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The Silence of the Lambs (Two-Disc Collector's Edition)
Additional DVD options | Edition | Discs | Price | New from | Used from |
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August 24, 2004 "Please retry" | Special | 1 | $3.01 | $1.99 |
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August 21, 2001 "Please retry" | Special Edition | 1 | $5.00 | $1.50 |
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August 21, 2001 "Please retry" | Special Edition | 1 | $7.20 | $1.49 |
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October 3, 1997 "Please retry" | — | 1 | $10.98 | $2.00 |
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July 15, 1998 "Please retry" | The Criterion Collection | 1 | $12.00 | $2.35 |
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August 24, 2004 "Please retry" | — | — | $19.99 | $12.98 |
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Genre | Horror, Mystery & Suspense |
Format | Multiple Formats, Widescreen, Color, Dolby, Dubbed, Subtitled, NTSC |
Contributor | Thomas Harris, Diane Baker, Don Brockett, Anthony Heald, Frankie Faison, Kasi Lemmons, Anthony Hopkins, Jodie Foster, Scott Glenn, Brooke Smith, Dan Butler, Jonathan Demme, Ted Levine, Lawrence T. Wrentz, Ted Tally See more |
Language | English |
Runtime | 1 hour and 58 minutes |
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Product Description
Product Description
A psychopath nicknamed Buffalo Bill is murdering women across the Midwest. Believing it takes one to know one, the FBI sends Agent Clarice Starling (Foster) to interview a demented prisoner who may provide clues to the killer's actions.
Amazon.com
Based on Thomas Harris's novel, this terrifying film by Jonathan Demme really only contains a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr. Hannibal Lecter, virtually entombed in a subterranean prison for the criminally insane. At the behest of the FBI, agent-in-training Clarice Starling (Jodie Foster) approaches Lecter, requesting his insights into the identity and methods of a serial killer named Buffalo Bill (Ted Levine). In exchange, Lecter demands the right to penetrate Starling's most painful memories, creating a bizarre but palpable intimacy that liberates them both under separate but equally horrific circumstances. Demme, a filmmaker with a uniquely populist vision (Melvin and Howard, Something Wild), also spent his early years making pulp for Roger Corman (Caged Heat), and he hasn't forgotten the significance of tone, atmosphere, and the unsettling nature of a crudely effective close-up. Much of the film, in fact, consists of actors staring straight into the camera (usually from Clarice's point of view), making every bridge between one set of eyes to another seem terribly dangerous. --Tom Keogh
Set Contains:
A great movie deserves great special features, and MGM has done right by The Silence of the Lambs--for the most part. Although Criterion's commentary track and storyboards are missing, this collector's edition offers some first-rate extras. The bone-chilling thriller is on the first disc, while the second boasts a bevy of bonus material, including the original making-of featurette, deleted scenes, and outtakes. New documentaries consist of Inside the Labyrinth: Making of The Silence of the Lambs, which covers every aspect of the production; Jonathan Demme & Jodie Foster, a look at the film from the perspective of director and leading actress; and a two-part installment of Bravo's Page to Screen, which traces the transition from bestselling book to Oscar-winning film. As for the latter, the author's input is notable by its absence, but the program notes that Thomas Harris refuses all media requests. Instead, screenwriter Ted Tally and others speak about his work. Though repetition is inevitable, the combined features answer pretty much every question a viewer could have about The Silence of the Lambs, i.e. Yes, that is director George Romero in a cameo and yes, the head in the jar was modeled after producer Ed Saxon. There are even recipe cards for dishes like roast lamb and fava bean risotto. Interestingly however, there's no mention of the various sequels and prequels to Demme's film, like Michael Mann's Manhunter or Ridley Scott's Hannibal, but then again, they weren't produced by the same creative team. --Kathleen C. Fennessy
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 4 Ounces
- Item model number : M106584
- Director : Jonathan Demme
- Media Format : Multiple Formats, Widescreen, Color, Dolby, Dubbed, Subtitled, NTSC
