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The Signature of All Things: A Novel Paperback – June 24, 2014
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In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker—a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry’s brilliant daughter, Alma (who inherits both her father’s money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma’s research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction—into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist—but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life.
Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globe—from London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who—born in the Age of Enlightenment, but living well into the Industrial Revolution—bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert’s wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers.
- Print length528 pages
- LanguageEnglish
- PublisherRiverhead Books
- Publication dateJune 24, 2014
- Dimensions5.46 x 1.09 x 8.35 inches
- ISBN-100143125842
- ISBN-13978-0143125846
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Editorial Reviews
Review
"With this novel about a young, nineteenth-century Philadelphia woman who becomes a world-renowned botanist, Gilbert shows herself to be a writer at the height of her powers." —O, The Oprah Magazine, "Our Favorite Reads of the Year"
"The most ambitious and purely imaginative work in Gilbert's twenty-year career." —The Wall Street Journal
"Like Victor Hugo or Emile Zola, Gilbert captures something important about the wider world in The Signature of All Things: a pivotal moment in history when progress defined us in concrete ways." —The Washington Post
"A masterly tale of overflowing sensual and scientific enthusiasms in the nineteenth century." —Time, "Top Ten Fiction Books of the Year"
"Raucously ingenious... a novel of brave and lovely ideas... I found unshackled joy on every page." —The Chicago Tribune
"Alma's extraordinary life unspools like a Jane Austen novel... Here Gilbert claims her rightful spot as one of the twenty-first century's best American writers." —Outside
"Gilbert writes so wonderfully it's impossible not to swoon... Alma's drive for personal epiphany feels absolutely contemporary." —The Boston Globe
"A beautifully written, grandly expansive historical novel... Gilbert's writing is so smart and richly drawn that it does what all the best books do: it sweeps you up." —Entertainment Weekly
"Dazzling... a big-hearted, sweeping, unforgettable novel... If you don't think science or historical fiction can be bright, funny, and engaging, this novel will quickly prove you wrong." —The Miami Herald
About the Author
Elizabeth Gilbert is the #1 New York Times bestselling author of Big Magic, Eat Pray Love, and The Signature of All Things, as well as several other internationally bestselling books of fiction and nonfiction. She has been a finalist for the National Book Award, the National Book Critics Circle Award, and the PEN/Hemingway Award. Her latest novel, City of Girls, comes out in June, 2019.
Excerpt. © Reprinted by permission. All rights reserved.
Prologue
Alma Whittaker, born with the century, slid into our world on the fifth of January, 1800.
Swiftly—nearly immediately—opinions began to form around her.
Alma’s mother, upon viewing the infant for the first time, felt quite satisfied with the outcome. Beatrix Whittaker had suffered poor luck thus far generating an heir. Her first three attempts at conception had vanished in sad rivulets before they’d ever quickened. Her most recent attempt—a perfectly formed son—had come right to the brink of life, but had then changed his mind about it on the very morning he was meant to be born, and arrived already departed. After such losses, any child who survives is a satisfactory child.
Holding her robust infant, Beatrix murmured a prayer in her native Dutch. She prayed that her daughter would grow up to be healthy and sensible and intelligent, and would never form associations with overly powdered girls, or laugh at vulgar stories, or sit at gaming tables with careless men, or read French novels, or behave in a manner suited only to a savage Indian, or in any way whatsoever become the worst sort of discredit to a good family; namely, that she not grow up to be een onnozelaar, a simpleton. Thus concluded her blessing—or what constitutes a blessing, from so austere a woman as Beatrix Whittaker.
The midwife, a German-born local woman, was of the opinion that this had been a decent birth in a decent house, and thus Alma Whittaker was a decent baby. The bedroom had been warm, soup and beer had been freely offered, and the mother had been stalwart—just as one would expect from the Dutch. Moreover, the midwife knew that she would be paid, and paid handsomely. Any baby who brings money is an acceptable baby. Therefore, the midwife offered a blessing to Alma as well, although without excessive passion.
Hanneke de Groot, the head housekeeper of the estate, was less impressed. The baby was neither a boy nor was it pretty. It had a face like a bowl of porridge, and was pale as a painted floor. Like all children, it would bring work. Like all work, it would probably fall on her shoulders. But she blessed the child anyway, because the blessing of a new baby is a responsibility, and Hanneke de Groot always met her responsibilities. Hanneke paid off the midwife and changed the bedsheets. She was helped in her efforts, although not ably, by a young maid—a talkative country girl and recent addition to the household—who was more interested in looking at the baby than in tidying up the bedroom. The maid’s name does not bear recording here, because Hanneke de Groot would dismiss the girl as useless the next day, and send her off without references. Nonetheless, for that one night, the useless and doomed maid fussed over the new baby, and longed for a baby herself, and imparted a rather sweet and sincere blessing upon young Alma.
