898 pages
5 stars
This is a most excellent and accessible history. Mr. Starkey made it very readable and spoke in a conversational tone, rather than a dry, preachy one.
For the most part what I read was not new, but I did read some very interesting tidbits in this book. The dispute over the disposition of Catherine's plate and other goods at the time of her marriage was both childish and more than a little ridiculous.
Mr. Starkey puts forth that it was Anne who put the whole idea of the divorce in Henry's head. That it was she who came up with the “reasons” for the action. (I have a strong hunch that the author did not care for Anne.) In fact he seems to believe that it was Anne who more or less told Henry what to believe and do. The author details the long and drawn out “Great Matter.” The road to Henry's “divorce” from Catherine was arduous and fraught with difficulties.
Catherine and Anne take up a great deal of the book, naturally. For the split between Catherine and Henry portended the split between England and the Catholic Church.
There are many such moments and they are telling. Mr. Starkey must have done exhaustive research for this book. Perhaps years of research. His attention to detail was beyond compare. I was truly entranced with all the data and the conversational manner in which he wrote.
I have long been a Tudor aficionado, and very much enjoyed reading this book. I immediately went to Amazon to peruse Mr. Starkey's other books.
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Six Wives: The Queens of Henry VIII Hardcover – July 8, 2003
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David Starkey
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David Starkey
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Print length880 pages
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LanguageEnglish
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PublisherHarperCollins
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Publication dateJuly 8, 2003
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Dimensions6.12 x 1.87 x 9.25 inches
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ISBN-10069401043X
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ISBN-13978-0694010431
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Editorial Reviews
From Publishers Weekly
The author of Elizabeth: The Struggle for the Throne turns his attention to the matrimonial saga of Henry VIII. Antonia Fraser and Alison Weir covered much the same ground in the early 1990s. While they expressed particular interest in 16th-century women and marriage, Starkey dwells at greater length on political and religious subtleties, and develops an imposing cast of supporting characters. The bulk of the book inevitably deals with Henry's first two wives, Catherine of Aragon and Anne Boleyn. Accounts of the remaining queens are fleshed out nicely to suggest their personalities, their place in the family networks and religious currents at court and the overall patterns of the king's infatuations and disillusionments. Mildly railing at historians who have not reached the same conclusions as he, Starkey claims to counter old stereotypes about his main characters, but cheerfully repeats those of other figures and nations, including Catherine of Aragon's "machiavellian" father and "the Spanish talent for turning sadism into spectacle." His tendency to modernize personalities gives Anne Boleyn more autonomy than seems plausible, making her the major formulator of policy in Henry's first divorce. Our understanding of Henry's rejection of Anne of Cleves, however, benefits from modern willingness to examine whether the king's inability to consummate the marriage led to the break. Caught between scholarly work and storytelling, the book gives us high drama at a languid pace, with overwhelming detail often slowing the narrative. For readers who are not put off, this is a strong, entertaining and occasionally audacious interpretation. An associated PBS series in July may make this book popular. 16 pages of color photos not seen by PW.
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
From Library Journal
From a Cambridge historian.
Copyright 2002 Reed Business Information, Inc.
Copyright 2002 Reed Business Information, Inc.