- Run time : 1 hour and 58 minutes
- Release date : January 30, 2007
- Actors : Jodie Foster, Anthony Hopkins, Scott Glenn, Ted Levine, Brooke Smith
- Dubbed: : English, French, Spanish
- Subtitles: : English, Spanish
- Language : English (Dolby Digital 5.1), Unqualified, French (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono)
- Studio : Mgm (Video & DVD)
- ASIN : B000LP6KNU
- Writers : Ted Tally, Thomas Harris
- Number of discs : 2
- Best Sellers Rank: #21,016 in Movies & TV (See Top 100 in Movies & TV)
- #615 in Horror (Movies & TV)
- #1,068 in Mystery & Thrillers (Movies & TV)
- Customer Reviews:
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Reviewed in the United States on June 17, 2015
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a "shut up and butt out, let me do my job, or I'll call on the appropriate authority" attitude. then clarice faces her own boss, who set her up under a false pretense, to interview hannibal to "gather information" about his "insights" but not about his real objective: to try to garner any info hannibal might reveal about Buffalo Bill. clarice's strength is again revealed in the autopsy room. despite the sickening scene, her first direct encounter with a deceased person, the victim is a woman and has been horribly mutilated, but clarice, visibly shaken, still manages to follow protocol as well as succinctly summarizing her findings. later in the car with her boss on the way back to office, her disgusting boss tries to wiggle his way out of his condescending and discriminatory behavior when all the male officers were present, in the autopsy room. and so on it goes. there's so much going on in this movie and its brilliant. the close up camera angles. the rooms in the killer's house are amazingly well thought out: dishevelled, cluttered, rotting corpse in a bathroom, dirty kitchen, the cute WHITE little innocent dog is juxtapose to the evil dark sick mind of its owner. so much symbolism in this film that it might take a week to cover it, and then we could find more. simply brilliant.
Worth mentioning, 'Silence of the Lambs' stands on its own as a film without 'Red Dragon' or others.
There's a 1-star review on the front page that picks this movie apart, and it makes a couple decent points and a couple bad ones (several of these 'issues' were explicitly treated in the movie and can be resolved if one watches closely). I think the main point is the unlikely premise: a trainee becomes involved in a really high-profile (& perilous) case; for all we can tell this is a lark, because a senior agent has some reason to suspect that a serial killer he'd helped capture before may hold the key to secrets in the mind of a fellow killer -- something along these lines -- and the upshot of this trainee's involvement (and some innate skill, or else there would be no story) being that she ends up chasing the killer herself. The way things are run in this country, such events would never transpire*; agencies only increase their chokeholds on stability over time, hoping to prevent the occurrence of the unexpected. If a trainee were thrown into the field like this, the results would be impossible to predict. However fiction provides a flexible vehicle, and this is a fictional story of a very risky bid. It is not meant to be historical fiction, but horror, therefore this unrealistic element is more of a strength than a weakness (it is both).
I don't want to give a lot of the ending away, but there is something totally unnecessary which is cinematically brilliant. This movie is rather gross yet it doesn't feature much gore. It takes its time with a few scenes that upset some innate desire for psychic equilibrium, and it succeeds in being highly disturbing. It touches all of the primal fears I can think of off the top of my head: sudden loss of sight, suffering in the dark, being trapped in pain, desperation of others, screaming, the pliability of human flesh, sacrifice of innocence, insanity, sudden realization that a situation is quite a lot more dangerous than anticipated, mazes, a tortured mind becoming a torturer. This movie contains a lot of prejudice, but almost none of it is senseless. At its best, it points a finger at society. The most brilliant themes (without spoilers) are Lecter's notion of decency and its probable etiology, and observation vs voyeurism. I really liked 'Silence of the Lambs,' so I'm not writing a very smart review, but this is a movie I will want to watch again.
*a tragedy, perhaps
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