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Silk Road Journeys: When Strangers Meet
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Silk Road Journeys - When Strangers Meet ((Remastered))
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Track Listings
| 1 | Mongolian Traditional longsong - Ganbaatar Khongorzul |
| 2 | Legend of Herlen |
| 3 | Blue Little Flower (Chinese Traditional) |
| 4 | Mido Mountain (Chinese Traditional) |
| 5 | Moon over Guan Mountain |
| 6 | No. 3 Miero vuotti uutta kuuta from Five Finnish Folk Songs |
| 7 | No. 5 Joiku from Five Finnish Folk Songs |
| 8 | Persian Traditional Avaz-e Dashti - Siamak Jahangiry |
| 9 | Habil-Sayagy (In Habil's Style) |
| 10 | Blue As The Turquoise Night of Neyshabur |
| 11 | Chi passa per'sta strada |
| 12 | Desert Capriccio (Music from the film Crouching Tiger, Hidden Dragon) |
Editorial Reviews
Product description
Ma,Yo-Yo ~ Silk Road Journeys: When Strangers Meet
Amazon.com
This disc introduces Yo-Yo Ma's latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music.
This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments. Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian "horse-head fiddle." There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma's tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project's musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments. --Edith Eisler
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.62 x 4.92 x 0.33 inches; 3.84 Ounces
- Manufacturer : Sony Masterworks
- Item model number : 696998978225
- Original Release Date : 2002
- Run time : 1 hour and 18 minutes
- Date First Available : January 23, 2007
- Label : Sony Masterworks
- ASIN : B0000641CG
- Number of discs : 1
- Best Sellers Rank: #46,733 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #942 in Chamber Music (CDs & Vinyl)
- #2,807 in Soundtracks (CDs & Vinyl)
- Customer Reviews:
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This has to be one of Yo-Yo Ma's finest CD's. With the cello there is such a magnificent blend of instruments that one feels right on the Silk Road. I found that the "silky" feeling is particularly strong on Track 5: Zhao Jiping: Moon over Guan Mountains through Tracks 6 and 7: Michio Mamiya: Five Finnish Folksongs and then Track 8 Avaz-e Dashti (Pesian Traditional)
but then continues in a different feel of different kinds of silk. Although it is an auditory feeling there is very much a kinesthetic feeling in this CD.
Besides traditional orchestral instruments, there is a fascinating array of musical instruments with their own kind of onomatopoeic names other than flutes, lutes, organs, drums, and fiddles. The printed insert is a superb piece of poetic writing to guide one on the origins of this Ensemble. It is certainly a masterpiece of music to listen to on one's own in particular. It is a kind of meditation and one where one can relate to immediately for peace of mind and spirit. The ensemble was formed on trust, according to Yo-Yo Ma. So "trust" me this is splendid! I look forward to more of this type of music.
Genie Albrecht
Windhoek Namibia.
But occasionally something comes along like Yehudi Menuhin's collaborations with Ravi Shankar or this, cellist Yo-Yo Ma's ambitious blend of classical instruments with the music of central and eastern Asia; and the potential for evolving new art from spliced traditions is realized.
This is not classical slumming, nor is it Middle Eastern folk music jazzed up. It hasn't the odd discontinuity one hears when the trained voice of an opera star sings gospel music or folk songs "correctly." The compositions and arrangements present a unified suite of sound, moving as comfortably as a caravan from Renaissance Italy (with a side trip to Finland!) to Persia, Mongolia, and into China.
The sound is exotic, from the initial shock of the piercing Mongolian street singer's shrill tremulo to the belly dance rhythms of the later pieces. The quality of the sound is impeccable, as one would expect of an artist as meticulous at Yo-yo Ma. I heard this on the radio, and ordered it immediately. How glad I am, that CDs don't wear out.
This disc is a journey.
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