From Booklist
*Starred Review* Divorced, beheaded, died; divorced, beheaded, survived: these are the fates of the six wives of England's king Henry VIII, as taught to British schoolchildren in the form of a rhyme. It is a perennially popular story for history buffs: how the great Tudor king sought a male heir and went to such extremes as establishing his own state religion to ensure the success of his marital plans. But Starkey's account is no rehash; his take on Henry's reign, most specifically Great Harry's sequence of consorts--a "turning point in English history second only to the Norman conquest"--is based on heretofore un- or at least under-investigated documentary evidence. He has new things to say about Henry's queens, especially the first and longest in tenure, Catherine of Aragon, daughter of Spain's king Ferdinand and queen Isabella (their divorce began the whole Church of England business), and the last, Catherine Parr, a noblewoman usually relegated to the status of the least politically important of the half-dozen spouses but here elevated to "one of the most substantial." Detail is profuse but luscious; truly, this is history made as fluent and compelling as excellent fiction. Brad Hooper
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Review
“Exciting. ... Very acute. ... It is so gripping that one finishes it wishing it were even longer.” -- Mail on Sunday
“Truly, this is history made as fluent and compelling as excellent fiction.” -- Booklist (starred review)
“Brilliant. ... Six Wives provides an intriguing new perspective on this key period in English history.” -- Daily Telegraph (London)
“Acute and imaginative. ... [Starkey’s] communication of subtle points in simple and vivid language is masterly.” -- Sunday Telegraph
“[An] impressive biography. . . . [Starkey’s] language is fresh, alive, current. . . . Possibly the greatest strength of Starkey’s work is that he remains steadfastly focused on these six women . . . revealing much about them that was previously unknown and unfathomed, but also disproving many of the prominent myths.” -- Christian Science Monitor
“Extraordinary. . . . With each queen, Starkey offers a vivid character study.” -- Sunday Times (London)
“Truly, this is history made as fluent and compelling as excellent fiction.” -- Booklist (starred review)
“Brilliant. ... Six Wives provides an intriguing new perspective on this key period in English history.” -- Daily Telegraph (London)
“Acute and imaginative. ... [Starkey’s] communication of subtle points in simple and vivid language is masterly.” -- Sunday Telegraph
“[An] impressive biography. . . . [Starkey’s] language is fresh, alive, current. . . . Possibly the greatest strength of Starkey’s work is that he remains steadfastly focused on these six women . . . revealing much about them that was previously unknown and unfathomed, but also disproving many of the prominent myths.” -- Christian Science Monitor
“Extraordinary. . . . With each queen, Starkey offers a vivid character study.” -- Sunday Times (London)
About the Author
David Starkey is the Bye Fellow of Fitzwilliam College, Cambridge, and winner of the W. H. Smith Prize and the Norton Medlicott Medal for Services to History presented by Britain's Historical Association. He is best known for writing and presenting the groundbreaking and hugely popular series Elizabeth and The Six Wives of Henry VIII. He lives in London.
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Product details
- Publisher : HarperCollins (July 8, 2003)
- Language : English
- Hardcover : 880 pages
- ISBN-10 : 069401043X
- ISBN-13 : 978-0694010431
- Item Weight : 3.15 pounds
- Dimensions : 6.12 x 1.87 x 9.25 inches
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Best Sellers Rank:
#1,071,745 in Books (See Top 100 in Books)
- #133,906 in History (Books)
- Customer Reviews:
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Reviewed in the United States on November 28, 2020
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Reviewed in the United States on November 22, 2016
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I put off reading this book for years because of the negative comments about it. What persuaded me to finally try it was that Tudor historian David Hoak felt that the “fresh, provocative perspectives” were worthy enough for his supplementary reading list, albeit read in conjunction with the more conventional Antonia Fraser.
To my surprise, I liked the book.
Yes, Starkey peppers his narrative with comments about how other historians have overlooked this or been slow to accept that, but that didn’t bother me until the section on Katherine Parr. Maybe I finally just got tired of it, or perhaps that chapter came across as more self-congratulatory than the others. Early on, I gave Starkey the benefit of the doubt that he might simply have wanted to point out to a mass audience where his opinions differ from most of his colleagues. By the end, after so many comments, I started to wonder if there was a bit of bragging in them after all.
Still, Starkey presents some unique views on the women and events which I found intriguing, if not always convincing. His stance that Katherine Howard spent all those nights in platonic seclusion with Culpepper strains believability, and his conviction that Katherine of Aragon became pregnant in early March 1510 with the baby she bore on Jan. 1 1511 ignores basic human gestation.
Other points, however, are more strongly made. Starkey frequently explains why he supports one source over another and the rationale for his opinions.
The book is best when it focuses on the women. It bogs down when Starkey goes off on a tangent to discuss other people and events, such as the various missions to Rome, Wolsey, Cranmer, and Gardiner, to name a few. Such diversion caused his section on Anne Boleyn to swell to 327 pages, the thickest in the book. Katherine of Aragon received 245.
Some other reviewers have disliked Starkey’s prose, but I found it overall engaging and conversational, as though I were sitting in on a lecture rather than reading a book.
While I may not agree with everything Starkey asserts, I nevertheless give him credit for offering fresh perspectives on a familiar subject.
* This is the most substantial of the three major books on the wives, detailing people and events during the reign to a far greater extent than Antonia Fraser or Alison Weir. My personal pick of the trio is Antonia Fraser. Hers is well-written and measured in its assessment. She tends to express opinions in terms of likelihood and probability rather than as fact, and offers sound reasoning to support her conclusions.
To my surprise, I liked the book.
