An Amazon Best Book of the Month, June 2013: In 1859, Eli McCullough, the 13-year-old son of Texas pioneers, is captured in a brutal Comanche raid on his family's homestead. First taken as a slave along with his less intrepid brother, Eli assimilates himself into Comanche culture, learning their arts of riding, hunting, and total warfare. When the tribe succumbs to waves of disease and settlers, Eli's only option is a return to Texas, where his acquired thirsts for freedom and self-determination set a course for his family's inexorable rise through the industries of cattle and oil.
The Son is Philipp Meyer's epic tale of more than 150 years of money, family, and power, told through the memories of three unforgettable narrators: Eli, now 100 and known simply as "the Colonel"; Eli's son Peter, called "the great disappointment" for his failure to meet the family’s vision of itself; and Eli's great-granddaughter Jeanne Anne, who struggles to maintain the McCullough empire in the economic frontier of modern Texas. The book is long but never dull—Meyer's gift (and obsession) for historical detail and vernacular is revelatory, and the distinct voices of his fully fleshed-and-blooded characters drive the story. And let there be blood: some readers will flinch at Meyer's blunt (and often mesmerizing) portrayal of violence in mid-19th century Texas, but it’s never gratuitous. His first novel, 2009's
American Rust, drew praise for its stark and original characterization of post-industrial America, but Meyer has outdone himself with
The Son, as ambitious a book as any you’ll read this year--or any year. Early reviewers call it a masterpiece, and while it's easy to dismiss so many raves as hyperbole,
The Son is an extraordinary achievement.
--Jon Foro
--This text refers to an alternate
kindle_edition edition.
A Globe & Mail 100 Selection
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and take him captive. Brave and clever, Eli quickly adapts to Comanche life, carving a place as the chief's adopted son, and waging war against their enemies, including white men. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong--a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
--
New York Times Book Review
--This text refers to an alternate
kindle_edition edition.
From the Back Cover
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Spring, 1849. Eli McCullough is thirteen years old when a marauding band of Comanches takes him captive. Brave and clever, Eli quickly adapts to life among the Comanches, learning their ways and waging war against their enemies, including white men—which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong—a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.
--This text refers to an alternate
kindle_edition edition.
*Starred Review* Inside Meyer’s massive Texas saga is perhaps the best Indian captive story ever written: in 1849, 13-year-old Eli McCullough is abducted by Comanches after they’ve raped his mother and sister. Eli adapts. He learns the language and how to hunt and raid, and by age 16, he’s a fierce warrior. In the process, the reader is treated to a fascinating portrait of the Comanches, including a Melville-like cataloging of all they did with the buffalo. Eventually, young Eli returns to the white world, but after an affair with a judge’s wife worthy of Little Big Man, he’s forced into the Texas Rangers. Later still, he fights for the South and steals a fortune from the North. He returns to South Texas to found an unimaginably large ranch, which he adds to by trumping up a massacre of a distinguished Mexican family, the Garcias. No scion measures up to Eli, unless it’s Jeanne, his great-granddaughter, who ruthlessly presides over her oil and gas well into the twenty-first century. And, in a different way, Peter, Eli’s son, as softhearted as his father was ruthless, makes his mark. He alone laments the massacre of the Garcias, but he’s an indifferent rancher, and his love affair with the only surviving Garcia threatens to disembowel the McCullough empire. If you want to build a place like Texas, Meyer seems to say, only ruthlessness will suffice. In his many pages, Meyer takes time to be critical of Edna Ferber, but his tale is best compared to Giant. Lonesome Dove also come to mind, as well as the novels of Douglas C. Jones, Alan LeMay, and Benjamin Capps. --John Mort
--This text refers to an alternate
kindle_edition edition.
Review
`The Son is an epic, heroic, hallucinatory work of art' -- Chris Cleave 'Meyer is an impressive and multi-talented storyteller in the old, good sense - the kind that makes me hang on for whatever the next chapter will hold' -- Richard Ford 'Brilliant ... a wonderful novel' -- Lionel Shriver 'Its viscerality and boundless capacity for storytelling puts it on a par with the classic of the genre, Cormac McCarthy's Blood Meridian' * Sunday Telegraph * 'The Son makes a viable claim to be a Great American Novel... an extraordinary orchestration of American history' * Washington Post * 'Only in the greatest of historical novels do we come to feel both the distance of the past and our own likely complicity in the sins of a former age, had we been a part of it. To that rank, we now add The Son' * New York Times * 'Magnificent ... McCarthy's Border Trilogy is a point of reference, as is There Will Be Blood, but it is not fanciful to be reminded of certain passages from Moby-Dick - it's that good' * The Times * 'Stunning ... a book that for once really does deserve to be called a masterpiece' -- Kate Atkinson
--This text refers to an alternate
kindle_edition edition.
About the Author
Philipp Meyer grew up in Baltimore, dropped out of high school and attended Cornell, where he studied English. Since graduating, Meyer has worked as a derivatives trader and a construction worker. His writing has been published in McSweeney's, The Iowa Review, Salon, and New Stories from the South. From 2005-2008 Meyer was a fellow at the Michener Center for Writers in Austin, Texas. He lives near Ithaca in New York State.
--This text refers to an alternate
kindle_edition edition.
![The Son by [Philipp Meyer]](https://m.media-amazon.com/images/I/41P9MYH92lL._SY346_.jpg)
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