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The Sisters Brothers Kindle Edition
SOON TO BE A MAJOR MOTION PICTURE STARRING JAKE GYLLENHAAL, JOHN C. REILLY AND JOAQUIN PHOENIX
A BOOKER PRIZE FINALIST
AND A BEST BOOK OF THE YEAR: Publishers Weekly • Amazon • Hudson Booksellers • Washington Post
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn’t share his brother’s appetite for whiskey and killing, he’s never known anything else. But their prey isn’t an easy mark, and on the road from Oregon City to Warm’s gold-mining claim outside Sacramento, Eli begins to question what he does for a living-and whom he does it for.
With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters-losers, cheaters, and ne’er-do-wells from all stripes of life-and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
- LanguageEnglish
- PublisherEcco
- Publication dateApril 26, 2011
- File size3788 KB
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Editorial Reviews
Review
From Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to an alternate kindle_edition edition.
From the Inside Flap
Shortlisted for the Booker Prize
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living-and whom he does it for.
With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters-losers, cheaters, and ne'er-do-wells from all stripes of life-and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
--Wall Street Journal --This text refers to an alternate kindle_edition edition.From the Back Cover
Shortlisted for the Booker Prize
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living–and whom he does it for.
With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters–losers, cheaters, and ne'er-do-wells from all stripes of life–and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
--This text refers to an alternate kindle_edition edition.Review
About the Author
PATRICK DEWITT was born on Vancouver Island in 1975. He is the author of three critically acclaimed novels: Undermajordomo Minor, Ablutions and The Sisters Brothers, which won the Governor General’s Literary Award for Fiction, the Rogers Writers’ Trust Fiction Prize, and the Stephen Leacock Medal, and was shortlisted for the Man Booker Prize and the Scotiabank Giller Prize. He lives in Portland, Oregon.
--This text refers to an alternate kindle_edition edition.Product details
- ASIN : B004CFA91Y
- Publisher : Ecco; Reprint edition (April 26, 2011)
- Publication date : April 26, 2011
- Language : English
- File size : 3788 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 340 pages
- Best Sellers Rank: #91,776 in Kindle Store (See Top 100 in Kindle Store)
- #117 in Humorous Literary Fiction
- #208 in Read & Listen for $14.99 or Less
- #430 in Read & Listen for Less
- Customer Reviews:
About the author

Patrick deWitt is the author of the critically acclaimed Ablutions: Notes for a Novel, as well as The Sisters Brothers, which was short-listed for the Booker Prize. Born in British Columbia, he has also lived in California and Washington, and now resides in Portland, Oregon. His newest novel is Undermajordomo Minor.
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I'll warn you there will be spoilers later on in this review. So, I'll pause here to tell you that I thoroughly enjoyed this book. My one problem was a mild dissatisfaction with the ending or, rather, the events leading up to the ending. It is a minor problem, and something I can't quite articulate. Perhaps the answer will come to me while writing this review. I recommend the book. It is a noir western that contains some wickedly deadpan humor. I think it was a reviewer from the Los Angeles Times that said this would be the outcome if Cormac McCarthy had a sense of humor.
Set in the American west in 1851, the novel is about the notorious assassin brothers, Eli and Charlie Sisters. They are hired guns for the mysterious Commodore, and their current assignment is to kill Hermann Kermit Warm because the Commodore claims he has stolen something that belongs to him.
I found a vague similarity to Of Mice and Men - two brothers, one a simpleton, the other his protector - but, in this novel, it is the simple-minded brother who is the narrator. Little else about this book reminds me of the classic, but I wonder if the author didn't take a kernel of his idea from that book.
The novel starts out with Eli Sisters, the narrator, contemplating horses, or his lack of an adequate one. No good western should be without horses, and this book is chocked full of them. But, unlike other westerns, this book doesn't treat them with gratuitous reverence.
At one point, Eli's poor horse has his eye scooped out with a spoon because of infection. It seems gruesome - and it is - but it is made less so because Eli does it out of dedication to the animal. Or as much dedication as he's capable of.
The story is Eli's inner journey. It's about the contradictions of life, where the dumb can sometimes be smart; how even the most simple-minded person can have something worthwhile to say, or can have an original idea; and that sometimes the protected becomes the protector - that roles change. We are not always just one thing.
