this, but it's annoying.There is audible clicking, motor noise, and rattling during autofocusing, and when OS..." Read more
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I've been doing event photography for a while now, and although the Nikon 18-55 f/3.5-5.6 VR lens did it's job well (surprisingly so, for a kit lens), there were a lot of situations where a larger aperture could really help. After saving up for this to use with my Nikon D300s, I can say it was a great investment.
Pros:
> Solidly built. Nothing feels cheap or like it will break with too much use.
> Sharpness, even at f/2.8, is very good. It could be a little sharper, but this is wide-open we are talking about. I can live with sacrificing sharpness for the sheer amount of extra light that can get to the sensor.
> The OS is very good. It's subtle, but it lets you take sharp images even at a shutter speed of 1/20 or less.
Pro/Con:
> Focus. It's quiet and usually accurate, but it will take a little fine-tuning to get perfect autofocus. The D300s lets you fine-tune this, which is great, so this becomes more of an inconvenience than anything else. If you stop it down even one step, you won't usually be able to notice anything. (I'm a bit of a pixel-peeper.)
Con:
> Obviously, the price. That said, having been able to try out the cheaper Tamron version, I prefer the Sigma much more in both optical and build quality, as well as sharpness and focus noise/speed.
Misc:
> For Videographers, this lens may be a little finicky. The focus ring goes from minimum to infinity in a short distance, so it'll be hard to do smooth follow focus since the distance traveled is so small. That said, it's doable, but it will take a little practice and getting used to.
On a side note, it's also a great fit for the D300s. It balances the weight out, and is a nice pairing. It's a great replacement for the kit lens I was using, letting me get the whole room in, or focusing in down on one person.
When looking at reviews, I also considered the Nikon 17-55 2.8 and the stabilized Tamron 17-50 2.8. At roughly twice the price and without stabilization, the Nikon was out. And, unfortunately, the stabilized version of the Tamron is optically inferior to the non-stabilized version of the Tamron. So, the Tamron was out. I'd summarize the reviews by saying that most felt that the Sigma was the best value for the money and, on average, optically as good as the Nikon and Tamron.
Per reviews and user comments, my concerns regarding the Sigma 17-50 2.8 were focus accuracy (mostly back focus) and soft corners. In as much, I did quite a bit of testing after I received it in order to insure I had a good copy. I found that focus accuracy was very good. Actually, I found it to be more accurate and consistent (at least under test conditions) than my Nikon 18-55 VR kit lens. And, while the corners are a bit soft wide open, they look pretty good by f/4. In fact, I found that when the lens is closed down a stop or two, the corners are actually sharper than those of my Nikon 18-55 VR kit lens. This is not something I expected.
Overall sharpness is quite good and is definitely a step up from the Nikon 18-55 VR kit lens. The build quality is wonderful. I do find the zoom ring to be a little bit too stiff, but not problematic (certainly better than having too much play or being too loose). The included lens case and lens hood are also very nice. Ignore the comments about the lens hood being too loose and falling off. Those folks aren't installing the lens hood onto the lens correctly. You need to continue to turn the lens hood until it snaps into place. It takes a bit of effort. However, once it snaps into place it cannot possibly loosen on its own!
While the lens comes with a standard one year US warranty, you will get an additional three years when you register it at the Sigma web site. So, assuming you register, you get a total of four years warranty in the US!
Overall I'm very pleased with the lens and feel that it's a great deal for $619. I will, however, be keeping my Nikon kit lens as it has better macro capabilities than the Sigma...
-Michael
optically, this lens is not better than Fuji 16-55mm. It's not a noticeable difference in the center. It is, however, noticeable in the corners at 2.8- but not significant. If you're not pixel peeping then you will be fine. one thing that i think this Sigma excels over Fuji 16-55mm lens is the color rendition. I just prefer this Sigma colors than Fuji lens..and on a Fuji X-T3, this lens really shines.
the size of this lens and the adapter combine is not much bigger than the Fuji 16-55mm lens itself. This lens, however, has image stabilization which is very helpful in video. This definitely make handheld possible when shooting video.
the focusing is loud in video, but bearable. You can always use an external mike or use manual focus to get rid of noise. The manual focus on this lens, however, can be difficult as the range of manual focus is quite small- slight turn will shift out of focus right away..
with all these + and - s in mind, i think this lens is great for what it is- low light performance, sharpness, and versatility... 17-50mm range is very useful as a walk around lens for sure. I would pick this over Fuji 16-55mm for the value/performance ratio and over Fuji 18-55mm for its constant 2.8 aperture... I definitely do think optically, this lens is much better than Fuji 18-55mm in every way.
Top reviews from other countries
Inzwischen haben auch einige andere Objektive den Weg an meine Kamera gefunden und mit zunehmender Erfahrung habe ich auch einen etwas differenzierteren Blick auf die Optiken im Allgemeinen und auf das Sigma im Speziellen:
Optimaler Brennweitenbereich für ein Standardzoom an APS-C
An Vollformat ist unbestritten das 24-70mm 2.8 das universellste Objektiv. Für viele professionelle Fotografen ist es DAS Arbeitstier. Mit 24-70mm kann man an Vollformat alles machen, auch wenn es für einzelne Anwendungsbereiche natürlich speziellere Objektive gibt, die besser geeignet sind. Für Sportfotografie und Wildlife ist es bspw. etwas zu kurz. Das geht mit einem längeren Tele in den meisten Situationen besser. Das 24-70mm 2.8 ist mehr der Generalist als der Spezialist.
