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Smoke Gets in Your Eyes: And Other Lessons from the Crematorium Paperback – April 16, 2015
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From her very first day at Westwind Cremation & Burial, twenty-three-year-old Caitlin Doughty threw herself into the gruesome daily tasks of her curious new profession. From caring for bodies of all shapes and sizes, picking up corpses from the hospital morgue, sweeping ashes from the cremation machines (sometimes onto her clothes) and learning to deal with mourning families, Caitlin comes face to face with the very thing we go to great lengths to avoid thinking about - death.
But as she started to wonder about the lives of those she cremated, and found herself confounded by people's erratic reactions to death, Caitlin's feelings began to evolve in unexpected ways. Now a licensed mortician, Caitlin tells the story of her fumbling apprenticeship with the dead. Exploring our death rituals - and those of other cultures - she pleads the case for healthier attitudes around death and dying. Full of bizarre encounters, gallows humour and vivid characters (both living and very dead), this eye-opening account makes this otherwise terrifying subject urgent and fascinating.
- Print length254 pages
- LanguageEnglish
- PublisherCanongate Books
- Publication dateApril 16, 2015
- Dimensions5.35 x 0.83 x 8.43 inches
- ISBN-101782111034
- ISBN-13978-1782111030
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Product details
- Publisher : Canongate Books; Main edition (April 16, 2015)
- Language : English
- Paperback : 254 pages
- ISBN-10 : 1782111034
- ISBN-13 : 978-1782111030
- Item Weight : 9.9 ounces
- Dimensions : 5.35 x 0.83 x 8.43 inches
- Customer Reviews:
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About the author

Caitlin Doughty is a writer and death acceptance advocate. She started working in the funeral industry as a crematory operator at age 23, a job described in her first book, Smoke Gets in Your Eyes. Since then she founded the nonprofit Order of the Good Death, started the Ask a Mortician Youtube series, and introduced the movement of death awareness and death positivity in the Western world. She owns a family-centered funeral home in Southern California. Her other New York Times bestsellers are From Here to Eternity and Will My Cat Eat My Eyeballs?
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However Ms Doughty has acquitted herself quite nicely in this venture, one this reviewer is very interested in-about how do we want to leave this world and what it means to our loved ones. She describes the death care ritual and industry well and alludes to many alternatives. A review digression is appropriate at this point.
As an aging blogger who has spent his life as if there were no future, I happened to read Mary Roach’s book Stiffs and was inspired to make all of my end of life plans. They included what I imagined best for the environment and cheapest for my daughters who would have to bear the brunt of their old man’s demise. I won’t have much to leave them financially and so want to minimize costs at getting rid of what I leave. So I elected to donate my body to science and if Doughty is correct, there will be no cost to my kids for getting rid of my remains. That’s good. If my daughters want to have a memorial for me they can do that as long as the background music is Thelonious Monk.
I came prepared to read Doughty’s book knowing that my post-mortem life was assured, at least as far as I could plan. In the extraordinary event that I should be selected for the rapture then all bets are off. While I have always tried to be a reasonable man, it is my suspicion that the rapture requires other necessities. What do I know?
Back to the book at hand. Doughty’s is more a memoir of her experiences and philosophy, while Roach’s was of various ways a body can decompose. The former is very personalized and provided this reader with much inspiration about her history (short as it has been) to continue to think about how we view death in our culture. It is a discussion I have had with my equally aging peers many times.
There is something of a cult of longevity in this country. Futurists write about living for 150 years for example. We have a profound fear of death here as well. The commercial world is proffering their anti-aging solutions and slogans abound such as “50 is the new 70”.
It is true that later middle age is viewed differently than it was even when I was in my 20s. Older people are more vigorous as a rule, than they were 40 years ago. As the author points out, this anti-aging game is really for those that can afford it. I would suspect that if asked, Donald Trump would state a preference to live to be 150.
But all of the glory of youth and anti-aging is really a fool’s game. What are the costs of living beyond a reasonable lifetime? Resources go into letting some live longer and the population expands. My own 90 year old father has lost most all of his longtime friends to natural deaths. Simultaneously, people in poverty on an international scale get to suffer penury and starvation in order to live much shorter lives.
It is my own opinion that we ought to live lives with vim and when that wanes and nursing staff have to take care of us rather than a malnourished child living in poverty a few miles away, it is time to cash in the chips. It seems that we ought to fend for ourselves while we individually are able to but then let go when staff have to care for us. The costs of keeping an aging population (who can afford it) are misspent when there is so much need elsewhere.