Yes, Starkey peppers his narrative with comments about how other historians have overlooked this or been slow to accept that, but that didn’t bother me until the section on Katherine Parr. Maybe I finally just got tired of it, or perhaps that chapter came across as more self-congratulatory than the others. Early on, I gave Starkey the benefit of the doubt that he might simply have wanted to point out to a mass audience where his opinions differ from most of his colleagues. By the end, after so many comments, I started to wonder if there was a bit of bragging in them after all.
Still, Starkey presents some unique views on the women and events which I found intriguing, if not always convincing. His stance that Katherine Howard spent all those nights in platonic seclusion with Culpepper strains believability, and his conviction that Katherine of Aragon became pregnant in early March 1510 with the baby she bore on Jan. 1 1511 ignores basic human gestation.
Other points, however, are more strongly made. Starkey frequently explains why he supports one source over another and the rationale for his opinions.
The book is best when it focuses on the women. It bogs down when Starkey goes off on a tangent to discuss other people and events, such as the various missions to Rome, Wolsey, Cranmer, and Gardiner, to name a few. Such diversion caused his section on Anne Boleyn to swell to 327 pages, the thickest in the book. Katherine of Aragon received 245.
Some other reviewers have disliked Starkey’s prose, but I found it overall engaging and conversational, as though I were sitting in on a lecture rather than reading a book.
While I may not agree with everything Starkey asserts, I nevertheless give him credit for offering fresh perspectives on a familiar subject.
* This is the most substantial of the three major books on the wives, detailing people and events during the reign to a far greater extent than Antonia Fraser or Alison Weir. My personal pick of the trio is Antonia Fraser. Hers is well-written and measured in its assessment. She tends to express opinions in terms of likelihood and probability rather than as fact, and offers sound reasoning to support her conclusions.
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Reviewed in the United States on September 25, 2018
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Starkey states that Katherine Parr's book "Lamentation of a Sinner" was published posthumously (pg. 706). This is not true. "The Lamentation" was published in November of 1547 and Katherine died in September of 1548. If he got that wrong, how much more did Starkey get wrong?
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Reviewed in the United States on October 1, 2017
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The book is well written and researched. It was a little distracting that the author inserted himself into the text a lot, but it doesn't detract from the wealth of information included. The book focuses less on the personalities of the six wives and more on the politics of the Tudor court. I found the detailed discussion of Wolsey's fall very interesting.
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Reviewed in the United States on February 21, 2018
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To me, a person who had to slog through all three volumes of Trevelyan in advanced British history, this book is very well done. The author makes the subject so fascinating that a reader won't even realize that they are being educated, until it is too late. Highly recommend this book.
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Reviewed in the United States on January 5, 2014
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I am a big fan of Alison Weir so I am accustomed to her portrayal of Tudor history in such a vivid picture. That isn't the case with Starkey. He gives you the appropriate facts and figures included with an occasional snarky remark or joke. But the words didn't lift off the screen as much. Despite that it is still worth a good read.
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Reviewed in the United States on February 7, 2016
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The lines of the story kept going back and forth. Plenty of times, I just lost interest. Not normal for me as an avid reader.
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Reviewed in the United States on August 17, 2003
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Author Starkey writes like an investigative journalist, having uncovered stunningly revealing information on the Tudor dynasty and presenting it with an altogether fresh and novel eye. Despite a rather ostentatious use of vocabulary, it a delicious read and flies by... Even at its massive size, the reader will be sorry to see it end! He makes wise and clever associations with modern day royals to prove that history not only repeats itself, but that the more things change--the more they stay the same. This book also provides an excellent, timely lesson in the history of Protestant/Anglican religion. Fans of English history will be excited to add this to their libraries.
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Dave
5.0 out of 5 stars
Six Wives: The Queens Of Henry VIII
Reviewed in the United Kingdom on August 1, 2017Verified Purchase
Firstly can I just comment on those who have scored a History Book 1 or 2 stars because of the condition of the book. One person scored the Hardback 1 star because the book was in disgusting condition. The Hardback is no longer available which means you must of brought it second hand so it could be in ANY condition. I loved the book ( paperback) so much I wanted the Hardback too. I got myself some really disgusting pieces of rubbish, but if you want it bad enough your persistence will pay off. Without rubbing it in I have to say the Hardback is truly beautiful.
David Starkeys Six Wives is ( as it was meant to be ) a true masterpiece. I found it a more informative than Alison Weir's book although Mr. Starkeys is considerably more heavy. Having said that anyone who is interested in Tudor history must have a copy.
This is David Starkey at his very best. A book to be proud of which just wanted me to read even more Tudor history. A true masterpiece.