Dick Yancey—a tall, intimidating Yorkshireman, who worked for the gentleman of the house as the iron-handed enforcer of all his international trade concerns (and who happened to be residing at the estate that January, waiting for the Philadelphia ports to thaw so he could proceed on to the Dutch East Indies)—had few words to say about the new infant. To be fair, he was not much given to excessive conversation under any circumstances. When told that Mrs. Whittaker had given birth to a healthy baby girl, Mr. Yancey merely frowned and pronounced, with characteristic economy of speech, “Hard trade, living.” Was that a blessing? Difficult to say. Let us give him the benefit of the doubt and take it as one. Surely he did not intend it as a curse.
As for Alma’s father—Henry Whittaker, the gentleman of the estate—he was pleased with his child. Most pleased. He did not mind that the infant was not a boy, nor that it was not pretty. He did not bless Alma, but only because he was not the blessing type. (“God’s business is none of my business,” he frequently said.) Without reservation, though, Henry admired his child. Then again, he had made his child, and Henry Whittaker’s tendency in life was to admire without reservation everything he made.
To mark the occasion, Henry harvested a pineapple from his largest greenhouse and divided it in equal shares with everyone in the household. Outside it was snowing, a perfect Pennsylvania winter, but this man possessed several coal-fired greenhouses of his own design—structures that made him not only the envy of every plantsman and botanist in the Americas, but also blisteringly rich—and if he wanted a pineapple in January, by God he could have a pineapple in January. Cherries in March, as well.
He then retired to his study and opened up his ledger, where, as he did every night, he recorded all manner of estate transactions, both official and intimate. He began: “A new nobbel and entresting pasennger has joyned us,” and continued with the details, the timing, and the expenses of Alma Whittaker’s birth. His penmanship was shamefully crabbed. Each sentence was a crowded village of capital letters and small letters, living side by side in tight misery, crawling up on one another as though trying to escape the page. His spelling was several degrees beyond arbitrary, and his punctuation brought reason to sigh with unhappiness.
But Henry wrote up his account, nonetheless. It was important for him to keep track of things. While he knew that these pages would look appalling to any educated man, he also knew that nobody would ever see his writing—except his wife. When Beatrix recovered her strength, she would transcribe his notes into her own ledgers, as she always did, and her elegantly penned translation of Henry’s scrawls would become the official household record. The partner of his days, was Beatrix—and a good value, at that. She would do this task for him, and a hundred other tasks besides.
God willing, she would be back at it shortly.
Paperwork was already piling up.
Part One
The Tree of Fevers
Chapter One
For the first five years of her life, Alma Whittaker was indeed a mere passenger in the world—as we all are passengers in such early youth—and so her story was not yet noble, nor was it particularly interesting, beyond the fact that this homely toddler passed her days without illness or incident, surrounded by a degree of wealth nearly unknown in the America of that time, even within elegant Philadelphia. How her father came to be in possession of such great wealth is a story worth telling here, while we wait for the girl to grow up and catch our interest again. For it was no more common in 1800 than it has ever been for a poor-born and nearly illiterate man to become the richest inhabitant of his city, and so the means by which Henry Whittaker prospered are indeed interesting—although perhaps not noble, as he himself would have been the first to confess.
Henry Whittaker was born in 1760 in the village of Richmond, just up the Thames from London. He was the youngest son of poor parents who had a few too many children already. He was raised in two small rooms with a floor of beaten earth, with an almost adequate roof, with a meal on the hearth nearly every day, with a mother who did not drink and a father who did not beat his family—by comparison to many families of the day, in other words, a nearly genteel existence. His mother even had a private spot of dirt behind the house in which to grow larkspurs and lupines, decoratively, like a lady. But Henry was not fooled by larkspurs and lupines. He grew up sleeping one wall away from the pigs, and there was not a moment in his life when poverty did not humiliate him.
Perhaps Henry would have taken less offense at his destiny had he never seen wealth around him against which to compare his own poor circumstances—but the boy grew up witnessing not only wealth, but royalty. There was a palace at Richmond, and there were pleasure gardens there, too, called Kew, cultivated with expertise by Princess Augusta, who had brought with her from Germany a retinue of gardeners eager to make a false and regal landscape out of real and humble English meadows. Her son, the future King George III, spent his childhood summers there. When he became king, George sought to turn Kew into a botanical garden worthy of any Continental rival. The English, on their cold, wet, isolated island, were far behind the rest of Europe on botanizing, and George III was eager to catch up.