My own mother only recently died and she shared my thinking. She had an option of having life extending surgery in her early 80s. She investigated the potential good of that exercise and discovered that there was a reasonable chance that the surgery could diminish her mental capacity. She opted out of that arrangement and lived several more years with her physical capacity dwindling but her mind sharp.
These are amongst the things that Doughty described in her book. She also made suggestions about the disposal of human remains when the time comes. This also a very emotional topic, one laced with cultural mores. It is her desire to have a green burial. Cremation has its good points but it is at a serious cost to our sketchy environmental resources. She likened the procedure to be akin to driving a car 500 miles. She describes other cultures and historical times who did a better job. The one I liked the best is one that if I had the wherewithal to do would be to go to a desolate place as death loomed, die and then let nature take its course like it does when a deer dies for instance. Flies, beetles, vultures and coyotes will prolong their own lives with the sustenance that my body could provide. I do not find that repulsive at all. Were I able to succinctly end my life that way I would. Doughty prefers to have plant life profit from her remains and there is nothing wrong with that.
As she often pointed out, her subject matter makes people uncomfortable as does her job. It was clearly her goal to make people uncomfortable so that they could re-think their views on death and the disposal of loved ones. She discusses the cultural aspects of our beliefs about the process and how they are influenced by religious dogma amongst other things. The repugnance that is often felt when discussing the end of life process has also been heavily influenced by the death industry. Like all other commercial endeavors there must be something to sell. In this case it is to people who currently have a unique vulnerability. We want to honor the dead. We are also filled with emotion. Funeral orations do not remind us of when Joe went to prison for usurping the retirement funds of thousands. They do not expound on how Mary only married Brad for his sizeable portfolio. Rather they remind us of how funny the person in the casket was or how they loved the local football team. Certainly they also remind the audience of really good things the deceased did when they have done those things.
Ultimately the dead do not care what happens to their remains. It is likely that many or most state preferences and loved ones abide by those in most cases. Doughty’s goal is to have society rethink preferences and to expand them far beyond ornate sepulchers and embalming. She wants us to think beyond cremation and scattering ashes in the sea or other romantic notions about how we cycle from ashes to ashes.
Her goal is to have us rethink the potential of disposing of remains that considers the physical environment that we live in. It is also to reconsider the social and cultural environment. We may want to ask ourselves well in advance of our assumed demise (yeah we all may be hit by a bus tomorrow) and plan our exit in a way that costs all of humanity less than the dying industry would hope.
Doughty hit on many things that have been pondered (and actually acted upon) in these quarters. She provides insight that is profound and often in a mirthful way. She discusses many things that were pretty much spot on for this reviewer and that is my disclaimer.
I feel as though I've had the same thoughts about death that were presented in the book as I'm certain most everyone has. I've had thoughts about how I will meet my end, what will become of my body, the hypothetical situations where someone you wouldn't want to have see you in that state is front and center; witnessing the worst. But I feel like we never go beyond those thoughts. We don't research the answers. We don't possess realistic expectations.
Doughty turned those thoughts into an obsession of sorts. She was pained by the fact that the United States in particular chooses time and time again to avoid acceptance of the realities of death all together. We have been conditioned during our upbringing by society and surroundings to not openly discuss the subject. Instead we focus on ways to cheat death or take any measure necessary to prolong life and are always in search of the fountain of youth.
Embalming was born from marketing and consumerism. No one wants to look behind the "formaldehyde curtain" and look natural decomposition in its "repulsive" eye. But once you understand that presentation methods involve being "sprayed, sliced, pierced, pickled, trussed, trimmed, creamed, waxed, painted, rouged, and neatly dressed" all in order to transform a common corpse into your expectation of what they should look like, you may reconsider.
To say that this book opened my eyes would be an understatement. It changed my views drastically and added a great calmness. If you associate your own future death with chills down your spine or have attended viewings of others and had the thought "they don't even look like themselves" cross your mind or can't for the life of you recall any familial/cultural death rituals/traditions that are done at the time of a loved one's passing, YOU need to invest a little time in this book. Death isn't scary. Ignorance toward death is scary.
How would you choose to forever be laid to rest? Before this book, I wasn't even aware of all the possibilities. To be expensively embalmed, beautified, sealed in a golden casket, placed into a marble vault, crowned with a stylish headstone that has purposely been inscribed with such poetry to surely turns heads of each and every passerby. To be cremated and placed into an urn that will ironically collect its own dust sitting on the mantle or be thrown out to sea following the goodbyes of its tosser. To be admirably donated to science. To recycle yourself through green burial. Or as the author mentioned, if she had the choice, to offer herself back to nature; being free to lie where she dies and allow all surrounding elements to receive her. "My whole life I had eaten other animals, and now I would offer myself to them. Nature would at last have its chance with me."
