If Karen Russell isn't careful, she might end up pegged as an SF writer. From the fabulist worlds of her debut, St. Lucy's Home for Girls Raised by Wolves, to the whimsical realities of many stories in 2013's Vampires in the Lemon Grove, much of Russell's fiction feels utterly at home in the annals of 21st-century science fiction and fantasy. Enter Sleep Donation, which takes as its premise the existence of an America where an epidemic of insomnia rages, kept at bay only by the success of a sleep-bank system in which the happily rested donate their sleep to the ailing. Enter the cast: our narrator/heroine whose sister's death by sleep deprivation powers her own sales pitch to potential donors; a miraculous donor ("Baby A") whose pure sleep provides the mother lode of antidotes; and a "Donor Y" whose contaminated sleep infects multitudes before it's even detected. Finally, enter a less surprising knot of plot twists powered by typical human self-interest (corruption, the profit motive), and the resulting novella depicts a nightmarish world that, but for the simple addition of its central epidemiology, looks an awful lot like our own. Suspend your disbelief -- it's a small price to pay for admission to the allegorical world of one of the strongest and most evocative American fiction writers at work today. --Jason Kirk
"One of America’s finest fiction writers returns with an audaciously allegorical novella about sleep deprivation in an age of sensory overload... Russell seems to be having some fun here, using the novella form and e-book format to put creative ingenuity to Orwellian use. The year is sometime in the near future, when the omnipresence of communication and connecting devices, the 24-hour news cycle and other sources of overstimulation have turned insomnia into an epidemic, even a plague. Sleep donors (like blood or plasma donors) can be a godsend for those suffering, particularly if those donors sleep undisturbed, without nightmares, like a baby. In this novella, Baby A is the ultimate donor, the silver bullet, the one whose sleep has universal benefits. (Other donors need to be more closely matched, as with blood types.) Our narrator, Trish, has recruited Baby A through the child’s parents and effectively sells the donor program to them by invoking the death of her own sister due to sleep deprivation. But the demands on Baby A eventually frustrate her father—a more reluctant participant than his wife—and he feels more concerned with what Baby A might suffer than with the benefits for society at large... As the plot progresses, Trish feels that both she and Baby A have perhaps been equally exploited. Those who appreciate Russell’s literary alchemy might find this a little too close to science fiction, but it serves as a parable on a number of levels for a world that is recognizably our own.” (Kirkus starred review)
Review
"Ms. Russell creates a new illness. She describes its hold over a futuristic America with "Twilight Zone"-like inventiveness and the energy and brio of natural fantasist with a proclivity for blending the real and the surreal, the psychological and the sci-fi . . . Ms. Russell writes with such assurance and speed that she puts the reader under a spell for the duration of her story. She creates a fully imagined world with its own rituals and rules, and deftly satirizes the media and governmental responses to the plague of sleeplessness . . . it's another testament to her fertile powers of invention."
—Michiko Kakutani, The New York Times
"’Sleep Donation’ is a terrific way to start an imprint, a starkly dystopian novella reminiscent of George Saunders in its bleak humor, the directness of its prose. Narrated by Trish Edgewater—whose sister Dori was one of the first casualties of the insomnia epidemic—it is at once a satire of aid organizations and a brittle examination of exploitation and its discontents."
—David Ulin, The Los Angeles Times
"[Karen Russell] is arguably our greatest fantasist writing serious fiction today . . . Russell's novella is a quick, topsy-turvy thriller, that extends her oeuvre into Orwellian territory."
—NPR
"Her new novella shows her MacArthur grant was no fluke... It is signature Russell: a fanciful, droll, elaborately thought-through allegory with a dark center... You will be reading it for the pleasure of Russell’s language, which is acrid, luminous, and deft, and for the way she confuses the ordinary and the marvelous... She is a special kind of magical realist in that she is wholly committed to both registers. When she describes a woman before the onset of the deadly insomnia—'Her hazel eyes were shining and calm, tenanted by a sane woman, tethered to her memories; her face was happy and plump, irrigated by sleep'—you ricochet between recognition and surprise. Recognition because, as a writer, Russell takes nothing for granted. She will chase down every flicker of ordinary experience and return with descriptions of uncanny aptness... Her sentences both resonate with familiarity and startle with beauty... Russell has diagnosed something elemental about the way we grasp for things we may or may not want."
