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Skin Folk: Stories Kindle Edition
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In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best, spinning tales like “Precious,” in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In “A Habit of Waste,” a self-conscious woman undergoes elective surgery to alter her appearance; days later she’s shocked to see her former body climbing onto a public bus. In “The Glass Bottle Trick,” the young protagonist ignores her intuition regarding her new husband’s superstitions—to horrifying consequences.
Hopkinson’s unique pacing and vibrant dialogue sets a steady beat for stories that illustrate why she received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed.
Praise for Nalo Hopkinson and the World Fantasy Award–winning Skin Folk
“Hopkinson’s prose is vivid and immediate.” —The Washington Post Book World
“An important new writer.” —The Dallas Morning News
“Her descriptions of ordinary people finding themselves in extraordinary circumstances ring true, the result of her strong evocation of place and her ear for dialect.” —Publishers Weekly
“A marvelous display of Nalo Hopkinson’s talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean . . . Everything is possible in her imagination.” —Science Fiction Chronicle
- LanguageEnglish
- PublisherOpen Road Media Sci-Fi & Fantasy
- Publication dateJanuary 27, 2015
- File size5111 KB
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Editorial Reviews
Review
“An important new writer.” —The Dallas Morning News
“Caribbean folklore informs many of the 15 stories, ranging from fabulist to mainstream, in this literary first short-fiction collection from Nebula and Hugo awards-nominee Hopkinson. Her descriptions of ordinary people finding themselves in extraordinary circumstances ring true, the result of her strong evocation of place and her ear for dialect. . . . Though marketed as science fiction, this collection should hand-sell to fans of multicultural fiction.” —Publishers Weekly
“This 15-story collection is a marvelous display of Nalo Hopkinson’s talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean. She displays the complexities of the seven deadly sins . . . and perhaps those of the seven deadly virtues. Everything is possible in her imagination.” —Science Fiction Chronicle
About the Author
Amazon.com Review
"The Glass Bottle Trick" retells the Bluebeard legend in a Caribbean setting and rhythms, for a sharp, chilling examination of love, gender, race, and class. In the myth-tinged "Money Tree," a Canadian immigrant's greed sends him back to Jamaica in pursuit of an accursed pirate treasure. In "Slow Cold Chick," a woman must confront the deadly cockatrice that embodies her suppressed desires. In the postapocalyptic science fantasy "Under Glass," events in one world affect those in another, and a child's carelessness may doom them both. The lightest of fantastic imagery touches "Fisherman," a tropically hot tale of sexual awakening, and one of the five original stories in Skin Folk. --Cynthia Ward
--This text refers to an alternate kindle_edition edition.Review
A marvelous display of Nalo Hopkinson's talents, skills, and insights into the human conditions of life, especially of the fantastic realities of the Caribbean...Everything is possible in her imagination.
-- "Science Fiction Chronicle"Her descriptions of ordinary people finding themselves in extraordinary circumstances ring true, the result of her strong evocation of place and her ear for dialect.
-- "Publishers Weekly"Narrator Bahni Turpin skillfully navigates this collection of stories ranging from science fiction to Caribbean folktales, love stories to journeys of self-discovery.-- "AudioFile" --This text refers to an alternate kindle_edition edition.
From Booklist
Copyright © American Library Association. All rights reserved --This text refers to an alternate kindle_edition edition.
From Library Journal
Copyright 2001 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.
From Publishers Weekly
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an alternate kindle_edition edition.Product details
- ASIN : B00QN352PG
- Publisher : Open Road Media Sci-Fi & Fantasy (January 27, 2015)
- Publication date : January 27, 2015
- Language : English
- File size : 5111 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 275 pages
- Best Sellers Rank: #239,324 in Kindle Store (See Top 100 in Kindle Store)
- #465 in Horror Short Stories
- #1,910 in First Contact Science Fiction (Books)
- #2,529 in Dark Fantasy Horror
- Customer Reviews:
About the author

I'm a novelist, editor, short story writer. I also teach, and I freelance sometimes as an arts consultant. Most of my books have been published by Warner Books, now known as Grand Central Books. If you like knowing about awards and such, my work has received the Warner Aspect First Novel award, the Sunburst Award for Canadian literature of the fantastic, the World Fantasy Award, the Gaylactic Spectrum Award, and Honourable Mention in Cuba's Casa de las Americas Prize for literature.
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I recently stumbled across this sci fi/folklore collection from the turn of the Twenty-first century. Jamaican born Nalo Hopkinson has lived in Guyana and Trinidad and resides in Canada. Of this book she says, “And always, whatever burden their skins bear, once they remove them-once they get under their own skins-they can fly. It seems an apt metaphor to use for these stories collectively” and although I was slow to appreciate it, this truly is the heart of this assemblage. These short stories are set in modern times, often featuring Jamaican or Trinidadian expats in Canada. That the tales that unfold are from a vivid and free-ranging imagination is in itself great fun! Some stories are terrific, some interesting, some just weird and most are outside any box I’m used to. Some are harmless yet thought provoking: “Whose Upward Flight I Love” appears to be a two page allegory for a modern relationship where one member yearns to escape, not unlike trees taking flight to flee the winter and migrate like birds. Others are strange or nasty enough that in their rawness and sometimes freakishness, I wouldn’t want to read them while eating my morning oatmeal but if you love Caribbean fiction, they are definitely worth your time! I especially like those narratives that utilize an easy patois.