The Sisters Brothers is written with plainness and humor. The subtle humor can be seen in the following exchange between the brothers. When an opportunity comes along to trade in Eli's old horse for a better one, Charlie says:
"You've had a tough time with Tub, I'll not deny it. A happy coincidence, this horse just walking up to meet you. What will you call him? What about, Son of Tub?"
Most of the book is made up of the brothers' trek to meet up with Henry Morris, the front man who is to find Hermann Kermit Warm so the brothers can do their ill deed. Along the way, they meet many interesting and bewildering characters: a dentist who has failed at everything else and introduces Eli to the wonders of tooth power and brush; a distraught, crying man that they meet more than once; an abandoned hapless boy with another ill-fated horse; and a gypsy that may, or may not, have put a curse on the Eli.
Along the way there is much killing, for a variety of reasons. After going into town to get help for a spider bite that Eli has received, Charlie summarizes the randomness, or providence of it all, as if there is no control over the killings: "...it is a spider to blame for the early demise of your group. A woolly, fat-bottomed spider in search of warmth - here is the cause of your deaths."
The crux of the novel is that Eli is tired of the killing life. He has started to contemplate the moral question. This puts a drag, a tug, on the brothers' relationship and provides the dramatic tension.
The brothers finally make it to San Francisco, where they are to meet Morris, but he's nowhere to be found. During their search, they meet a man walking down the road petting a chicken and strike up a conversation. The man goes on to say: "My feelings about San Francisco rise and fall with my moods. Or is it that the town alters my moods, thus informing my opinions? Either way, one day it is my true friend, a few days after, my bitterest enemy."
The brief description of San Francisco during the gold rush makes me wonder if the influx of people during that frenzied time didn't leave an indelible mark on the city, and California in general. Here are Eli's thoughts:
"Men desiring a feeling of fortune; the unlucky masses hoping to skin or borrow the luck of others, or the luck of a destination. A seductive notion, and on I thought to be wary of. To me, luck was something you either earned or invented though strength of character. You had to come by it honestly; you could not trick or bluff your way into it."
Nothing is ever easy for the brothers, and so, when they go to the hotel to ask about Morris, the proprietress is loath to hand over the diary he unwittingly left behind. They resort to their usual methods of persuasion to garner the diary. It provides them with a clue to where they might find Warm and Morris, and to the Commodore's real motivations for having Warm killed.
Here is where the spoiler comes in, so stop reading now if you haven't read the book yet. I don't give everything away, but enough to give you warning.
Once they finally find the other pair, the story takes a twist. The brothers realize the Commodore lied to them. Warm didn't steal anything. In fact, it is the Commodore who wants to steal from Warm. Morris has already learned this and has turned his back on the Commodore to take up with Warm. But what are the brothers to do? They do what they generally do; let it play out and deal with things as they come.
The Commodore is after Warm's secret chemical formula for a solution that promises to reveal gold hidden in the bottom of streams. The brothers decide against killing Warm and become partners with the two men. They will help cull the gold from the river in exchange for a share of what they find.
The chemical solution works. They do find gold, but things go terribly wrong. And here is the point of my discontent. Charlie makes a critical error during the process. The mistake seems out of character. Although Charlie appears reckless at times, his action seems utterly thoughtless and without proper motivation. It is an action the author does not explain to my satisfaction.
The reader could take this error as Charlie subconscious desire to get out of the business. Even with all the gold in the world, he'll never be free of the killing life, unless he rids himself of the one thing that makes him who he is: his gun hand. But the reader is not given enough insight into the motivations behind Charlie's careless action to come to this conclusion, and I believe this is the reason the ending seemed flat to me.
While I find some of the brothers' behavior abhorrent, the author made me care about them. There was always humor to temper the morbidity and gruesomeness, and Eli's voice was delightful. The elements of magical realism sprinkled throughout add to the intrigue and poetry of the story.
Even with the one minor criticism, I found The Sisters Brothers to be an excellent bit of writing and a delight to read.
Narrated by Eli Sisters, the brothers serve as assassins for the Commodore—an authoritative figure that tasks the boys with jobs requiring more dangerous or fatalistic endings. The task at hand demands the brothers seek out and kill a one Hermann Kermit Warm—a prospector that has apparently stolen from the Commodore at the cost of his life. The novel is told with a picaresque structure of extremely short, yet memorable, narration of the brothers’ adventures and mishaps in their search for Warm across the Western landscape.