Henry’s father was an orchardman at Kew—a humble man, respected by his masters, as much as anyone could respect a humble orchardman. Mr. Whittaker had a gift for fruiting trees, and a reverence for them. (“They pay the land for its trouble,” he would say, “unlike all the others.”) He had once saved the king’s favorite apple tree by whip-grafting a scion of the ailing specimen onto sturdier rootstock and claying it secure. The tree had fruited off the new graft that very year, and soon produced bushels. For this miracle, Mr. Whittaker had been nicknamed “the Apple Magus” by the king himself.
The Apple Magus, for all his talents, was a simple man, with a timid wife, but they somehow turned out six rough and violent sons (including one boy called “the Terror of Richmond” and two others who would end up dead in tavern brawls). Henry, the youngest, was in some ways the roughest of them all, and perhaps needed to be, to survive his brothers. He was a stubborn and enduring little whippet, a thin and exploding contrivance, who could be trusted to receive his brothers’ beatings stoically, and whose fearlessness was frequently put to the test by others, who liked to dare him into taking risks. Even apart from his brothers, Henry was a dangerous experimentalist, a lighter of illicit fires, a roof-scampering taunter of housewives, a menace to smaller children; a boy who one would not have been surprised to learn had fallen from a church steeple or drowned in the Thames—though by sheer happenstance these scenarios never came to pass.
But unlike his brothers, Henry had a redeeming attribute. Two of them, to be exact: he was intelligent, and he was interested in trees. It would be exaggeration to claim that Henry revered trees, as his father did, but he was interested in trees because they were one of the few things in his impoverished world that could readily be learned, and experience had already instructed Henry that learning things gave a person advantage over other people. If one wanted to continue living (and Henry did) and if one wanted to ultimately prosper (and Henry did), then anything that could be learned, should be learned. Latin, penmanship, archery, riding, dancing—all of these were out of reach to Henry. But he had trees, and he had his father, the Apple Magus, who patiently took the trouble to teach him.
So Henry learned all about the grafter’s tools of clay and wax and knives, and about the tricks of budding, booting, clefting, planting, and pruning with a judicious hand. He learned how to transplant trees in the springtime, if the soil was retentive and dense, or how to do it in the autumn, if the soil was loose and dry. He learned how to stake and drape the apricots in order to save them from wind, how to cultivate citruses in the Orangery, how to smoke the mildew off the gooseberries, how to amputate diseased limbs from the figs, and when not to bother. He learned how to strip the tattered bark from an old tree and take the thing right down to the ground, without sentimentality or remorse, in order to demand life back out of it for a dozen more seasons to come.
Henry learned much from his father, though he was ashamed of the man, who he felt was weak. If Mr. Whittaker truly was the Apple Magus, Henry reasoned, then why had the king’s admiration not been parlayed into wealth? Stupider men were rich—many of them. Why did the Whittakers still live with pigs, when just nearby were the great wide green lawns of the palace, and the pleasant houses on Maid of Honor Row, where the queen’s servants slept on French linens? Henry, climbing to the top of an elaborate garden wall one day, had spied a lady, dressed in an ivory gown, practicing manège on her immaculate white horse while a servant played the violin to entertain her. People were living like this, right there in Richmond, while the Whittakers did not even have a floor.
But Henry’s father never fought for anything fine. He’d earned the same paltry wage for thirty years, and had never once disputed it, nor had he ever complained about working outdoors in the foulest of weather for so long that his health had been ruined by it. Henry’s father had chosen the carefullest steps through life, particularly when interacting with his betters—and he regarded everyone as his better. Mr. Whittaker made a point never to offend, and never to take advantage, even when advantages may have been ripe for plucking. He told his son, “Henry, do not be bold. You can butcher the sheep only once. But if you are careful, you can shear the sheep every year.”
With a father so forceless and complacent, what could Henry expect to receive out of life, aside from whatever he could clutch at with his own hands? A man should profit, Henry started telling himself when he was only thirteen years old. A man should butcher a sheep every day.
But where to find the sheep?
That’s when Henry Whittaker started stealing.
By the mid-1770s, the gardens at Kew had become a botanical Noah’s Ark, with thousands of specimens already in the collection, and new consignments arriving weekly—hydrangeas from the Far East, magnolias from China, ferns from the West Indies. What’s more, Kew had a new and ambitious superintendent: Sir Joseph Banks, fresh from his triumphant voyage around the world as chief botanist for Captain Cook’s HMS Endeavour. Banks, who worked without salary (he was interested only in the glory of the British Empire, he said, although others suggested he might be just the slightest bit interested in the glory of Sir Joseph Banks), was now collecting plants with furious passion, committed to creating a truly spectacular national garden.