An APS-C sieht das aber aufgrund des Cropfaktors etwas anders aus. Ein 24-70mm 2.8, dass natürlich ebenfalls an APS-C (Faktor 1,5 bei Nikon) verwendet werden kann, funktioniert dort wie ein 36-105mm. Dadurch fehlt einiges an Weitwinkel, jedoch gewinnt man auch einiges an Tele dazu. Das ist kein schlechter Brennweitenbereich, jedoch für Aufnahmen in Innenräumen unter Umständen schon zu lang und eben nicht so universell wie 24-70mm an Vollformat. Um das 24-70mm an Vollformat für APS-C zu ersetzen bedarf es eine kleinere Brennweite wie bspw. das Sigma 17-50mm. Umgerechnet entspricht das einem Brennweitenbereich von 25,5-75mm und deckt damit den Brennweitenbereich eines Standardzooms an Vollformat vollständig ab. Dank der durchgängigen Blende 2.8 ist auch an APS-C das Freistellen gut möglich.
Bildschärfe teilw. auf Niveau von Festbrennweiten
Je nach Brennweite ist das Sigma geradezu unverschämt scharf. Es beginnt bei 17mm relativ weich, gewinnt aber durch Abblenden gut an Schärfe. Ab Blende 4 sind die Aufnahmen scharf, wobei der Rand bis Blende 8 hier noch zulegt. Die Schärfe der Mitte wird aber am Rand nie erreicht.
Ab 24mm ist das Sigma offenblendig scharf. Hier gibt es im Zentrum nichts mehr auszusetzen. Der Rand gewinnt aber durch Abblenden weiterhin. Bei 35mm ist es bei Blende 2.8 sichtbar(!) schärfer als mein Nikon AF-S DX Nikkor 35mm 1:1,8G - das Nikon dann auf 2.8 abgeblendet versteht sich.
Lichtstärke
Mit einer durchgängigen Blende von 2.8 erweitert es die fotografischen Möglichkeiten verglichen zu den lichtschwächeren Kitobjektiven gewaltig. Fotografieren bei wenig Licht und/oder das Freistellen von Objekten wird möglich, weswegen viele Situationen und Motive fotografisch deutlich besser behandelt werden können. Verglichen zu einem Standardzoom mit einer Blende von 3.5-5.6 sammelt das Sigma am kurzen Ende doppelt und am langen Ende vier mal soviel Licht ein. Das resultiert in dramatisch kürzeren Verschlusszeiten und einer dramatisch verringerten Tiefenschärfe, wodurch Objekte eben freigestellt werden.
Verarbeitung
Mit einem Gewicht von 565g ist das Sigma deutlich schwerer als die kleine Kitlinse und wiegt immer noch mehr als das Nikon 18-140mm 3.5-5.6 Reisezoom. Die Verarbeitung ist tadellos, der Zoom ist griffig und hat einen angenehmen Widerstand. Die manuelle Fokussierung ist dagegen etwas leichtgängig und hat lediglich einen Weg von 60° vom einen zum anderen Ende. Das geht besser. Mein Exemplar hat auch nach zwei Jahren intensiver Nutzung keine Gebrauchsspuren oder sonstigen Alterungserscheinungen.
Autofokus und OSM
Beide Systeme funktionieren tadellos. Der Autofokus ist ausreichend schnell und treffsicher. Beim Fotografieren von sich bewegenden Zielen geht die Ausschußquote aber natürlich nach oben. Beide Systeme arbeiten nicht geräuschlos. Da ich nicht Filme, kann ich zu der Eignung dieses Objektives hierzu nichts sagen.
Die Konkurrenz
Schaut man etwas Rechts und Links bieten die folgenden Objektive ähnliche Eigenschaften:
AF-S DX Zoom-Nikkor 17-55 mm 1:2,8G IF-ED
- verglichen mit dem Sigma geradezu unverschämt teuer (aktueller Neupreis EUR 1489,00)
- laut DXOMARK sichtbar schlechtere Abbilungsleistungen
Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical
o mit ca. EUR 300 ungefähr das gleiche Preisniveau wie das Sigma
- laut DXOMARK minimal schlechtere Abbildungsleitungen
Sigma 17-70mm F2.8-4 DC MACRO OS HSM C
+ mit 70mm etwas länger als das Sigma 17-50mm F2.8 EX DC OS HSM Nikon
+ größerer Abbildungsmaßstab
- mit einem Preis ca. EUR 400 etwa EUR 100 teurer
- laut DXOMARK sichtbar schlechtere Abbilungsleistungen
- Lichtstärke ist am langen Ende nur wenig besser verglichen mit den Kitobjektiven und hat damit die gleichen fotografischen Einschränkungen wie eben diese.
Mein Fazit nach zwei Jahren
Für dieses Geld ist dieses Objektiv ein Pflichtkauf an APS-C. Das Preisleistungsverhältnis und die Bildschärfe sind phänomenal! Die fotografischen Möglichkeiten durch die hohe durchgehende Lichtstärke sind enorm und durch den Brennweitenbereich passt es an APS-C für viele Aufnahmesituationen. Klare Kaufempfehlung!






















