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Sin City - Unrated (Two-Disc Collector's Edition)
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| Format | Closed-captioned, Color, Dolby, Widescreen, DTS Surround Sound, NTSC |
| Contributor | Gugino, Carla, Hartnett, Josh, Duncan, Michael Clarke, Frankenfield, Christina, Flanagan, Tommy, Del Toro, Benicio, Bledel, Alexis, Aoki, Devon, Rodriguez, Robert, Dashnaw, Jeffrey J., Ciccolella, Jude, Dawson, Rosario, Gomez (II), Rick, De Luna, Jesse, Miller (II), Frank, Verveen, Arie, Boothe, Powers, Douglas (IV), Jason, Alba, Jessica See more |
| Language | English |
| Runtime | 2 hours and 4 minutes |
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Product Description
Product Description
This Recut & Extended Edition is the ultimate SIN CITY DVD Collection and features a new, never-before-seen extended version of the original motion picture, the original theatrical release with three new commentaries, and extensive brand-new bonus material! Also included, a complete SIN CITY graphic novel: "The Hard Goodbye." The acclaimed hit from director Robert Rodriguez delivers explosive stories straight from the pages of Frank Miller's hip series of "Sin City" graphic novels ... and stars Bruce Willis, Jessica Alba, Mickey Rourke, Jaime King, Clive Owen, Brittany Murphy, Rosario Dawson, Devon Aoki, Alexis Bledel, Benicio Del Toro, Elijah Wood, Nick Stahl, Michael Madsen, Carla Gugino, and Michael Clarke Duncan.
Amazon.com
The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch. Billed as "Recut, Extended, Unrated," with "over 20 minutes" of new footage, the new set's four separate stories are extended by only about 6.5 total minutes of movie action (see details below in "What's New"); the rest of the added running time is the splashy new title shots (named by the title of the story or book) and the four minutes of credits that run at the end of each segment. Each addition makes the movie even closer to the comic books, and these extended segments are generally preferable to the theatrical equivalents (unfortunately, there's no Play All option), but don't expect the same impact as Peter Jackson's Lord of the Rings extended editions. And although this version is unrated, the only risqué addition is a bit of violence from Miho that's no worse than the rest of the crazy violence in the film.
How Are the Bonus Features?
Robert Rodriguez has always loved DVDs, so the bonus features are extensive. On the first disc, there is somehow room for the theatrical cut of the film with its DTS track (the extended versions have only Dolby 5.1), two commentary tracks, an alternate audio track with a live audience in Austin, Texas, an interactive map of characters and locations, and 47 minutes of featurettes covering Frank Miller, Quentin Tarantino, cars, costumes, props, and special effects. The first commentary is Rodriguez and Miller discussing the concepts and the cast. The second commentary is mostly by Rodriguez, but Tarantino drops in briefly for the scene he directed (with Clive Owen and Benicio Del Toro in the car), as does an enthusiastic Bruce Willis for his segment.
The Tarantino scene gets a lot of attention on the second disc as well, in a 14-minute take in which he can be heard coaching the actors. Also on the disc are Rodriguez's usual "flic school" (among the topics is how scenes were created by merging footage of actors who never actually met), footage of Bruce Willis's band performing in Austin at the time of the shooting, and another Rodriguez cooking school (this time it's breakfast tacos). But the most interesting feature is the "green screen version" of the film: the entire film as it was shot in front of the green screen, sped up to play in only 12 minutes. You can see the actors (in color!) interacting only with the props and each other. Last, there's a DVD-sized complete comic book of The Hard Goodbye.
What's New in the Extended Version?
"The Customer Is Always Right" (the opening sequence with Josh Hartnett and Marley Shelton) has no new footage, but now goes straight into the one-minute epilogue with Hartnett and Alexis Bledel that closed the theatrical cut. "The Hard Goodbye" (with Mickey Rourke as "Marv" ) has two new sequences totaling about two minutes: Marv encounters his mother and finds his gun, and talks to Weevil in the club. In "The Big Fat Kill" (with Clive Owen and Benicio Del Toro), some short dialogue is restored, along with another wicked slice by Miho (Devon Aoki)--about a minute total. "That Yellow Bastard" (with Bruce Willis and Jessica Alba) has about 3.5 new minutes: there are more visitors to Hartigan's hospital bed, including his wife and a nurse; Carla Gugino's Lucille character comes to assist Hartigan when he wants to get out of jail (probably the best addition); and Mr. Shlubb and Mr. Klump have some more lines. --David Horiuchi
More Sin City at Amazon.com
The Graphic Novels and Books
Films by Robert Rodriguez
Our interview with Frank Miller
The Soundtrack
From Graphic Novel to Big Screen
Films by guest director Quentin Tarantino
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Package Dimensions : 7.5 x 5.6 x 1.1 inches; 4 Ounces
- Director : Miller (II), Frank, Rodriguez, Robert
- Media Format : Closed-captioned, Color, Dolby, Widescreen, DTS Surround Sound, NTSC
- Run time : 2 hours and 4 minutes
- Release date : December 13, 2005
- Actors : Alba, Jessica, Aoki, Devon, Bledel, Alexis, Boothe, Powers, Ciccolella, Jude
- Subtitles: : English
- Language : English (Dolby Digital 5.1), English (DTS 5.1)
- Studio : Lionsgate
- ASIN : B000BCKFWK
- Number of discs : 2
