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Singularity Sky Mass Market Paperback – June 29, 2004

3.6 out of 5 stars 144 customer reviews
Book 1 of 3 in the Singularity Series

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Stories of Your Life and Others by Ted Chiang
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Editorial Reviews

From Publishers Weekly

In his first novel, British author Stross, one of the hottest short-story writers in the field, serves up an energetic and sometimes satiric mix of cutting-edge nanotechnology, old-fashioned space opera and leftist political commentary reminiscent of Ken MacLeod. Spaceship engineer Martin Springfield and U.N. diplomat Rachel Mansour hail from an Earth that has gone through the Singularity, an accelerated technological and social evolution far beyond anything we can imagine. The Singularity was triggered by the Eschaton, a super-powerful being descended from humanity that can travel in time and that essentially rules the universe. Springfield and Mansour meet on the home world of the New Republic, a repressive, backwater society that has outlawed virtually all advanced technology other than that necessary for interstellar warfare. When one of the New Republic's colonial worlds is besieged by the Festival, an enigmatic alien intelligence, the Republic counterattacks, using time travel in an attempt to put its warships in position to catch the Festival by surprise. Springfield and Mansour, working for different masters, have both been assigned the task of either diffusing the crisis or sabotaging the New Republic's warfleet, no matter what the cost. As a newcomer to long fiction, Stross has some problems with pacing, but the book still generates plenty of excitement.
Copyright 2003 Reed Business Information, Inc.

From Booklist

In the twenty-fifth century, human society has depended for several hundred years on faster-than-light travel and an artificial intelligence called the Eschaton. Interstellar colonies are scattered all over, and one, the New Republic, has become a classic refuge for antitechnological holdouts. But the New Republic is suddenly under attack, literally, by the technology it has tried to suppress, which now appears under the name the Festival. An Earth battle fleet is on the way, but is it coming to help, to ride to power on the coattails of the Festival, or to fulfill some entirely separate agenda, possibly set by the Eschaton, which has achieved consciousness, sentience, and probably a lust for power? If no element of Stross' novel is very original, all of them are formidably well-executed, especially the meticulous and imaginative portrayal of the New Republic and its Victorian technology. In addition, the book possesses the rare virtue of neither requiring nor precluding a sequel. Roland Green
Copyright © American Library Association. All rights reserved

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Product Details

  • Series: Singularity (Book 1)
  • Mass Market Paperback: 352 pages
  • Publisher: Ace (June 29, 2004)
  • Language: English
  • ISBN-10: 0441011799
  • ISBN-13: 978-0441011797
  • Product Dimensions: 4.2 x 0.9 x 6.7 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (144 customer reviews)
  • Amazon Best Sellers Rank: #197,030 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
Sometime in the mid 21st century an artificial intelligence arises out of Earth's computer networks. This intelligence scatters the land with strange structures, causes nine tenths of the population to disappear and issues three commandments. Flash forward a few centuries, the missing nine tenths of earth's population were transmitted via wormholes to star systems up to 3000 light years away, travelling one year back in the past for every light year travelled. Earth has recovered from the events of this singularity and is now a sort of central clearing house for trade and information under a reconstituted United Nations.

Martin Springfield is an engineer working for the Navy of the New Republic, one of the civilzations rising out of this diaspora and which despite it's name is more of an empire. The New Republic has banned most information technology and all nano-technology and keeps its citizens backwards in a highly stratified society where advanced technologies are only permitted for military or state security uses.

When a travelling interstellar civilization known as the Festival comes to the New Republic colony world New Rochard the whole social system is kicked over. The Festival wants stories and information, and is willing to trade high tech products that verge on the magical to the inhabitants of New Rochard, which destroys scarcity and the whole hierarchical system. Rather than allow this to happen the New Republic decides to launch a war fleet to take out the Festival. Using faster than light travel the war fleet will arrive at New Rochard before the Festival does, thus saving the day.
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Format: Hardcover
I blazed through this book. It is playful, irreverent, consumed by more raw ideas and imaginative takes on traditional scifi tropes than I've seen in a dog's age. And it contains the most vivid spaceship command deck combat dialogue I've ever read. If you enjoy the occasional fat mouthful of jargon, you're going to find yourself chewing vigorously throughout Singularity Sky.
Mr. Stross is obviously having more fun in some parts of his writing than others, which while noticable, isn't fatal. I think the other reviewers should give this book another read without their Clarion baseball hats on, or at least with them loosened a few notches. Perfection isn't required for enjoyment - just energy and novelty. Maybe they were dissatisfied at the denouement to the Big Space Battle, but that was the point - sometimes, you don't get the lollypop.
Singularity Sky is about *bigness*, like John Clute's _Appleseed_, but more accessbile. It's full of little in-jokes and sly tech-culture references, doing for the IETF what _Silverlock_ did for filk. It baps around collectivism, the principles of sovereignty, mutation theory, spy techniques, nanotechnology, Newtonian physics, kangaroo courts, secret police, and a character straight out of a Gilbert and Sullivan production. Oi vey!
I liked it. I'm looking forward to his next book A Lot. He will only get better.
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Format: Mass Market Paperback
I've been reading Charles Stross's "Accellerando" cycle of short stories in Asimov and have been much impressed. As such, I've been looking forward to reading Singularity Sky.

This is a first novel and much be judged accordingly. It does have its rough edges. Like many hard SF authors, Stross has a love of technical jargon that does, sometimes, get in the way of the story. I must also note that I found the ending to be less than satisfactory and something of a cheat given the events of the story.

That said, the book is brimming with fresh ideas. Stross appears to be one of the few authors who takes the notion of a Vingean Singularity seriously and that comes through in this story to its benefit. He's also better at characterization than most hard SF authors manage (which isn't to say that it couldn't stand some improvement).

It is a book filled with ideas and brimming with a sense of wonder. I don't doubt that as he hones his skills, he will be an author to reckon with.
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Format: Kindle Edition Verified Purchase
This book combines a lot of seemingly random and bizarre stuff (most everything associated with the Festival falls into the category of bizarre, or at least strange), along with some pretty dull space-navy type stuff. The New Republic itself as an intentionally retro society is kind of interesting to contemplate, but also fairly boring. The New Republic space navy and all the officers and what not is terminally dull, in the same way that the reconstituted British Royal Navy in Space in "The Mote in God's Eye" is terminally dull. The protagonists, Rachel and Martin, are also not very interesting, and the author didn't do a good job of conveying any sense of chemistry or attraction between these two, beyond that they don't like the New Republic. The narrative is muddled in parts, particularly where the Festival is concerned - I never did quite get what an "upload society" is. There's also a lot of talk about "closed timelike paths" which turns out to be a bit of physics jargon, and maybe a little explanation of the jargon would have been handy for the reader who has some scientific background, but not an expert in general relativity. The degree of knowledge that Rachel and/or Martin had about of the Festival seemed to shift throughout the book. The Eschaton as a shadowy all-powerful force in the background driving the plot was also underdeveloped. Sister Seventh devolves into sort of a wise-cracking Yoda figure. Really not much to redeem this book, honestly. At no point did I find it really interesting or fun, even when the author seemed to think he was being funny.
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