Oh, Sir Joseph Banks! That beautiful, whoring, ambitious, competitive adventurer! The man was everything Henry’s father was not. By the age of twenty-three, a drenching inheritance of six thousand pounds a year had made Banks one of the richest men in England. Arguably, he was also the handsomest. Banks could easily have spent his life in idle luxury, but instead he sought to become the boldest of botanical explorers—a vocation he took up without sacrificing a bit of flash or glamour. Banks had paid for a good deal of Captain Cook’s first expedition out of his own pocket, which had afforded him the right to bring along on that cramped ship two black man-servants, two white manservants, a spare botanist, a scientific secretary, two artists, a draftsman, and a pair of Italian greyhounds. During his adventure, Banks had seduced Tahitian queens, danced naked with savages on beaches, and watched young heathen girls having their buttocks tattooed in the moonlight. He had brought home with him to England a Tahitian man named Omai, to be kept as a pet, and he had also brought home nearly four thousand plant specimens—almost half of which the world of science had never before seen. Sir Joseph Banks was the most famous and dashing man in England, and Henry admired him enormously.
But he stole from him anyway.
It was merely that the opportunity was there, and that the opportunity was so obvious. Banks was known in scientific circles not merely as a great botanical collector, but also as a great botanical hoarder. Gentlemen of botany, in those polite days, generally shared their discoveries with each other freely, but Banks shared nothing. Professors, dignitaries, and collectors came to Kew from all over the world with the reasonable hope of obtaining seeds and cuttings, as well as samples from Banks’s vast herbarium—but Banks turned them all away.
Young Henry admired Banks for a hoarder (he would not have shared his own treasure, either, had he possessed any) but he soon saw opportunity in the angered faces of these thwarted international visitors. He would wait for them just outside the grounds of Kew, catching the men as they were leaving the gardens, sometimes catching them cursing Sir Joseph Banks in French, German, Dutch, or Italian. Henry would approach, ask the men what samples they desired, and promise to procure those samples by week’s end. He always carried a paper tablet and a carpenter’s pencil with him; if the men did not speak English, Henry had them draw pictures of what they needed. They were all excellent botanical artists, so their needs were easily made clear. Late in the evenings, Henry would sneak into the greenhouses, dart past the workers who kept the giant stoves going through the cold nights, and steal plants for profit.
He was just the boy for the task. He was good at plant identification, expert at keeping cuttings alive, a familiar enough face around the gardens not to arouse suspicion, and adept at covering his tracks. Best of all, he did not seem to require sleep. He worked all day with his father in the orchards, and then stole all night—rare plants, precious plants, lady’s slippers, tropical orchids, carnivorous marvels from the New World. He kept all the botanical drawings that the distinguished gentlemen made for him, too, and studied those drawings until he knew every stamen and petal of every plant the world desired.
Like all good thieves, Henry was scrupulous about his own security. He trusted nobody with his secret, and buried his earnings in several caches throughout the gardens at Kew. He never spent a farthing of it. He let his silver rest dormant in the soil, like good rootstock. He wanted that silver to accumulate, until it could burst forth hugely, and buy him the right to become a rich man.
Within a year Henry had several regular clients. One of them, an old orchid cultivator from the Paris Botanical Gardens, gave the boy perhaps the first pleasing compliment of his life: “You’re a useful little fingerstink, aren’t you?” Within two years, Henry was driving a vigorous trade, selling plants not only to serious men of botany, but also to a circle of wealthy London gentry, who longed for exotic specimens for their own collections. Within three years, he was illicitly shipping plant samples to France and Italy, expertly packing the cuttings in moss and wax to ensure they survived the journey.
At the end, however, after three years of this felonious enterprise, Henry Whittaker was caught—and by his own father.
Mr. Whittaker, normally a deep sleeper, had noticed his son leaving the house one night after midnight and, heartsick with a father’s instinctive suspicion, had followed the boy to the greenhouse and seen the selecting, the thieving, the expert packing. He recognized immediately the illicit care of a robber.
Henry’s father was not a man who had ever beat his sons, even when they deserved it (and they frequently did deserve it), and he didn't beat Henry that night, either. Nor did he confront the boy directly. Henry didn't even realize he’d been caught. No, Mr. Whittaker did something far worse. First thing the next morning, he asked for a personal audience with Sir Joseph Banks. It was not often that a poor fellow like Whittaker could request a word with a gentleman like Banks, but Henry’s father had earned just enough respect around Kew in thirty years of tireless labor to warrant the intrusion, if only just this once. He was an old and poor man, indeed, but he was also the Apple Magus, the savior of the king’s favorite tree, and that title bought him entrance.
