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Song of Susannah (The Dark Tower, Book 6) Hardcover – June 8, 2004
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- Print length411 pages
- LanguageEnglish
- PublisherDonald M. Grant/Scribner
- Publication dateJune 8, 2004
- Dimensions6.5 x 2 x 9.5 inches
- ISBN-101880418592
- ISBN-13978-1880418598
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- Publisher : Donald M. Grant/Scribner (June 8, 2004)
- Language : English
- Hardcover : 411 pages
- ISBN-10 : 1880418592
- ISBN-13 : 978-1880418598
- Item Weight : 2.2 pounds
- Dimensions : 6.5 x 2 x 9.5 inches
- Best Sellers Rank: #256,061 in Books (See Top 100 in Books)
- #975 in Ghost Fiction
- #9,053 in Epic Fantasy (Books)
- #13,958 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.
King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.
King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.
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It's a lot to unpack and a lot of books I need to go back and read that relate to this series.
Stephen King is a genius and the different perspectives this book is written from give a lot of insight to how each character feels and their willingness to do whatever it takes.
That said, you'll notice, if you're a dedicated reader of the series, that this book is very similar to the fifth and not so much to any of the other books in the series. This is new for this particular series of books, primarily because these last three were released in the course of a year and a half and the previous four took over twenty. Let's take a look at the good and the bad, shall we?
I'll start with the bad, because I'm better at that. For one thing, I think that this book (in light of the events of Wolves of the Calla and The Dark Tower) is terribly patched together. And I mean that literally. It comes up to only a little over four hundred pages, and there's a couple of hundred that could easily have been lifted out of the next book in the series and dropped in here without so much as a ripple. On the whole, I think that would have been better for everybody, and it kind of bothers me the way that this particular book seems to rush along when compared to its neighboring titles. It also does a lot of introducing of plot elements that it makes absolutely no attempt to resolve, which is just lazy writing and what some would call a shameless argument to get people to buy the final book.
The writing itself is pretty much as it was in the fifth story, which is to say that it's much like Stephen King's usual storytelling voice, only with a little bit of manufactured dialectic thrown in for good measure. It lags in places and trips along quickly in others, but on the whole the story is still not as fast paced as, say, The Waste Lands--after four hundred pages, there's still only perhaps one or two action scenes of any note or moment. Most of the story is again spent in conversation and internal monologue, which is fine by me, but if readers are expecting a return to the past for the series, they had best think again.
Extended character development is mostly not a factor in this book, but that's probably more due to the fact that these characters should already be familiar to readers than anything else. The characters, at this point, are what they are, although I will admit that there was an apparent glaring flaw in Eddie's conduct halfway through the book (where his primary concern suddenly does a complete 180) that I don't think is explained anywhere near adequately. I'll also say right now that I hate it when authors try to write books that know they're books. You'll know what I'm talking about when I read the series, but ever since Illuminatus! it's been nothing more than gimmicky noise to me (as it was then). I don't have much taste for it, but I believe most readers will find it a novel concept.
As a Dark Tower book, I'd put this one near the bottom, if only because so little of any import actually HAPPENS in this volume. As a book in general, I'd say it's about what you'd expect from a Stephen King book. The writing will keep your attention and keep you turning the pages, the plot will be interesting enough to keep you involved but nothing that will leave you gaping in amazement, and the language and character backstory will again be some of the best elements.
For Dark Tower fans, it goes without saying that this book goes in their collections. For others, I'd recommend that you try out the first two or three books and then make your decisions--by the time you get to here, you'll either be sold on the series or you won't.
"Song of Susannah " opens where "Wolves of the Calla" left off, with Jake, Callahan and Oy going through the door in the Cave near Calla. Their destination is 1999, New York City, and their mission is to find and help Susannah avoid the horrors which await if Mia takes total control of her body. The woman/women are also about due to go into labor, and will be at the mercy of the Crimson King's sinister "low men" if not rescued in time. Jake, Callahan and Oy must also find and take possession of the mighty and deadly Black Thirteen.
Roland and Eddie travel through the same door to East Stoneham, Maine, in the year 1977, to buy the vacant lot located at Second Avenue and Forty-Sixth Street in Manhattan, where grows the precious Rose, the manifestation of the Tower on Earth. The two Gunslingers must find Calvin Tower, who is in hiding near town with his friend Aaron Deepneau, and convince Tower to sell them the property. Meanwhile, Enrico Balazar and his thugs have also traveled to East Stoneham, to murder Tower and Deepneau and gain control of the lot. If they do, the lot will be bought and the Rose captured and destroyed by North Central Positronics and Sombra, the multilateral corporations responsible for much of the wasteland Mid-World has become.
The first four Dark Tower novels are amongst the best pop fiction I have ever read, and certainly King's best work. I love this epic saga, and Roland in particular, who is certainly my ideal classic hero. There have been more than a few times when I became so engrossed in the story I almost forgot I was reading fiction - so real did the Gunslinger and his ka-tet seem, and so grave their danger - and ours. Nothing less than the future of all universes and time is at stake here. Right? Book five was somewhat of a disappointment. Instead of multiple plots, much action, taut writing and increasing tension, the novel was overlong, slower paced, included too much repetition and filler, and of all things, introduced the author as a character, as well as brought forth a character from one of King's early books. I had read "Salem's Lot" years ago and had forgotten much of the story - thus I missed out on a good part of "Wolves of the Calla's" significance. Why weren't loyal readers warned to brush up on King's prior novels? Still, I thought it was an above average read, although not even close to the quality of the previous four novels.
Stephen King has become increasingly self-indulgent and this becomes quite evident in "Song of Susannah." The first books are so good that it would be impossible to spoil them for me, and nothing can permanently detract from the ka-tet's members, nor their mission. However, by not only making himself a character here, but a major character, King errs greatly. Just as Susannah has been taken over by Mia the host, King's ego has dominated the talented author. King even describes his own laugh as, "charmingly goofy." Puleeze!! The result is not worthy of the series. King has Roland and Eddie visit him and the three discuss the Dark Tower series. Brave, serious, purposeful Roland actually becomes frightened when he realizes he is but a figment of the author's imagination. The dark drama suddenly takes on a circus-like atmosphere. For a minute, I felt kind of like a kid being told there's no Santa Claus. The introduction of King's biographical material, etc., and reinforcing that the heroes are fictional, diminishes the power and magic of Roland of Gilead, Mid-World, et.al., and brings the reader crashing back to reality, in my opinion. I also found distracting and irrelevant the CODA or King's writer's journal, which highlight events in the author's life from 1977 - 1999. Why?
Not only would I never discourage anyone from reading "Song of Susannah," I firmly believe that those who miss out on this extraordinary series are denying themselves some major literary pleasure. I wouldn't have missed it for the world. I highly recommend all 7 books, although I have yet to read the last one. At this point, I don't care how King ends his epic. I just know that he has taken me, so far, on a glorious 3500 page ride, (approximately), and I have loved almost every minute of it. Nothing that occurs in the final book, or that happened in this one, can spoil my glorious experience with the Dark Tower. I do believe in calling it like it is, though, and Mr. King got it wrong with this one...but it is still a decent book.
JANA