David Starkeys Six Wives is ( as it was meant to be ) a true masterpiece. I found it a more informative than Alison Weir's book although Mr. Starkeys is considerably more heavy. Having said that anyone who is interested in Tudor history must have a copy.
This is David Starkey at his very best. A book to be proud of which just wanted me to read even more Tudor history. A true masterpiece.
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SusannahB
4.0 out of 5 stars
One King; Six Queens
Reviewed in the United Kingdom on August 1, 2016Verified Purchase
As David Starkey comments in the introduction to his weighty account of Henry VIII's wives: "The Six Wives of Henry VIII is one of the world's great stories: indeed, it contains a whole world of literature within itself. It is more far-fetched than any soap opera; as sexy and violent as any tabloid; and darker and more disturbing than the legend of Bluebeard. It is both a great love story and a supreme political thriller." This is, indeed, an attention-grabbing paragraph with which to introduce the reader to his six protagonists - about whose fates many people will be aware, possibly with the use of the aide-memoire: 'divorced, beheaded, died; divorced, beheaded, survived'; however, Mr Starkey takes this a step further, and refers to his six characters as: 'The Saint, the Schemer, the Doormat, the Dim Fat Girl, the Sexy Teenager and the Bluestocking'; and these descriptions (and many others) demonstrate how the author takes a more contemporary approach in his telling of the story of Henry VIII and his wives. So, although this is clearly a well-researched account and one where David Starkey has unearthed some new evidence and, in some places, reinterpreted what is already known, I do have to mention that it was a little surprising to read, for example, one character (Lady Margaret Beaufort) being described as: "the mother-in-law from hell"; another character as: "playing the Diana card" and someone else described as:"a bit of a goer". I haven't read any of David Starkey's books, other than this one, but I understand that Mr Starkey has a distinctive way of presenting his historical knowledge, and one which has been referred to as 'punchy' 'peppery' 'mischievous' and even 'salacious' in some of the critical reviews I have read. That said, Mr Starkey's technique draws the reader into his account of Henry's six wives and his sparky, well-paced narrative kept me interested throughout the book's 800 plus pages.
4 Stars.
4 Stars.
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Rumpuscat
3.0 out of 5 stars
In two minds...
Reviewed in the United Kingdom on May 14, 2012Verified Purchase
Before I bought the book I read quite a few of the existing reviews and decided I might discover some new nugget or gem of information or at least a new interpretation of the received wisdom. I didn't mind that it was 'compartmentalised' - which it wasn't completely, but I was shocked at the lack of analysis by such a famous popular historian. As others have said, most of the book is about Catherine of Aragon and Anne Boleyn, but I don't mind that as there is far more known (or at least written) about them than the other wives (except perhaps Catherine Parr).
But Prof Starkey seems merely to regurgitate the usual stuff with little new analysis as to how it came about,why, etc. Again, undue reliance is placed on the writings of Eustache Chapuys, which are trotted out as if gospel (Chapuys said) , apart from the odd reminder that Chapuys is for Catherine of Aragon and against Anne Boleyn. Surely it is much more than this? Chapuys was writing for the Emperor's consumption, nothing else, (and certainly not for English posterity), and would write what his Emperor would like to hear, rather than the truth, the whole truth and nothing but the truth. For example, according to Chapuys, all the bad things that were done to Catherine were done by Anne, not by Henry. But how could that be? Henry was King and didn't do anything he didn't want to. Contrast with the French Ambassador who said that Anne did nothing that wasn't agreed by the King. 'All that the Lady does is by the king's order.'
In my opinion Chapuys was fooling both himself and his Emperor, and was possibly even misled by other English courtiers feeding him stuff he wanted to hear. I do not understand why Prof Starkey did not question more of Chapuys' output - perhaps because if he ignored it there would be so little material?
I did find it easy enough to read (apart from the sheer size/weight of it), although there was a wealth of detail (mainly from Chapuys) that I had read several times before. So why did I read it?- Because I had heard so much about Prof Starkey's new interpretation of history that I sincerely believed that this was worth a try. After reading it, perhaps a better question would be 'why did Prof Starkey write it? I didn't find anything new here,so I think that, in the end, this is just an average '6 Wives'. So 3 stars.
