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Skylark (New York Review Books Classics) Paperback – March 2, 2010

4.4 out of 5 stars 32 customer reviews

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Product Details

  • Series: New York Review Books Classics
  • Paperback: 222 pages
  • Publisher: NYRB Classics; Main edition (March 2, 2010)
  • Language: English
  • ISBN-10: 1590173392
  • ISBN-13: 978-1590173398
  • Product Dimensions: 5 x 0.5 x 7.9 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #289,077 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By A Customer on April 9, 2004
Format: Paperback
This is an unusually fine short novel which conveys the spirit of life in small town Hungary at the turn of the 19th-20th centuries. If you are unsure where to start with Kosztolanyi, I would read Skylark first and then move on to Anna Edes or his short fiction.
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I found out about this little gem through Deborah Eisenberg's review in The New York Review of Books and would send anyone interested to that website for her own eloquent praise. "A perfect novel," she called it, and not only writes extensively and effusively about it but submits to an online interview in its cause.

There is originality in the conception and plot of the novel, wonderful descriptive passages, and, even rarer, an unremitting honesty in the author's treatment of his characters. We are not allowed to look down from a distant perch at these small-town, constrained people with their modest and circumscribed lives, nor, as they become close and vivid to us, are they elevated to heroic or even special status. Kosztolanyi avoids the formulae of tragedy, pathos, and (despite the chapter headings and humor) farce, nor is he content to serve up social science, fraught with self-justifying psychological and sociological descriptions. We are presented with an account that invokes all those genres, but finally is a synthesis, is nuanced and fully, compassionately human.

I would leave it to Ms Eisenberg to provide more detail than that, but having great esteem for her own short stories, I myself didn't require it. Every line of this slender volume counts, and to describe it overmuch seems almost beside the point.
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Format: Paperback
There is nothing earth-shattering about this novel except the unusual clarity of Kosztolányi's descriptive powers. More so than the novel Anna Édes, however, Skylark puts a burden of thought onto the reader. Kosztolányi only narrates, offering no judgements or opinions, and so his narration is very focused. The translation preserves this and is generally praiseworthy; Kosztolányi's characteristic terse, direct style and colorful phrasing come through unscathed.
This edition has a nice 10 page introduction by Péter Esterházy, which gives interesting information about the author as well as some background information about Hungarian literature. The cover and binding are, in my opinion, quite handsome also.
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I generally agree with what the previous reviewer has stated, although I found this short novel (as well as Anna Edes) brilliant and almost totally flawless. A book which I didn't want to finish simply because I truly enjoyed the experience of reading it.
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This deceptively unsettling novel tells the story of the Vajkay family over one week in September 1899. The Vajkays live, in almost cloistered fashion, in Sárszeg, a backwater town in the grandiose Austro-Hungarian Empire of Franz Joseph and the Habsburgs. Father Ákos is fifty-nine, a retired archivist; mother Antónia is fifty-seven; and daughter Skylark (one of the most incongruously named characters in fiction) is thirty-five. She dotes on her parents, and in truth they are all she has, because she is -- there is no other word for it -- ugly.

The family's inveterate routine is interrupted when Skylark goes to stay with relatives on the plains for a week. Because Skylark had done all the cooking, Father and Mother have to eat out, at the King of Hungary restaurant. There they meet old acquaintances and they are drawn out of their shells into the provincial social life of Sárszeg, including a night at the theater and, for Father, eating and drinking with the Panthers, the local club of bon vivants. Father and Mother are rejuvenated, at least temporarily. But then it is time for Skylark to return. Was she, too, re-invigorated over that week? Does she have any new prospects for marriage? Or do things return to the way they were?

From that outline SKYLARK might sound like pretty mundane fare. But Dezso Kosztolányi, one of the leading Hungarian writers of his time, makes of it a very engaging light novel, alternately funny and poignant. The writing is brisk, deft, and assured.

On one level SKYLARK is a superb portrayal of the bourgeoisie of provincial Kakania, a keen yet gentle satire of their smug but gormless existence.
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Format: Kindle Edition Verified Purchase
Truly a lovely book, compact in scope but revealing the human drama, reminiscent of Ha Jin's In the Pond. The prose is gorgeous and spare at the same time. The characters are sympathetic and loving, in their dough-like way. A timeless classic of village life.
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The novel is set in a small burg (the author's hometown) in Austro- Hungarian Empire. The narrative is about how Vajkays, an elderly couple, spend their week when their daughter is away. Chapter I " in which the reader is introduced to an elderly couple and their daughter, the apple of their eye, and hears of complicated preparations for a trip to the plains." sets the tone for the novel.

And, how do Mother and Father negotiate the week without the `apple of their eye'. Interestingly, life is lively for the two as " the Vajkays attend the Sarszeg performance of The Geisha", "the couple talk to a fledgling poet." Of course, Father reconnects to Panthers' Table which was formed ...."with not unworthy aim of popularizing consumption of alcohol and promoting gentlemanly friendship. " At home, Mother plays the piano which was shut a long long time ago.

Mother and Father become a part of the liveliness the small burg can afford not as a rebellion against their daughter. For Skylark, their daughter is caring, devoted though domineering . Nor are they seeking escape in her absence from the seclusion enjoined on them and ugly looking Skylark. They are drawn into this lively world due to circumstances beyond their control. They hesitate to accept that they relish some of the things they did. Somewhere also they feel a sense of guilt. This tension brings them to express the hidden feelings towards the daughter. The author beautifully explains the Chapter for this event "in which, after several years in the making, the great day of reckoning finally arrives, and our heroes receive from life the solace and just deserts that come to each and every one of us."

What happens when Skylark returns? Do things come back to normal? What has Skylark gone through?
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