To clarify Ms. Hopkinson’s quote, some offerings are anecdotes of individuals who shed the familiar, finally standing up for themselves, and learn to face down their own needs and desires. By getting under their own skins, they come to understand their own worth. “Tan Tan and Dry Bone” seems to be a fairly orthodox jumbie story, mixing with a tale of self acceptance and redemption. Everyone knows when you pick up Dry Bone you pick up trouble and it takes Master Johncrow the buzzard, and his sensitive sense of smell, to set Tan Tan on her path to self forgiveness. In another jumbie story, “Greedy Choke Puppy” Ms. Hopkinson maintains an island location but twists to a new point of view. The soucouyant/vampire legend is re-told by an elder, who failed in her teaching role and must now suffer the result. This is not your typical jumbie story of a demon laying its skin aside to fly the night as a ball of fire. “The Glass Bottle Trick” is a duppy story, plucked from long ago and shifted to the modern Caribbean, where bottles hung in a guava tree trap the duppies of the dead. This misogynistic, racially biased horror story makes milder use of island speech patterns than others but all three of these island based stories are intriguing.
Another out of time tale is “Riding the Red”, a re-telling of Red Riding Hood viewed from the grandmother’s perspective where she could look into the wolf’s eye and challenge the wolf’s sexual power. It is a cyclical tale of sexual awakening when girls match the wolf in boys with feminine hunger and wise grandmothers are overruled by practical mothers. The wheel spins again and again on the age old tale with a twist. As the circumstances circle around to each generation this is beautifully ethereal in the prose.
In many of these stories I found myself inside the heads of people I feel I may have unknowingly encountered. “Snake” is a story where we are tied to the inner workings of a child molester and serial killer as his urge to take another life again rises, but he is thwarted by a small magical army of senior denizens of a local park.
Shifting to Canada, ‘Precious’ tells of a woman overcoming a curse presented as a gift for an act of kindness, while her blatantly cursed sister succumbs and ‘And the Lillies-Them a-Blow’ tells a lightly mystic tale of how a woman makes a life change. It’s beautiful in its simplicity and pays respect to elders and the artwork of Africa. A favorite is “Slow Cold Chick”, a story of elementals where Blaise learns to respect and harness her own inner fires. She is helped speak her desires by a couple whose domains are earth and growing things as she harnesses a fantastic creature born of her rage. This is a caustic example of urban fantasy. I loved it.
Included in this collection is a non-traditional Ananci story set in modern and mundane times: “Something to Hitch Meat To” has a pornographic bent to it. So does “Ganger”: science fiction of the future where a woman must rekindle normal communication with her lover by relinquishing sexually enhancing technology. This one is kind of wild! Also in a futuristic vein is “A Habit of Waste” where people can buy new bodies. A granddaughter of Trinidadian ex-pats, tired of her large hipped, dark skinned self saves up and buys a white, slim, always-on-a-diet, almost boyish body: something her family must adjust to. It takes a kind older gentleman from the island, armed with a sling shot to teach her appreciation of old ways and outlooks and self acceptance. This was a beautiful story respecting elders and I especially liked the brief scene where she sees another woman not only wearing but reveling in her previous body.
All of these stories take unexpected turns and I expect they will be completely satisfying if the reader appreciates folklore, science fiction, urban fantasy or stories with a Caribbean aspect to them. (“The Money Tree” incorporates pirate treasure and a mermaid-like Jamaican river goddess and ends in a Canadian YMCA. “The Fisherman” is a fairly straight forward coming out memoir.) The language flows smoothly, the viewpoints often present as odd and unusual and I am pleased with them all.
I highly recommend this collection of short stories for anyone that's a fan of modern retellings of fairy tales/folk lore, Caribbean tales and amazing writing.
Lots of variety here- everything from fables, through horror, and realism/magical realism.
I couldn't put it down!
Very recommended!
I am unfamiliar with the rest of this Author's work, so I can't tell you whether it is like her novels or not, but when I judge this work by itself I find it wanting.
This is a rather long collection of rather short stories. Most of these have not been published elsewhere. The norm for the SF field is for single author anthologies to be composed mostly if not completely of previously published work. Take this as a warning that you may not be getting what you expected.
The stories seem to follow a very common and uninteresting fairy tale format. Fairy tales can be made interesting-- for instance Italo Calvino's Italian Folk Tales. These were not.
As a point of reference, I favor "literate" SF. Some of my favorite authors are Kim Stanley Robinson, Gene Wolfe, Ursula LeGuin, Bruce Sterling, Thomas Disch, early Larry Niven...