The author noted that there was no Art of Dying manual readily available to guide us through our decision making and thus, she created one. The reason behind preparing and designing your own "Good Death" is to ensure that your wishes will be met and your loved ones will be considered - as they generally have to manage the aftermath.
"For me, the good death includes being prepared to die, with my affairs in order, the good and bad messages delivered that need delivering. The good death means dying while I still have my mind sharp and aware; it also means dying without having to endure large amounts of suffering and pain. The good death means accepting death as inevitable, and not fighting it when the time comes.... Your relationship to morality is your own." - Caitlin Doughty
Check out orderofthegooddeath.com for some insight from the author herself.
Top reviews from other countries
By Caitlin Doughty
Reviewed by Jay Gilbertson
I would imagine that some of you are humming the song, right? Well, this is not a review about the Platters or their song or even about eyes. It is about smoke. More to the point, cremation. And, I should mention before I lose most all of you, is that this memoir is really funny.
Honestly.
Author Doughty describes herself as “functionally morbid.” After reading her book, I certainly would concur. A should-read if you think you or someone you know, may end up dead one day.
I’ve got you now!
This is the first sentence, talk about a hook; “A girl always remembers the first corpse she shaves.”
So begins author Doughty’s first day on the job. Though it took her nearly 6 months to land her first gig in the, shall we say, death-trade, land she did. You would think that this type of occupation is desperate for (pun intended) new blood, but the real kicker is that no one wants to hire you unless you have prior experience. Let that settle in.
Though the actual act/job of cremation is well documented by Doughty, the bulk of the tale is woven around our really peculiar way of dealing with death. Or not. Not only are we in total denial, but we have this creepy ritual of dressing up our dead to look as though they are only in eternal sleep. And the embalming? Well, did you know the real reason why you have to now place your embalmed body in a cement case? One word—Kaboom!
An aspect of this memoir that I found refreshing was Doughty’s constant dipping into the role of philosopher—death-philosopher. Though she may have a rather macabre sense of humor and at times pushes it over the edge, she does have a point about our culture. We are in denial. But something new is emerging.
“Historically, death rituals have, without question, been tied to religious beliefs. But our world is becoming increasingly secular. The fastest-growing religion in America is “no religion”—a group that comprises almost 20 percent of the population in the United States. Even those who identify as having strong religious beliefs often feel their once-strong death rituals have been commoditized and hold less meaning for them.”
What began as a career in the cremation world unfolded into what the author calls, “cultural death denial.” A cause she has embraced and is now a very vocal spokesperson for. Not the death part, but bringing the very fact that, surprise-surprise, we all are going to die. There is also a slew of interesting, as well as, disturbing factoids to consider.
“The fastest-growing segment of the US population is over eighty-five, what I would call the aggressively elderly. If you reach eighty-five, not only is there a strong chance you are living with some form of dementia or terminal disease, but statistics show that you have a 50-50 chance of ending up in a nursing home, raising the question of whether a good life is measured in quality or quantity.”
This is an important book for anyone who questions their mortality, who wonders what really happens at the funeral home. This is not a trick or a treat. Consider this; we all begin to die the day we’re born.
• Happy Halloween!
[...]• Everyone does it…
The Author's Note at the start gives the reader some idea about her curiosity of death and I laughed at her warning for those who did not wish to read realistic depictions of death and dead bodies. advising that you may have stumbled into the wrong book!!
Actually this book isn't grim or morbid at all. It deals with the inevitable end to life in a practical way. Lots of questions were answered - many of which I would never have dared to ask.
Caitlin Doughty also introduces the reader to consider their own death and the deaths of those around you, all in a healthy way. The disposal of a body is a practical exercise and this book considers us to think about this away from the emotion of losing someone.
Interestingly, the author waits sometime before discussing how we die and then refers to another book that I read recently - Being Mortal by Atul Gawande - I think that Caitlin Doughty should have concentrated on the after death rather than the actual death but the two books together work very well.
My only hesitation was that this is an American author. She occasionally references practices in the UK but it is predominantly about the US which gives some cultural differences.
Great read which I will recommend to all of my slightly less sensitive friends.


