Tonally, the novel strikes a very rare and impressive balance between hilariously sharp dialogue and darkly comic situations that slowly navigate toward scenes of heartbreaking tragedy and acute poignancy. The only real tonal parallel that one may suggest is something close to that of the filmic works of the Coen Brothers, though DeWitt’s original voice still separates itself from those exceptional storytellers. Moreover, the tone complements the pacing of this episodic narrative to very impressive results. The book is an undeniable page-turner without ever losing the depth of its characterization or sacrificing any of the various emotional levels at play.
Though the book touches on a number of familiar Western genre staples—from assassins, to Mexican standoffs, to the larger themes of men imposing their morals upon others within a burgeoning civilization—the novel also successfully eschews many of these classical expectations to surprising and thought-provoking results. Despite the brothers’ job title of assassins, and the numerous violent acts that populate the narrative, the characters are imbued with a very touching and moving sense of pathos very unlike those found in the brutal landscapes occupied by traditional Western fiction. There are questions of moral ambiguity explored within this novel to incredibly successful results that bring to mind aspects of contemporary western writer S. Craig Zahler’s revelatory work (my favorite fiction writer: both A Congregation of Jackals and Wraiths of the Broken Land are masterpieces). Specifically, there are interludes wherein the protagonist confronts what may be the Devil/evil incarnate through the form of a little girl that remains one of the book’s most resonant and thought-provoking creations.
The Western genre stands as one of the best prisms for an author’s exploration of those thematic aspects of their obsession in tandem with those central themes to the American narrative at large. Themes of masculinity, spirituality, luck, the cost of success at the sacrifice of a man’s morals—these are all ideas embedded within the myth of American man and which the Western genre often explores through its setting of a terrain caught between civilization and barbaric tribalism. As the best Westerns are capable, The Sisters Brothers offers a fascinating and praiseworthy peak into DeWitt’s version of these central tenets: allowing an new perspective on both those time-honored traditions of the genre and those specific literary realizations brought forth by his singular imagination.
http://nickyarborough.com/book-review-the-sisters-brothers-by-patrick-dewitt/
As the two set off towards California, the natures of the two brothers begin to take shape, and they are unusual and quirky characters. Eli narrates the story of their journey and confrontation with Warm in a reflective and educated voice. At first, I was skeptical of the authenticity of this tone, but as the characters developed it became another idiosyncrasy that helped define Eli. Although Charlie is older and the natural leader, their relationship begins to change as Eli starts to question the Commodore's intentions and the brothers' actions.
If the book had ended twenty pages sooner than it did, I would have declared The Sisters Brothers to be an entertaining read. Personally, however, I found the ending to be contrived and unlikely, even in the unreal world the author created. As a result, the book abruptly ceased to be interesting to me. Others have loved it, and I think it's one of those books you'll either love or dislike.
Top reviews from other countries
As a fan of westerns and dry humour, I was pointed firmly in the direction of Patrick deWitt and his tale of the infamous (fictitious) Sisters Brothers. I was not disappointed. The Sisters Brothers and deWitt blast the reader with both barrels, delivering a lethal salvo of humour, pathos and originality that I wasn't prepared for. The story starts by introducing us to two men in black hats, brothers, who have been paid to ride from Oregon City to California to kill a man for their boss the Commodore. However, as conventional a premise for a Wild West story as this may be, don't be fooled, deWitt is serving far more than your standard spaghetti western.
We are taken on a journey via Eli Sisters, the younger, but much larger, more sensitive brother (sensitive being a relative term, as remember they are both hitmen after all). Charlie is the eldest and, whilst in size Eli is no longer the little brother, in practice and pecking order he remains very much the baby brother in terms of pecking order between the two. Hardened by life and tragedy, Charlie we learn has been forced to grow up and grow hard fast or else die. He chose the former of the two options and in doing so he’s also grown cruel and cold toward most of his fellow man outside, with his brother Eli being one of the few people on God’s green Earth that can elicit any sympathy or caring from him. Whilst initially this hardness may have been borne of necessity and love for his brother, these days though Eli notices that Charlie seems to at times actually relish the cruel acts his line of work demands of them both. In bearing witness to this growing callousness in his older brother over time, Eli’s concern for his brother and also for his own wellbeing and future grows. As Eli and Charlie embarking upon their latest journey along the Oregon trail to hunt down their latest bounty, Eli does so with reluctance, as he begins to question the morality of their line of work and also his appetite for it, especially in seeing its effects on his brother.
