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Snow Crash by [Stephenson, Neal]
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Snow Crash Kindle Edition

4.1 out of 5 stars 1,298 customer reviews

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Length: 480 pages Word Wise: Enabled Enhanced Typesetting: Enabled
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Editorial Reviews

Amazon.com Review

From the opening line of his breakthrough cyberpunk novel Snow Crash, Neal Stephenson plunges the reader into a not-too-distant future. It is a world where the Mafia controls pizza delivery, the United States exists as a patchwork of corporate-franchise city-states, and the Internet--incarnate as the Metaverse--looks something like last year's hype would lead you to believe it should. Enter Hiro Protagonist--hacker, samurai swordsman, and pizza-delivery driver. When his best friend fries his brain on a new designer drug called Snow Crash and his beautiful, brainy ex-girlfriend asks for his help, what's a guy with a name like that to do? He rushes to the rescue. A breakneck-paced 21st-century novel, Snow Crash interweaves everything from Sumerian myth to visions of a postmodern civilization on the brink of collapse. Faster than the speed of television and a whole lot more fun, Snow Crash is the portrayal of a future that is bizarre enough to be plausible.

From Publishers Weekly

One of the added pleasures of the success of Stephenson's recent books (Cryptonomicon, etc.) is this better-late-than-never audio version of his third (and arguably best) novel, which continues to be a paperback bestseller. Snow Crash (1992), which helped earn the word "cyberpunk" a place in history, is set in the not-too-distant future where the Mafia controls pizza delivery, the U.S. is a vast, mall-like patchwork of corporate-franchise city-states, and young Hiro Protagonist (yes, that's the hero protagonist's name) uses his computer game wizardry and pizza delivering skills to combat a deadly new designer drug (and computer virus) called Snow Crash. Actor/writer Davis is the ideal choice for bringing Stephenson's crackling, poetic language to life, and the author-approved abridgement sacrifices none of his hilariously skewed, eminently believable vision a stew of concepts from Sumerian myth to Japanese anime of the commercially sponsored fate that sits waiting in a giant shopping mall, coming soon to a neighborhood near you. Based on the Bantam Doubleday Dell paperback.

Copyright 2001 Cahners Business Information, Inc.


Product Details

  • File Size: 1594 KB
  • Print Length: 480 pages
  • Page Numbers Source ISBN: 0553380958
  • Publisher: Spectra (August 26, 2003)
  • Publication Date: August 26, 2003
  • Sold by: Random House LLC
  • Language: English
  • ASIN: B000FBJCJE
  • Text-to-Speech: Not enabled
  • X-Ray:
  • Word Wise: Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #5,143 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Top Customer Reviews

Format: Kindle Edition Verified Purchase
I give the book 5 stars, as I love the style & the humour. What I give 1 star is the Kindle edition compared to the printed book. Did this book not exist as an electronic file prior to the Kindle version? I find that hard to belive, but nevertheless, Amazon must have thought so because the Kindle edition has very obviously been scanned & OCR'd from the printed page, and the OCR software they used must have come from the same year when Stephenson wrote the book longhand on paper, apparently.

There are many, many OCR errors in the text, particularly misinterpretation of rn as m, which often makes non-words, or, worse, makes actual words which make no sense, or, even worse, makes actual words that change the meaning of a sentence and bring your reading to a grinding halt.

Amazon; if you must OCR books to Kindle, spare a few hours to proof-read them. This is my first bad Kindle experience. Very amateur electronic publishing job.
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Format: Paperback
...of someone who took a previous reviewer's advice to have another buy the book, then lend it and be forced to buy another copy when it doesn't return!
From the opening description of Hiro Protagonist (the main character--couldn't you tell?), I was caught by the irony, sarcasm, wit, and sheer fun with the English language that Neal Stephenson has in his repertoire. Snow Crash is gutsy, innovative, witty, and fun. It rewards anyone who churn out code for a living. Anyone who wonders what happens to our brains with all the advertising thrown at us. Anyone who is tired of the same old science fiction. Anyone who has wondered if the Tower of Babel story, combined with Sumerian mythos, would make a good computer-age read... the answer is yes.
It's almost impossible to review a cyberpunk book without comparing it to uberauthor William Gibson's works. I find Gibson to be cooly intellectual, reserved, methodical--a great read for a day when I'm ready to think hard. Stephenson is white-hot, down and dirty, in the trenches, while not losing touch with the thoughtfulness and underlying structure that makes Gibson satisfying.
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Format: Paperback
I came to _Snow Crash_ on the recommendation of a few people who had read it (they called it "great!" and "hilarious!," and knowing that Neal Stephenson is sometimes listed as a "cyberpunk" writer along with William Gibson et al.
I had liked William Gibson's books, so I gave _Snow Crash_ a try.
_Snow Crash_ is primarily about Hiro, a young man who delivers pizzas and collects information for the Central Intelligence Corporation (freelance), for a living. He lives in a storage unit with a cult-hero rockstar named Vitaly Chernobyl. He owns a futon, two awesome Japanese swords, and a laptop computer, where he stays "jacked in" to the "Metaverse" a lot of the time, where he is the world's greatest swordfighter.
Hiro witnesses a crime while interacting with others in the Metaverse. One of his friends is deliberately exposed to a dangerous block of text, which fries his brain (in the real world), and renders him a vegetable. Hiro and his friend Y.T. (15-year old skateboarding female, and knee-slappingly funny smartaleck) set off to find out why, and save the world in the process.
From the getgo this is a funny book. Sure, the vision of the near-future is dark, a little alarming, and at times depressing (there are NO general laws in _Snow Crash_, for example, and private corporations run everything, even the police, just as an example). That's what cyberpunk is like. But the HUMOR is one thing that sets Neal Stephenson aside. Hiro Protagonist? Come on, that's FUNNY, PEOPLE! One reviewer called it an 'odd' name. Yes, it's odd, and it's absurd, and it's funny! Did this author mean it is an unusual choice for a character name? I don't know. I hope not.
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Format: Paperback
To the extent that a book can be described as original, "Snow Crash", by Neal Stephenson is deserving of the moniker. About the only common ground that his work shares with others is that ink is applied to paper using the same letters, and then pages are bound to create a book. Much beyond that and you are in the midst of this Author's view of a given world he has modified and created. He is not only incredibly unique; his wit passes the cutting edge to the bleeding edge of razor sharp sarcasm, and irony. And when he uses words he assembles them in arrangements you have never listened to before. An important aspect that sets his work apart in this genre is that while delivering enormous amounts of information, he keeps the reader informed, he does not lose you, he ensures you stay with his wickedly fast pace by keeping you educated. Other Authors of Science Fiction are weak on this point, and it weakens their books.
One date to remember when reading this work is that it was first released in June of 1992 after three years in the making. This is critical, as so much of what was absolute fiction then, may now be found within the pages of Wired Magazine. There are even words he originated that are common to most people who use a computer, especially if you have ever tried what he calls the Metaverse, touring it as an Avatar.
One of the reasons his work is so authentic and exceptionally good is that he knows his material. If he talks about code he's qualified, as he has written it. When he is speaking of Sumerian Mythology an Author who spent years researching his material is again relating it. And when he just lets go with dialogue or descriptive prose it is mind binding for being clever, unique, and hilarious. He also has raised sardonic prose to an art form.
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