—Slate
"The combination of Russell's dazzling imagination and virtuosic prose adds up to pleasurable sensory overload. WHY E-ONLY It's not surprising that the Pulitzer finalist who gave us the stirring, deeply weird novel Swamplandia! and two cracklingly original short-story collections would make the most of an unconventional format. An e-single that's much longer than a typical short story but shorter than a full-fledged novel allows Russell to hone in on Sleep Donation's premise while exploring all of its possibilities. A-"
—Entertainment Weekly
"Russell specializes in creating fantastical worlds that hum with recognizable rhythms. She excels at marrying the commonplace with the extraordinary."
—Miami Herald
Review
"
Sleep Donation has a dreamlike beauty while remaining ominous and off-kilter. Parts of it gave
me nightmares—and I'm case-hardened."
—Stephen King"[Written] with
Twilight Zone-like inventiveness and the energy and brio of a natural fantasist with a proclivity for blending the real and surreal, the psychological and the sci-fi. . . . [Russell] creates a fully imagined world with its own rituals and rules, and deftly satirizes the media and governmental responses to the plague of sleeplessness. . . . Another testament to her fertile powers of invention."
—Michiko Kakutani, The New York Times Book Review"A starkly dystopian novella reminiscent of George Saunders in its bleak humor, the directness of its prose."
—Los Angeles Times“Russell wrote
Sleep Donation over half a decade ago, yet her nightmarish vision of a nation keelhauled by an insomnia epidemic now registers as shockingly prescient. . . . [Russell has] the finest imagination in contemporary fiction.
Sleep Donation is Russell at the height of her formidable powers, at once an eerie evocation of a country whose sins have come home to roost, as well as a deeply personal story of grief and terror.”
—Adrienne Westenfeld, Esquire"Russell's gift is to provide deep immersion in the details, and in Trish's haunting, urgent emotions. . . . Russell offsets . . . expertly induced unease with humour and wry social commentary."
—The Guardian"Wonderful. . . . Like George Saunders, Russell writes with a Swiftian sense of satire. . . . Russell has a keen sense of dramatic timing and an even sharper ability to turn an internal state into its own weather system."
—The Boston Globe“A tense but captivating read, eerie in its prescience. . . . [A] philosophical meditation on dreams and consciousness, and a moving examination of love and empathy.”
—BuzzFeed"The combination of Russell's dazzling imagination and virtuosic prose adds up to pleasurable sensory overload."
—Entertainment Weekly"Russell handles the extraordinary in a humorous manner. . . .
Sleep Donation's magical realism flare makes it not your average dystopia." —
GQ “A tense but captivating read, eerie in its prescience. . . . [A] philosophical meditation on dreams and consciousness, and a moving examination of love and empathy.” —BuzzFeed
"Russell specializes in creating fantastical worlds that hum with recognizable rhythms. She excels at marrying the commonplace with the extraordinary."
—Miami Herald"Signature Russell: a fanciful, droll, elaborately thought-through allegory with a dark center. . . . Russell's language . . . is acrid, luminous, and deft. . . . She will chase down every flicker of ordinary experience and return with descriptions of uncanny aptness. . . . Her sentences both resonate with familiarity and startle with beauty." —
Slate"Weird, hilarious, and brilliant."
—The Millions"An audaciously allegorical novella. . . . As engaging as it is provocative."
—Kirkus Reviews (starred review)
--This text refers to the
paperback edition.
About the Author
KAREN RUSSELL has received a MacArthur Fellowship and a Guggenheim Fellowship, the "5 Under 35" prize from the National Book Foundation, the New York Public Library Young Lions Fiction Award, and the Berlin Prize from the American Academy. She lives in Portland, Oregon, with her husband, son, and daughter.
--This text refers to the
paperback edition.