Indeed this story is a much more complex and multifaceted one than is apparent on the face of its initial premise. The Sisters Brothers is much more than a tale of gunslingers in white hats and black hats. It’s the story of two very different brothers, finding their way in the world together. Patrick deWitt weaves the thread of the two brothers’ lives through a rich tapestry of men and women from all walks of life that they encounter along the way. The depth of some of the issues that arise and the extraordinary circumstances the brothers find themselves in is offset to hilarious effect by the ordinary delivery and matter of fact manner in which Eli recounts the tale to the reader. For as shocking as some of the scenarios are to the reader, to him in many respects it is just another day at the office. This in part is where most of the comedy is derived, which is dark and dry as nightfall in the Oregon High desert.
As Eli recounts to us The Sisters Brothers odyssey along the Oregon trail to San Francisco, we bear witness to a poignant but darkly funny testimony filled with successes and failures, joy and sadness, love and anger, intelligence and ignorance. The Sisters Brothers’ tale is an epic one and one I enjoyed every page of. I look forward to reading more from Mr deWitt in the future.
5*
Reviewed in the United Kingdom on July 27, 2020
As a fan of westerns and dry humour, I was pointed firmly in the direction of Patrick deWitt and his tale of the infamous (fictitious) Sisters Brothers. I was not disappointed. The Sisters Brothers and deWitt blast the reader with both barrels, delivering a lethal salvo of humour, pathos and originality that I wasn't prepared for. The story starts by introducing us to two men in black hats, brothers, who have been paid to ride from Oregon City to California to kill a man for their boss the Commodore. However, as conventional a premise for a Wild West story as this may be, don't be fooled, deWitt is serving far more than your standard spaghetti western.
We are taken on a journey via Eli Sisters, the younger, but much larger, more sensitive brother (sensitive being a relative term, as remember they are both hitmen after all). Charlie is the eldest and, whilst in size Eli is no longer the little brother, in practice and pecking order he remains very much the baby brother in terms of pecking order between the two. Hardened by life and tragedy, Charlie we learn has been forced to grow up and grow hard fast or else die. He chose the former of the two options and in doing so he’s also grown cruel and cold toward most of his fellow man outside, with his brother Eli being one of the few people on God’s green Earth that can elicit any sympathy or caring from him. Whilst initially this hardness may have been borne of necessity and love for his brother, these days though Eli notices that Charlie seems to at times actually relish the cruel acts his line of work demands of them both. In bearing witness to this growing callousness in his older brother over time, Eli’s concern for his brother and also for his own wellbeing and future grows. As Eli and Charlie embarking upon their latest journey along the Oregon trail to hunt down their latest bounty, Eli does so with reluctance, as he begins to question the morality of their line of work and also his appetite for it, especially in seeing its effects on his brother.
Indeed this story is a much more complex and multifaceted one than is apparent on the face of its initial premise. The Sisters Brothers is much more than a tale of gunslingers in white hats and black hats. It’s the story of two very different brothers, finding their way in the world together. Patrick deWitt weaves the thread of the two brothers’ lives through a rich tapestry of men and women from all walks of life that they encounter along the way. The depth of some of the issues that arise and the extraordinary circumstances the brothers find themselves in is offset to hilarious effect by the ordinary delivery and matter of fact manner in which Eli recounts the tale to the reader. For as shocking as some of the scenarios are to the reader, to him in many respects it is just another day at the office. This in part is where most of the comedy is derived, which is dark and dry as nightfall in the Oregon High desert.
As Eli recounts to us The Sisters Brothers odyssey along the Oregon trail to San Francisco, we bear witness to a poignant but darkly funny testimony filled with successes and failures, joy and sadness, love and anger, intelligence and ignorance. The Sisters Brothers’ tale is an epic one and one I enjoyed every page of. I look forward to reading more from Mr deWitt in the future.
5*