But Prof Starkey seems merely to regurgitate the usual stuff with little new analysis as to how it came about,why, etc. Again, undue reliance is placed on the writings of Eustache Chapuys, which are trotted out as if gospel (Chapuys said) , apart from the odd reminder that Chapuys is for Catherine of Aragon and against Anne Boleyn. Surely it is much more than this? Chapuys was writing for the Emperor's consumption, nothing else, (and certainly not for English posterity), and would write what his Emperor would like to hear, rather than the truth, the whole truth and nothing but the truth. For example, according to Chapuys, all the bad things that were done to Catherine were done by Anne, not by Henry. But how could that be? Henry was King and didn't do anything he didn't want to. Contrast with the French Ambassador who said that Anne did nothing that wasn't agreed by the King. 'All that the Lady does is by the king's order.'
In my opinion Chapuys was fooling both himself and his Emperor, and was possibly even misled by other English courtiers feeding him stuff he wanted to hear. I do not understand why Prof Starkey did not question more of Chapuys' output - perhaps because if he ignored it there would be so little material?
I did find it easy enough to read (apart from the sheer size/weight of it), although there was a wealth of detail (mainly from Chapuys) that I had read several times before. So why did I read it?- Because I had heard so much about Prof Starkey's new interpretation of history that I sincerely believed that this was worth a try. After reading it, perhaps a better question would be 'why did Prof Starkey write it? I didn't find anything new here,so I think that, in the end, this is just an average '6 Wives'. So 3 stars.
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Stewart
5.0 out of 5 stars
Excellent secondhand value.
Reviewed in the United Kingdom on February 2, 2021Verified Purchase
Gripping & entertaining narrative, which it needs to be considering it is over 700 pages long. This is Starkey at his best; detailed & informative. If the fate of Henry VIII's six wives interests you then you will not be disappointed.
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Apocalyptic Queen
5.0 out of 5 stars
A witty, compelling, highly researched and comprehensive text
Reviewed in the United Kingdom on July 2, 2012Verified Purchase
This is by far the most comprehensive, impartial and thoroughly engaging book on the Six Wives.
Starkey appears to have gone out of his way to convey the information in the most compelling and impartial manner possible, carefully routing the sources and challenging all secondary accounts in order to give the reader as complete a picture as possible on Tudor politics.
The bulk of the book appears to be dedicated to Catherine of Aragon, Anne Boleyn and Catherine Parr, with the traditional image of Catherine as the patient, matronly, caring figure being wholly debunked to reveal a rather feisty, intelligent and passionate young woman. However, perhaps the scant information relating to the three other wives is not surprising given the scant information available on the likes of Jane Seymour although he presents some thoroughly fascinating information on Catherine Howard, retelling details of a supposed conversation alleged to have taken place between her and her lover, Thomas Culpepper during their many illicit meetings.
Starkey adopts a fair and open-minded approach to all the subjects within this book. The details of Catherine of Aragon's early life and education is fascinating and he also focusses a great deal on the affair of Anne Boleyn with Henry, her genuine commitment to religious reform and the circumstances of her fall exploring both the ideas that Henry may have conspired to rid himself of her and the theory that Cromwell may have engineered the event with his new conservative allies.
Throughout this text, the work is scholarly yet highly readable and Starkey leaves no corner unturned in his quest to decipher fact from fiction. Starkey has the knack of tailoring his work to suit the eyes of the modern reader with his use of witty phrases and relating the events to a modern context which ensures that the this is both highly intelligent and humorous.
Starkey appears to have gone out of his way to convey the information in the most compelling and impartial manner possible, carefully routing the sources and challenging all secondary accounts in order to give the reader as complete a picture as possible on Tudor politics.
The bulk of the book appears to be dedicated to Catherine of Aragon, Anne Boleyn and Catherine Parr, with the traditional image of Catherine as the patient, matronly, caring figure being wholly debunked to reveal a rather feisty, intelligent and passionate young woman. However, perhaps the scant information relating to the three other wives is not surprising given the scant information available on the likes of Jane Seymour although he presents some thoroughly fascinating information on Catherine Howard, retelling details of a supposed conversation alleged to have taken place between her and her lover, Thomas Culpepper during their many illicit meetings.
Starkey adopts a fair and open-minded approach to all the subjects within this book. The details of Catherine of Aragon's early life and education is fascinating and he also focusses a great deal on the affair of Anne Boleyn with Henry, her genuine commitment to religious reform and the circumstances of her fall exploring both the ideas that Henry may have conspired to rid himself of her and the theory that Cromwell may have engineered the event with his new conservative allies.
Throughout this text, the work is scholarly yet highly readable and Starkey leaves no corner unturned in his quest to decipher fact from fiction. Starkey has the knack of tailoring his work to suit the eyes of the modern reader with his use of witty phrases and relating the events to a modern context which ensures that the this is both highly intelligent and humorous.
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