- Best Sellers Rank: #86,396 in Movies & TV (See Top 100 in Movies & TV)
- #6,702 in Mystery & Thrillers (Movies & TV)
- #9,834 in Action & Adventure DVDs
- #17,555 in Drama DVDs
- Customer Reviews:
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I am not particularly happy that when I bought "Frank Miller's Sin City" on DVD as soon as it came out that it was the stripped down version and that a few months later, in time for Christmas no less, we finally get the "Recut, Extended, Unrated" DVD set. But studios are making money off of this double-dipping and if I could hold off for years on "Titanic" I should have been able to do the same thing with this one, so shame on me. But the good news is that (a) I did not have to pay for the upgrade and (b) the difference between the two DVDs, without the discount, is only ten bucks and you will more than get your money's worth here because to ease our collective pain Robert Rodriguez made sure that this 2-disc set goes the extra mile. That is clear as soon as you open up the box and discover it includes a mini-version of Frank Miller's "The Hard Goodbye" (my "mini" I mean the book is slightly larger than the size of a paperback novel). This is a good choice not only because it is the first "Sin City" graphic novel, but also because it is about Marv and as Marv Mickey Rourke steals this movie from Bruce Willis and the rest. So already you have account for a good chuck of the extra ten dollars you are spending and then we get to the super-loaded two DVDs.
Disc 1 contains the original theatrical release (uncut, unextended, rated). Your other "Sin City" DVD is made superfluous because this has three commentary tracks: co-directors Robert Rodriguez and Frank Miller talking primarily about working with the actors; Rodriguez and special guest director Quentin Tarantino (eventually) talking more about the technical aspects of the film; and an audio track of the reaction of an audience in Austin to a screening of the film. The featurettes cover how Frank Miller was convinced to make the film, getting Tarantino to play with shooting a film digitally, and then separate looks at the cars, props, special effects and costumes of the film. There is then a "Sin-Chroni-City" interactive game that looks at how the three novels that make up the first "Sin City" movie cross each other, and the teaser and theatrical trailers. The two directors having a conversation while screening the film is the best of the extras on this disc, simply because I like the stories of the production a bit more than the details on how the film was made, but both are excellent commentary tracks.
Disc 2 offers the recut and extended theatrical release and it is not the deleted scenes being worked back in for the "extended" part that matters here but rather the "recut" part. That is because Rodriguez has recut the movie into the three graphic novels, "The Hard Goodbye," "The Big Fat Kill," and "That Yellow Bastard," along with the short story "The Customer Is Always Right" from "Babe Wore Red" and the epilogue Rodriguez and Miller came up with for the end of the film. With the movie broken up this way it is even easier for you to watch a "chapter" with Miller's graphic novel in front of you to see the extent to which they actually did shoot the book on this film. Of course the special features on this disc include new installments of Rodriguez's 15-Minute Film School and 10-Minute Cooking School (breakfast tacos). There is also a performance by Bruce Willis with a band at the "'Sin City' Live" cast and crew party at Antones filmed by Rodriguez with the digital camera. For cinema buffs the two treats are the movie in high-speed green screen, so you can see how they actually shot everything (tip of the hat to Rodriguez for protecting his cast on the brief nudity in this version), and a 14-minute uninterrupted take from Tarantino's segment (Dwight and Jackie Boy in the car on the way to the tar pits) that allows a great look at how actors and directors work when shooting digitally.
I already thought "Frank Miller's Sin City" was a five-star movie that not only sets the standard for what film noir will be in the 21st century but also advances the cause of digital filmmaker. That it brings Miller's characters and story to life while remaining faithful to his artistic style is a bonus for those whose introduction to "Sin City" was the graphic novels, but that was what Miller and wanted and what Rodriguez delivered with his little test run. If you held out on getting this movie on DVD until the special features version was available it was well worth your wait, and if you have been duped into giving the studio even more of your money for this upgrade you will at least have the satisfaction of knowing that Rodriguez delivered for you as well.
Frank Miller's "Sin City" is a world where the heroes can take a whole series of punches as well as deliver them, where justice has nothing to do with either mercy or the cops, and the system is crooked from top down to pretty near the bottom of the barrel. The dames are still worth dying for and some of them might even be goddesses, but others can defend themselves quite well, thank you. This is a world where protecting women is hard-wired into the psyches of guys like John Hartigan (Bruce Willis), Marv (Mickey Rourke), and Dwight (Clive Owen). If you fail to protect a dame, then somebody has to pay and in a way that will make the scum bucket think Hell is heaven when you finally let them go there. This movie is rated R for sustained strong stylized violence, nudity and sexual content including dialogue, but that is an R that is a lot closer to NC-17 than it is to PG-13.