Mr. Whittaker came at Banks almost upon his knees, head bowed, penitent as a saint. He confessed the shaming story about his son, along with his suspicion that Henry had probably been stealing for years. He offered his resignation from Kew as punishment, if the boy would only be spared arrest or harm. The Apple Magus promised to take his family far away from Richmond, and see to it that Kew, and Banks, would never again be sullied by the Whittaker name.
Banks—impressed by the orchardman’s heightened sense of honor— refused the resignation, and sent for young Henry personally. Again, this was an unusual occurrence. If it was rare for Sir Joseph Banks to meet with an illiterate plantsman in his study, it was exceedingly rare for him to meet with an illiterate plantsman’s thieving sixteen-year-old son. Probably, he ought to have simply had the boy arrested. But theft was a hanging crime, and children far younger than Henry got the rope—and for far less serious infractions. While the attack on his collection was galling, Banks felt sympathy enough for the father to investigate the problem himself before summoning the bailiff.
The problem, when it walked into Sir Joseph Banks’s study, turned out to be a spindly, ginger-haired, tight-lipped, milky-eyed, broad-shouldered, sunken-chested youth, with pale skin already rubbed raw by too much exposure to wind, rain, and sun. The boy was underfed but tall, and his hands were large; Banks saw that he might grow into a big man someday, if he could get a proper meal.
Henry did not know precisely why he had been summoned to Banks’s offices but he had sufficient brains to suspect the worst, and he was much alarmed. Only through sheer thick-sided stubbornness could he enter Banks’s study without visibly trembling.
God’s love, though, what a beautiful study it was! And how splendidly Joseph Banks was dressed, in his glossy wig and gleaming black velvet suit, polished shoe buckles and white stockings. Henry had no sooner passed through the door than he had already priced out the delicate mahogany writing desk, covetously scanned the fine collection boxes stacked on every shelf, and glanced with admiration at the handsome portrait of Captain Cook on the wall. Mother of dead dogs, the mere frame for that portrait must have cost ninety pounds!
Unlike his father, Henry did not bow in Banks’s presence, but stood before the great man, looking him straight in the eye. Banks, who was seated, permitted Henry to stand in silence, perhaps waiting for a confession or a plea. But Henry neither confessed nor pleaded, nor hung his head in shame, and if Sir Joseph Banks thought Henry Whittaker was fool enough to speak first under such hot circumstances, then he did not know Henry Whittaker.
Therefore, after a long silence, Banks commanded, “Tell me, then—why should I not see you hang at Tyburn?”
So that’s it, Henry thought. I’m snapped. Nonetheless, the boy grappled for a plan. He needed to find a tactic, and he needed to find it in one quick and slender moment. He had not spent his life being beaten senseless by his older brothers to have learned nothing about fighting. When a bigger and stronger opponent has landed the first blow, you have but one chance to swing back before you will be pummeled into clay, and you’d best come back with something unexpected.
“Because I’m a useful little fingerstink,” Henry said.
Banks, who enjoyed unusual incidents, barked with surprised laughter. “I confess that I don’t see the use of you, young man. All you have done for me is to rob me of my hard-won treasure.”
It wasn't a question, but Henry answered it nonetheless.
“I might’ve trimmed a bit,” he said.
“You don’t deny this?”
“All the braying in the world won’t change it, do it?”
Again, Banks laughed. He may have thought the boy was putting on a show of false courage, but Henry’s courage was real. As was his fear. As was his lack of penitence. For the whole of his life, Henry would always find penitence weak.
Banks changed tack. “I must say, young man, that you are a crowning distress to your father.”
“And him to me, sir,” Henry fired back.
Once more, the surprised bark of laughter from Banks. “Is he, then? What harm has that good man ever done to you?”
“Made me poor, sir,” Henry said. Then, suddenly realizing everything, Henry added, “It were him, weren’t it? Who peached me over to you?”
“Indeed it was. He’s an honorable soul, your father.”
Henry shrugged. “Not to me, eh?”
Banks took this in and nodded, generously conceding the point. Then he asked, “To whom have you been selling my plants?”
Henry ticked off the names on his fingers: “Mancini, Flood, Willink, LeFavour, Miles, Sather, Evashevski, Feuerle, Lord Lessig, Lord Garner—”
Banks cut him off with a wave. He stared at the boy with open astonishment. Oddly, if the list had been more modest, Banks might have been angrier. But these were the most esteemed botanical names of the day. A few of them Banks called friends. How had the boy found them? Some of these men hadn't been to England in years. The child must be exporting. What kind of campaign had this creature been running under his nose?
“How do you even know how to handle plants?” Banks asked.
“I always knowed plants, sir, for my whole life. It’s like I knowed it all beforehand.”
“And these men, do they pay you?”
“Or they don’t get their plants, do they?” Henry said.
“You must be earning well. Indeed, you must have accumulated quite a pile of money in the past years.”
Henry was too cunning to answer this.
“What have you done with the money you’ve earned, young man?” Banks pushed on. “I can’t say you’ve invested it in your wardrobe. Without a doubt, your earnings belong to Kew. So where is it all?”
“Gone, sir.”
“Gone where?”
“Dice, sir. I have a weakness of the gambling, see.”
That may or may not have been true, Banks thought. But the boy certainly had as much nerve as any two-footed beast he had ever encountered. Banks was intrigued. He was a man, after all, who kept a heathen for a pet, and who—to be honest—enjoyed the reputation of being half heathen himself. His station in life required that he at least purport to admire gentility, but secretly he preferred a bit of wildness. And what a little wild cockerel was Henry Whittaker! Banks was growing less inclined by the moment to hand over this curious item of humanity to the constables.
Henry, who saw everything, saw something happening in Banks’s face— a softening of countenance, a blooming curiosity, a sliver of a chance for his life to be saved. Intoxicated with a compulsion for self-preservation, the boy vaulted into that sliver of hope, one last time.
“Don’t put me to hang, sir,” Henry said. “You’ll regret it that you did.”
“What do you propose I do with you, instead?”
“Put me to use.”
“Why should I?” asked Banks.
“Because I’m better than anyone.”
Product details
- Publisher : Riverhead Books; First Edition (June 24, 2014)
- Language : English
- Paperback : 528 pages
- ISBN-10 : 0143125842
- ISBN-13 : 978-0143125846
- Item Weight : 1.05 pounds
- Dimensions : 5.46 x 1.09 x 8.35 inches
- Best Sellers Rank: #16,654 in Books (See Top 100 in Books)
- #398 in Family Saga Fiction
- #575 in Family Life Fiction (Books)
- #1,571 in Literary Fiction (Books)
- Customer Reviews:
About the author

Elizabeth Gilbert is the #1 New York Times bestselling author of Eat, Pray, Love, as well as the short story collection, Pilgrims—a finalist for the PEN/Hemingway Award, and winner of the 1999 John C. Zacharis First Book Award from Ploughshares. A Pushcart Prize winner and National Magazine Award-nominated journalist, she works as writer-at-large for GQ. Her journalism has been published in Harper's Bazaar, Spin, and The New York Times Magazine, and her stories have appeared in Esquire, Story, and the Paris Review.
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Customers find the story interesting, profound, and sweeping. They praise the writing quality as well-written, shock-inducing, and well-crafted. Readers also find the book thought-provoking and intelligent. They appreciate the wonderful, strong female character. In addition, they describe the book as charming, rich, and awe-inspiring. However, some customers feel the story is boring and depressing.
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Customers find the story interesting, profound, and sweeping. They appreciate the themes and journey of Henry Whittaker. Readers describe the book as thoughtful, cerebral, and full of surprises. They say it's worth reading and even studying.
"...book of well-considered people of the times, who are emblematic of daring and discerning ideas, as well as an absorbing story that will keep the..." Read more
"...I found all of the characters vividly drawn and believable except for Prudence, and then only for a single act attributed to her late in the novel...." Read more
"Surprisingly a most enjoyable and very interesting book. I was a skeptic going into the reading based on one book I had previously read by Gilbert...." Read more
"...life and desires in the book as a major part of her story was very interesting and liberating, but Tomorrow Morning was not in any sense ‘real’ and..." Read more
Customers find the writing quality of the book illuminating and well-written. They appreciate the depth, research, and complex thought processes. Readers also say the language is very well-crafted and many maxims of good writing are violated. They love the dialogue and description. Overall, they say the author's ability to tell a great story is showcased.
"...Alma's portrait is the fruit of this elegantly written, lyrically cadenced, engrossing tale...." Read more
"...In fact, many maxims of good writing are violated. The main character does not have a singular goal whose journey is the novel...." Read more
"...I was pleasantly shocked by the depth of her writing, research and complex thought processes in composing this particular story...." Read more
"...There is some beautiful descriptive writing in the Tahiti chapters but this is where the plot began to unravel for me because Alma’s quest to find “..." Read more
Customers find the book thought-provoking. They say it gives the reader a window into philosophy and the state of feminism. Readers also appreciate the knowledge from many disciplines, saying it's intelligently told and rich with detail.