Ang Lee tried to have parts of "The Hulk" look like a comic book, but that meant throwing several frames on the screen at the same time. But with "Sin City" director Robert Rodriguez knows that a comic book panel can be like a frame in a motion picture and visa-versa, so his solution was to embrace Miller's visual style and make him the co-director of the film (and give him a small role as a priest hearing his final confession). The "Sin City" were done largely in black and white, although sometimes white and black, and other times when the strategic addition of a single color as in the red of a woman's lips, the yellow of her hair, or the blue of her eyes. Sometimes the red is a cool looking car.
This is the bloodiest film noir of my experience, so it is a good thing that when there is a lot of blood is it just as likely to appear as bright white or neon yellow as globs of the red stuff. But it is also evokes more bursts of laughter at the audacious violence and the perfectly timed one-liners, most of which will never work uttered in Dirty Harry fashion out of the context of the film. This is film noir in the tradition of Mickey Spillane updated for the Quentin Tarantino generation.
The standout performance in "Sin City" is clearly Mickey Rourke as Marv, who is buried under so much makeup you keep assuring yourself that he is really in there somewhere. In keeping with the formula of the film Marv is both the most violent of the protagonists, giving taking somebody for a ride a whole new meaning, and the funniest, in both word and deed. Willis and Owen are both fine as the other two protagonists, but they are more the strong and silent types, neither as reflective nor as sardonic as Marv. Willis definitely has the world weary act honed down to perfection, but Owen seems a bit too mannered in his detachment in his story line and ends up finishing third in the hero sweepstakes. Elijah Wood as Kevin does not get to speak but still creeps you out as Frodo gone over to the Dark Side. Benicio Del Toro shows some nice comic timing as Jack Rafferty and Michael Madsen has not changed a bit as Bob, while Nick Stahl is scum of two different colors. Rutger Hauer, Powers Booth and Michael Clarke Duncan all take turns playing heavies and it becomes pretty clear Rodriguez could get just about anybody he wanted to do this movie.
Of the women of "Sin City" it is Devon Aoki as Miho who stands out although she never says a word (she does not have to). Jessica Alba's best moments as Nancy are silent, although there is a change in why that is the case as we go through the movie. Rosario Dawson has fun going over the top as Gail, Brittany Murphy goes slumming as Shellie, and Jaime King plays two sides of the same coin as Goldie and Wendy. Alexis Bledel is certainly trying to get as far away from Rory Gilmore as possible by playing Becky, but I am afraid she does not get far in that regard. Then again, if you have read Miller's graphic novels you will be impressed by how Rodriguez has brought the stark black and white images of Becky, Hartigan, the Yellow Bastard and the rest of them to life on the screen. This movie is going to make a ton of money, Miller is going to sell a lot of copies of the new editions of his "Sin City" graphic novels, and hopefully it will not be too long before we get the next cinematic installment, which should have Johnny Depp playing Wallace in the "To Hell and Back" segment.
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Bruce Willis is excellent as the hard boiled cop Hartigan who has made a vow to protect a stripper, but for me the star of the show is Mickey Rourke, who nearly steals the show as Marv, a tough guy ex-con out to do the right thing for once in his life. The movie has style to burn, filmed in black and white of course but with certain colours highlighted, mostly red and it has a retro feel, mostly because of the great classic American cars and a narration from main characters which kind of reminded me of playing Max Payne. It has a real grizzled, film noir old fashioned quality to it that stands up to multiple viewings.
I don't read graphic novels so I won't have a clue what they're like, but I am pretty sure this movie has the same kind of atmosphere and edgy quality that the Sin City graphic novels have. An all star cast really delivers, the females are tough and as sexy as hell, the guys are super cool, and sexy in their own way I suppose, so something for the ladies there, (particularly with Bruce Willis and Clive Owen of course) and it has great stories packed into it. I was totally bedazzled from the first viewing dvd and have now got it on Blu ray and have seen it three times already.
This is like film noir at its best for me and I would recommend Sin City to anyone who is a fan of either the Sin City Graphic novels themselves or film noir in general.
Super cool, super sexy.
Sin City is a tragic yet not dramatic set of stories, some interwoven, some linked by a common sense of destiny and a bitter, raw and existential approach to what's left of the world and characters' lives.
I found it very amusing, and from Clive Owen to Bruce Willis and Mickey Rourke, they all contribute to make this a unique film, almost experimental, and definitely impressive on blu ray
I also find the Mickey Spillane/ Mike Hammer approach to narration and dialogue excruciating, so given that this was the style the film chose to use I had to give up watching it part-way through and come back another day when I was in a better mood.
Nevertheless, elements of the story(s) were brilliantly done; I enjoyed the silent ninja-cannibal entity, and the balances created between the characters, from the impossible-to-knock-down muscle man to Bruce Willis' ailing and vulnerable cop.
And I enjoyed the the ladies costumes, of course.
A good helping of comic book action in the new steam-punk genre.
It's quite a violent film,and there's no plot.So,it does have a high body count! The film is done in the style of the adult novel,by Frank Miller.It's very enjoyable though.My favourite character was the silent,but deadly Miho,played by the delicous Devon Aoki.The law enforcer of old town!I'm not sure if she has the highest kills in the film,but it's a lot!

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