"...This exquisite novel feels like a gift to humanity. It has heart, soul, and earthiness. And Alma Whittaker." Read more
"...Ms. Gilbert often tells rather than shows, but tells so effectively with a laundry list to support her claim that you get the picture...." Read more
"...pleasantly shocked by the depth of her writing, research and complex thought processes in composing this particular story...." Read more
"...a heroine named Alma Whittaker who is not pretty but is very intelligent, feisty and hard-working who perseveres through a life of disappointments..." Read more
Customers find the character development in the book wonderful, brilliant, and brilliant. They also appreciate that the protagonist is flawed, making the story more interesting and human. Readers also mention the characters are well-considered and have an inquisitive mind.
"...This is a book of well-considered people of the times, who are emblematic of daring and discerning ideas, as well as an absorbing story that will..." Read more
"...I found all of the characters vividly drawn and believable except for Prudence, and then only for a single act attributed to her late in the novel...." Read more
"...Henry Whittaker’s journey is fascinating and he is a very vibrant character. There is real depth and weight to the writing in the earlier chapters...." Read more
"...and the spirited attitude of the heroine...." Read more
Customers find the book enchanting. They say it's thoughtful, awe-inspiring, and beautifully written. Readers also appreciate the overall botanical theme and links made to Darwin. Additionally, they say the characters are deep and reach out to them.
"...Alma is so fleshed out that I can smell her, and every moment in her life is organically rendered...." Read more
"...because the humor and wit come easy, comes often and is awe-inspiring in its light touch...." Read more
"What a wonder is The Signature of All Things by Elizabeth Gilbert, lush, verdant and efflorescent like the plants that fill its pages...." Read more
"...While this book has a great deal of charm, and Elizabeth Gilbert is an exceptional storyteller, I just didn't love it...." Read more
Customers have mixed opinions about the length of the book. Some find it great, while others say it's overly long with unnecessary side stories.
"...Having said all that the fact one cannot escape from is the book is too long...." Read more
"...But for me, it's a beautiful, big, thoughtful book...." Read more
"...only didn't because at times I felt that it was overly long with some unnecessary side stories...." Read more
"...The only problem I can see about this book is that IT IS VERY LONG...." Read more
Customers find the book boring, depressing, and not fascinating. They say the story is weak and frustrating to read at times. Readers also mention the book seems like a sad story of lost opportunities and failed relationships.
"...The tale labors on, dark and depressing. When a bit of light enters it is quickly extinguished by the authors cruel keyboard...." Read more
"...Because the author tells you every step of the journey there’s no sense of discovery or even genuine understanding or compassion for the character..." Read more
"...the end of her life story, it seemed more and more like a sad story of lost opportunity and failed relationships, and this has left a bitter..." Read more
"...rich and beautifully crafted; unfortunately it bogs down and gets very boring in parts...." Read more
Customers find the pacing of the book slow and drags. They say the historical information seems to drag and is not developed in a meaningful manner. Readers also mention the book is too verbose and wanders around and doesn't quite settle anywhere.
"...Gilbert did her research well. So well, in fact, that the pace does bog down sometimes, with so many historical tid-bits thrown in...." Read more
"...What a tedious yawn fest. Yes, my bad for continuing on, I just kept hoping against hope that it would somehow redeem itself, but it never did...." Read more
"...the readers face, plenty of over-thought sentences with deliberate ostentatious word usage...." Read more
"...For me, it was too entirely self-conscious. Gilbert hits her stride for me in The Signature of All Things...." Read more
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The book begins with British ex-pat Henry Whittaker, a boy of humble origins, who, by the time he is an adult in the 19th century, turns himself into a captain of industry in the botanical and pharmaceutical industry, particularly quinine. As a boy, he pilfered from the Royal Botanical Kew Gardens and sold to others, and showed his mettle as an entrepreneur. The director, Sir Joseph Banks, eventually apprehended him. Whittaker's penance was to be sent on faraway travels, in order to prove himself worthy and edify himself in the realm of plants.
When Whittaker returned, he made it his life's work to eclipse Banks and become a wealthy self-made industrialist of the natural world. He got himself an educated Dutch wife, left Europe for good, and settled in Western Pennsylvania, where he built an elaborate estate that truly did rival the Kew Gardens, called White Acre. All alike envied his ostentatious mansion on the hill, and were impressed by his breathtaking, unparalleled gardens. He sired one daughter, Alma, and adopted another, Prudence. Whittaker became one of the richest men in North America, or anywhere. But, more important than riches, to him, was the power to command others, and the talent and skill to master your work. Education was the tool to that end. Therefore, his children received a scholarly education at home.
Henry's prominence on the pages segues into his daughter's, Alma. The beautiful Prudence becomes an outspoken abolitionist, while Alma grows into a scholarly, tall, large-boned, homely, and privately carnal woman who becomes the flourishing main character. I would list her as one of my favorite protagonists of contemporary times, as unforgettable as Teresita Urrea of THE HUMMINGBIRD'S DAUGHTER, although of polar sensibilities. Alma is so fleshed out that I can smell her, and every moment in her life is organically rendered. As she becomes her father's daughter as a scientist, (but with a gentler disposition), the reader is taken ever further into her inner and outer journeys. She is not just a botanist and taxonomist, but in many ways, a philosopher, a noble thinker, with a sexual and sensual hunger.
Gilbert doesn't portray Alma as flawless or unbelievable. Rather, Alma is a construct of her environment and her gifted mind. She is also metaphorically imprisoned by the life of a proper woman in the 19th century. However...
Alma's portrait is the fruit of this elegantly written, lyrically cadenced, engrossing tale. Gilbert braids in the enigma of life from botany to the human body, and folds in science, mysticism, spirituality, psycho-sexuality, all in a vibrantly flowing historical novel. Some of the characters make a brief or lucid appearance, and then fade, but Alma grows more luminous with each passing chapter. A few sections focus on scientific philosophies and the question of creationism and evolution (the way a discussion would happen in the 1800's), but it fits radiantly into this story. But, mostly, it is Alma who pollinates this ripe and exhilarating tale. I still see her bending over a leaf, or examining moss with a microscope, or hunched over her scholarly tomes and writing her books on the mysteries of plant life. Being at her father's beck and call, but carving out a solitary but teeming life.
The title of the book refers that all life contains a divine code or print, and was put forth by a 16th century German cobbler and early botanist, Jacob Boehme, one rejected by the Whittakers, for the most part, as medieval nonsense. He had mystical visions about plants, and believed there was a divine code in "every flower, leaf, fruit, and tree on earth. All the natural world was a divine code."
You can see it in a curling leaf, a nesting bird, and when the stamens of one plant stick it to its receptacle. Every unique living creature, according to Boehme, contains the eponymous title. Alma meets an orchid painter who embodies this belief, and who pulls her into the world of mysticism. As an explorer and thinker, she is compelled to understand this notion.
Alma's professional and personal life leads her to contemplate the "struggle for existence." As the reader follows Alma on her odyssey of the natural world and beyond, the wonder of life becomes ever transcendent--that "those who survived the world shaped it--even as the world, simultaneously, shaped them."
This exquisite novel feels like a gift to humanity. It has heart, soul, and earthiness. And Alma Whittaker.
It did take two chapters for me to get into the novel, and I was half way through before i really cared about Alma although I understood her
earlier. Of course, much of the first half is about Alma's bulldozer father followed by Alma's childhood. Alma has a fine mind and so does the author. You appreciate Alma's love of botany, even her narrow specialty which is a tribute to all of the research which went into the novel. Alma deals with deep questions about the nature of life, her own place in the world, her sexuality, and her own nature. I liked the fact that Ms. Gilbert dared to make her heroine a large, unattractive woman.
I found all of the characters vividly drawn and believable except for Prudence, and then only for a single act attributed to her late in the novel. Alma herself did not understand Prudence so it may be logical for the author to write so the reader has the same reaction. What I did not believe was Prudence's odd sacrifice and the housekeeper's keeping it from Alma until her father's death. The reader was given no hint the Prudence the housekeeper later describes. All of Prudence's actions and dialogue displayed only polite indifference to Alma.
As a retired mathematician/academic I can attest that Ms. Gilbert accurately described the scientific publishing world. The question of how evolution accounts for altruism was a great, provoking question for Alma to grapple with. And yes, Alma made a mistake in not publishing her best work because she had not settled the question to her satisfaction.
This is a book you can sink your teeth into.
Top reviews from other countries
The way that the author uses language just keeps you hooked and mesmerised throughout the whole book. I didn’t actually want it to end.
I think this is such a clever book, and for whatever reason it really spoke to me. I recommend everyone reading this, and suggest to get the Kindle sample sent you kindle first. If you are not convinced. You’ll want to purchase it!








